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Archives for June 2019

ChamberFest Cleveland: “Mozart the Giant” (June 20)

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by Daniel Hathaway

Mozart the influencer was documented in music for winds by Beethoven and Poulenc for ChamberFest Cleveland’s fifth program on Thursday, June 20 in CIM’s Mixon Hall, while the notion of “Mozart the Giant” was affirmed by the composer’s own String Quintet in D. The first part of the evening was distinguished by elegant wind playing every bit as refined as what you would expect from a world-class string quartet, yet fully capable of incisive punctuation when the music called for emphatic gestures.

[Read more…]

Oberlin BPI’s Dido and Aeneas: ten minutes with Lucas Harris

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by Daniel Hathaway

The 48th year of Oberlin’s Baroque Performance Institute sports a remarkably inclusive theme: “Music of the Enemies of Louis XIV.” BPI’s promotional materials note that in addition to engaging in four large-scale conflicts, the French Sun King managed to ruffle the feathers of nearly every major power in Europe during his 72-year reign.

Last week’s faculty concert featured music by Joan Cabanilles, Johann Joseph Fux, Johann Heinrich Schmelzer, Heinrich Biber, Johannes Schenck, Tomaso Albinoni, Henry Purcell, and Arcangelo Corelli in a performance that filled Kulas Recital Hall to capacity just with BPI participants.

This Friday evening, June 28 at 7:30 pm, the big faculty/guest concert moves into the much larger space of Warner Concert Hall for Arcangelo Corelli’s Concerto Grosso in D, Op. 6, No. 4 in D, Petronio Franceschini’s Sonata for Two Trumpets, and Johann Joseph Fux’s Ouverture in d. The evening will close with a semi-staged production of Henry Purcell’s tragedy Dido and Aeneas, based on Book IV of Virgil’s Aeneid. [Read more…]

Cleveland Trombone Seminar: Trombone Choir finale (June 16)

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by Nicholas Stevens

On a recent Sunday afternoon in Cleveland State Univesity’s Waetjen Auditorium, extraordinary sights and sounds filled the room without overwhelming it. For those accustomed to hearing symphony orchestras in concert, forty-seven will not sound like an especially high number of musicians to see onstage — until it becomes clear that the group consists exclusively of low brass players. The ten tubists and thirty-seven trombonists of the Cleveland Trombone Seminar brought finesse and energy to a varied program, their instruments’ reputations for volume and slowness cast aside at the auditorium’s threshold. [Read more…]

Cleveland Orchestra summer season launches on June 29

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by Daniel Hathaway

When the gates open for this summer’s Blossom Music Festival on June 29, patrons will enjoy some new guest amenities.

A new bar space, The Tasting Room, will make its debut near the Lot A entrance and will be open before and after each performance. Post- concert dessert service will offer guests an opportunity to linger and avoid the rush to the parking lots.

Remember the Image Magnification technology that projected onstage activity onto huge LED screens in the Pavilion last summer? That was a test run for this summer’s IMAG feed that will enhance all performances, many produced in partnership with ideastream, the public service organization that operates WVIZ/PBS, WCPN 90.3, and WCLV 104.9.

Gourmet picnic packages can be pre-ordered and picked up in the Special Events Center for all events and save concertgoers the trouble of self-catering. Speaking of edibles, subscribers and donors will have access to special refreshments and light bites in Kulas Plaza before certain concerts. [Read more…]

Re:Sound Festival at Praxis Fiber Workshop and Bop Stop (June 8)

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by Jarrett Hoffman

June 8 was the busiest day for the Re:Sound Festival, with three concerts around the city. I heard the first two, beginning in the afternoon at Praxis Fiber Workshop, where the duo Dykes & Young set a high bar for the acts that would follow over the course of the day. Bassist Laura Dykes and violinist Jeffrey Young performed three original works that had their genesis in joint improvisation, but which have solidified over the years into fixed structures. In particular, the second of the three was riveting. [Read more…]

Underground Classical: Neave Trio at Praxis (June 15)

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by Nicholas Stevens

“We like to call this program The 1.8%,” declared Neave Trio violinist Anna Williams to a bustling room of listeners at Collinwood’s Praxis Fiber Workshop last week. That figure comes from a survey conducted by staff of the Baltimore Symphony Orchestra, who found that only 1.8% of all music programmed by America’s major orchestras in a recent season was by female composers. The trio aims to showcase what so many audiences have been missing. Like others who have mined this vein, the Neave has struck gold. [Read more…]

Petra Poláčková gains steam at the CICG Festival (June 9)

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by Rory O’Donoghue

Czech guitarist Petra Poláčková returned to the Cleveland International Classical Guitar Festival with a performance that gained in confidence and character as it went along on Sunday, June 9 in CIM’s Mixon Hall. She began with several works by the wildly successful lutenist Sylvius Leopold Weiss, which she performed on her beautiful nine-string Romantic guitar crafted by Jan Tulacek. Visually striking with its additional strings, the instrument had a pure, sweet sound of remarkable depth. [Read more…]

Contemporary Youth Orchestra heads into its twenty-fifth year

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by Mike Telin and Rory O’Donoghue

“There was no question that I was going to form this orchestra. My goal was simply to provide something new,” Contemporary Youth Orchestra founder Liza Grossman said during a recent interview. Grossman recalled that as a high school student at the Interlochen Arts Academy she was told she had two options for a career in music: play in an orchestra or teach in the schools. “I have a high respect for both of those professions, but I knew that I didn’t want to do either of them.”

Once she realized that her calling was to be a youth orchestra conductor, she knew she needed to figure out a way to let students know that there are far more options in music. It’s worked out well for Grossman, who said, “Leading CYO has grown into a life that has been so rewarding, and all of the work is a pleasure. I think it was Mark Twain who said ‘The secret of success is making your vocation your vacation.’” [Read more…]

ChamberFest Cleveland 2019: behind the scenes with Franklin Cohen

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by Rory O’Donoghue

“This year’s ChamberFest — the way everything’s turned out — is really quite satisfying. It makes me smile.” I could almost hear Franklin Cohen grinning through the phone.

Prior to the beginning of this year’s festival, I had the opportunity to talk with Cohen, principal clarinet emeritus of The Cleveland Orchestra and co-artistic director of ChamberFest, about the current season and the evolution of the Festival. Above all, he’s immensely appreciative of how far he’s come: “It’s just so wonderful to be able to do this, to have this life of music. I fell in love with music as a child, lying under the piano when my mother would practice. I couldn’t escape the spell, and still can’t.”

ChamberFest emerged in 2012 with its first season, Big Bang!, and has been on the rise ever since. [Read more…]

ChamberFest Cleveland: “Turning/Tipping Points” at Mixon (June 15)

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by Daniel Hathaway

Pivotal moments in the lives of composers linked works by Louise Farrenc, Paul Hindemith, and Johannes Brahms for ChamberFest Cleveland’s third concert on Saturday, June 15 in CIM’s Mixon Hall. But that program was prefaced by Adam Golka’s new arrangement of Debussy’s La mer for two pianos, an hors d’oeuvre that could easily have been served up as a main course. [Read more…]

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