by Mike Telin

Trevino, who was named Music Director of the Basque National Orchestra in 2016, said that he sees the symphony as part of a continuum that exists in the composer’s last four symphonies. “I think the Fourth, Fifth, the Manfred, and the Sixth are all dealing with fundamentally the same problem, and finding a different way of solving it,” he said, explaining that beginning with the Fourth Symphony the composer enters into a period of ever-present doom.
“I can’t help but feel that comes from his profound isolation, because he lived in a time when homosexuality was not just frowned upon, it was simply not allowed and I imagine that was very difficult for him. [Read more…]



The lawn and pavilion of Blossom Music Center hosted an immense crowd on the evening of July 29 for The Cleveland Orchestra’s performance of Mozart’s 
The strong connections on 

Gian Carlo Menotti’s 1950 cold-war era opera
On Friday evening, July 21, Severance Hall was the final destination for Christina Jihee Nam, Qing Yu Chen, and Johan Dalene, the three young violinists left standing in Oberlin’s Thomas and Evon Cooper International Violin Competition. Their efforts over the last week won them the signal honor of playing concertos with Jahja Ling and The Cleveland Orchestra.
“It’s my first time in Wyoming and there’s some spectacular nature — I’m looking at the Teton Mountain from my window now,” the very friendly