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TCO: Blomstedt at Blossom (July 28)

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by David Kulma

Having recently turned 91, Herbert Blomstedt is practically an institution in himself, with a career spanning more than six decades. On Saturday, July 28, he returned to Northeast Ohio to lead The Cleveland Orchestra at Blossom Music Center in two canonical symphonies by Mozart and Brahms. The “Jupiter” was so smooth and straightforward as to pass by unremarkably, while the stirringly passionate performance of Brahms 4 showed how a seasoned conductor with a top-flight orchestra can achieve magic.

[Read more…]

Cleveland Orchestra: a conversation with Simon Trpčeski

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by Mike Telin

The sounds of Russian music will fill Blossom Music Center on Saturday, August 11 at 8:00 pm when Vasily Petrenko leads The Cleveland Orchestra in Liadov’s Baba-Yaga, Rachmaninoff’s Rhapsody on a Theme of Paganini and Prokofiev’s Symphony No. 5. Tickets are available online.

The concert also marks the return visit to the Blossom stage by pianist Simon Trpčeski. “I made my Cleveland Orchestra debut at Blossom playing Rachmaninoff’s second concerto and it was an honor to be asked to perform that same piece the following year on the subscription series at Severance Hall,” the pianist said by telephone from California, where he was premiering a new concerto at the Cabrillo Festival of Contemporary Music.

“It’s not just my opinion, but Cleveland is one of the top orchestras in the world, and Blossom is such a beautiful venue. This time I am playing a different concerto, but it is by the same composer,” the Macedonian pianist said. “And to play it with my good friend Vasily — we’ve played and recorded all of the Rachmaninoff concertos — is going to be a fantastic musical journey.”

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Kent Blossom Chamber Orchestra & Cleveland Orchestra Side-by-Side (July 19)

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by Timothy Robson

The first Cleveland Orchestra concert at the Blossom Music Center occurred on July 19, 1968. On Saturday evening’s concert there was no official recognition of that 50th anniversary, but the event did mark another tradition in existence since 1990: a “side-by-side” performance in which members of the Kent Blossom Chamber Orchestra were interspersed with The Cleveland Orchestra. [Read more…]

Cleveland Orchestra musicians play on CVNP Conservancy Series (July 17)

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by Alice Koeninger

The Happy Days Lodge welcomed musicians from The Cleveland Orchestra with special guest Eric Wong into its wide-beamed hall on Tuesday, July 17, at 7:00 pm. Hosted by the Conservancy for Cuyahoga Valley National Park, the concert was a lovely and relaxed program full of color and brightness. [Read more…]

Blossom Music Center: opening a summer home for The Cleveland Orchestra (second of three articles)

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by Alice Koeninger

50 years ago, the Cleveland-Akron area was bursting with anticipation of Blossom Music Center’s opening on July 19, 1968. For the two weeks leading up to the inaugural performance –– which began with The Star Spangled Banner and continued with Beethoven’s Consecration of the House Overture and the Ninth Symphony –– newspapers ran a continuous flow of previews to hype the event. Articles about the coupon books being sold (tickets were only $2 for the lawn), the relaxed dress code (an Akron Beacon Journal headline read “Wear what you please”), and the planned broadcast of the program in color on Channel 3 and on WCLV-FM, all added to the excitement. [Read more…]

Cleveland Orchestra at Blossom with Storgårds & Frang (July 15)

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by Delaney Meyers

The Cleveland Orchestra continued its crowd-pleasing summer season at Blossom Music Center on Sunday, July 15 with a fabulous concert featuring Finnish guest conductor John Storgårds and Norwegian violinist Vilde Frang. [Read more…]

31 young pianists arrive this week for Oberlin Cooper Competition

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by Daniel Hathaway

Piano professor Robert Shannon is eagerly waiting to welcome this year’s participants in the Thomas & Evon Cooper Piano Competition to the Oberlin campus later this week. “This year the lineup is stronger than ever,” Shannon said in a recent telephone conversation. “There’re some impressive people, and the overall level is consistently high.” (Photo: the semifinalists in 2016.)

The biennial piano contest, which alternates with a violin competition, will be fueled by 31 young players from seven different countries (see the roster of competitors and their repertoire here). The 13-18 year-olds have been selected from a field of some 90 applicants who have been drawn to the Cooper event through its reputation alone. “We don’t actively recruit,” Shannon said. “We just publish the announcement and we’re well enough known by now that it just happens. The first year we held the Cooper we had something like 140 pianists apply, but then I think people figured out how challenging it was going to be. We’ve stabilized now at about 90 applicants.”

This year’s competitors include eleven U.S. citizens, seven from China, five from Canada, three from South Korea, two each from Finland and Taiwan, and one from Norway.

[Read more…]

Blossom Music Center: starting to build a summer home for The Cleveland Orchestra
(first of three articles)

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by Alice Koeninger

As you may remember, two summers ago The Cleveland Orchestra helped to celebrate the centennial of the National Parks Service at the Blossom Music Center. Now it is time for Blossom to celebrate its own milestone: its 50th anniversary.

At Blossom’s conception, The Cleveland Orchestra was the only “Big Five” orchestra in the country that did not offer full-time positions to its musicians, mainly due to the fact that it did not have a summer home. In 1965, it became musical director George Szell’s mission to build such a residence, and the Musical Arts Association was finally listening.

Soon, Frank E. Joseph, Szell’s friend and board president, along with Beverly Barksdale, the Orchestra’s general manager, began looking at possible sites for that outdoor venue. 

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Got summer plans, Cleveland Orchestra? Blossom + Summers@Severance + a few extra notables

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by Jarrett Hoffman

Absence makes the heart grow fonder, and Clevelanders haven’t heard their orchestra live since mid-May. In the interim, The Cleveland Orchestra has been on the road, finishing off their centennial-capping Prometheus Project with performances at Vienna’s Musikverein and Tokyo’s Suntory Hall. Oh, how we miss them.

We’ll get reacquainted with TCO soon, thanks to their schedule at this year’s 50th anniversary season of Blossom Music Festival, plus their fourth Summers@Severance series.

The Cleveland Orchestra marks the unofficial beginning of summer when they open their Blossom season on Saturday, July 7 at 8:00 pm. At the helm will be music director Franz Welser-Möst, leading the Orchestra in Mussorgsky’s Pictures at an Exhibition in its orchestration by Ravel, Reznicek’s Overture to Donna Diana, and Beethoven’s Triple Concerto, featuring TCO’s own soloists –– pianist Joela Jones, violinist Stephen Rose, and cellist Mark Kosower. At this concert and two others, check out the Image Magnification system, which displays live video of the performers on LED screens in the Blossom Pavilion. Fingers crossed for the weather — a firework show is planned for afterwards.

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Opinion:
The Cleveland Orchestra — Prometheus or Epimetheus?

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by David Kulma

Heinrich_fueger_1817_prometheus_brings_fire_to_mankindAs noted in The Cleveland Orchestra’s program book for The Prometheus Project, the  mythological Titan’s forgotten brother Epimetheus “spent much of his time thinking about yesterday, and last week, or looking at the history of a hundred years ago.”

The Orchestra ended its 100th season celebrating two revolutionaries: Prometheus and Ludwig van Beethoven. Music director Franz Welser-Möst’s goal for The Prometheus Project was to link the light-giving Titan to the powerful Enlightenment composer, and through them connect to “the idea of fighting for good.” This celebration of revolutions past is noble, but it also points out how the Cleveland institution appears more like his backward-looking sibling than Prometheus himself.

In a way, TCO’s festival of Beethoven symphonies and overtures makes all the sense in the world. [Read more…]

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