by Tom Wachunas
Unlike some other MasterWorks concerts by the Canton Symphony Orchestra, there was no single, dominant musical theme or concept uniting the selections on its February 16 program. There certainly was, however, a unifying energy working from the podium — CSO Assistant Conductor Matthew Jenkins Jaroszewicz. [Read more…]
by Jarrett Hoffman
Note: due to flight cancellations, this performance has been cancelled.
Fatoumata Diawara aims for a particular balance in her music: respect for her Malian roots, and enthusiasm for international influences. Another balance? The singer and guitarist loves pop, which you can hear in her songs, but listeners should expect her lyrics to venture into heavy territory. And yet — another balance — when she’s onstage, she radiates joy.
The fascinating and thoughtful Diawara — who will perform at the Cleveland Museum of Art’s Gartner Auditorium on Wednesday, February 26 at 7:30 pm — picked up the phone last week in Lake Como, Italy. And when someone tells you they’re at Lake Como, there’s only one possible response.
Jarrett Hoffman: It’s so beautiful there!
Fatoumata Diawara: It’s a special place, very peaceful.
JH: I imagine that it’s also a great place to write music.
FD: Of course! It’s so nice when you take your guitar to the lake — you get inspiration right away. [Read more…]
by Peter Feher
The history of classical music sometimes borders on mythology. The music on the Akron Symphony’s Saturday, February 22 program has taken on this fabled, quasi-historical quality — Mozart’s Requiem, Schubert’s “Unfinished” Symphony, and Beethoven’s over-finished Leonore Overture No. 3. Fortunately, in performance the music more than lived up to the story. [Read more…]
by Timothy Robson
Cleveland’s Baroque Orchestra celebrated the Valentine’s Day weekend with four performances of “L’Amore: An Old Italian Valentine.” I heard the second concert on the evening of Valentine’s Day itself at St. Paul’s Episcopal Church in Cleveland Heights. Apollo’s Fire conductor and harpsichordist Jeannette Sorrell greeted the audience with the adage, “Italian is the language of music, of the angels, and of love.” [Read more…]
by Jarrett Hoffman
“In a way, we’re the most blissfully portable ensemble around,” Chanticleer music director William Fred Scott said by telephone from his home in Atlanta. “We don’t need microphones, we don’t need a piano, we don’t even need music stands.” If the 12-member male chorus had a superhero catchphrase, it might be what Scott said next, with the obligatory baby tagged on at the end: “All we need is a nice acoustic and we’re ready to go.”
The resonant Plymouth Church in Shaker Heights ought to do the trick. As part of an extensive tour away from its home base of San Francisco, Chanticleer will make its debut on the Cleveland Chamber Music Society Series on Tuesday, March 3 at 7:30 pm at Plymouth. David Rothenberg will give a pre-concert lecture at 6:30 pm, and tickets are available online.
The program, Trade Winds, was “kind of a no-brainer for us this particular year,” Scott said. It’s themed around global travel, fitting for Chanticleer’s presence on the Pacific and for the ensemble’s schedule this season: in July, they head to Oceania for their debut in New Zealand and their first trip to Australia since 1997. [Read more…]
by Daniel Hathaway
Jay White will lead Quire Cleveland in two performances of “Journey Home: Finding Unity after Loss,” a program of music based on the theme of exile, on Friday, February 28 at 7:30 pm at St. John Cantius Church, and Saturday, February 29 at 5:30 pm at St. Vitus Church. The performances are free, but freewill offerings will be received (suggested donation, $25) and each will be followed by a reception.
The concerts will be bookended by settings of the Lamentations of Jeremiah by 16th-century English composers Thomas Tallis and Robert Whyte that mourn the destruction of Solomon’s Temple in Jerusalem under Nebuchadnezzar in the late 6th century BCE.
In his program notes, White writes, “Those who were important to the king were taken into captivity in Babylon. The remainder either fled for their lives or were killed. Those fortunate to escape became refugees in their own land, feeling forsaken by God.”
In a recent telephone conversation, White noted that Quire’s program grew out of his interest in engaging with Cleveland’s immigrant communities. “The idea of programming music about leaving home and moving miles away was a way of tying into those immigrants.” [Read more…]
by Nicholas Stevens
Every so often, the first seconds of a concert bring neither anxiety over how the rest will go nor twitchy overstimulation, neither boredom nor ecstasy, but a satisfying assurance. Some performances click right away, the musicians’ technique unimpeachable, their artistry and expression powerful, their manner warm but professional. Such concerts hold attention in a special way — the chances of a misstep negligible enough that listening never involves comparison to an abstract standard. In the Phaeton Trio’s recent tour de force in Rocky River, the initial gestures of the performance set a high standard that held throughout. [Read more…]
by Nicholas Stevens
Musicians love a good metaphor: take, for instance, that of summiting a mountain. When a violinist speaks this way after playing all of Bach’s partitas, or a soprano recalls preparations for a Wagner opera, the image of the artist mounting some hostile peak offers implications of persistence, struggle, and of course triumph. Pianists might describe Beethoven’s sonatas this way. But how many have actually played at the top of a mountain? Archival video confirms that French pianist Pierre Réach literalized this image of the soloist at the summit over twenty years ago. A recent concert in Cleveland confirmed that the figurative Everest of Beethoven’s piano music still bears his banner as well. [Read more…]
by Jarrett Hoffman
More and more, today’s musicians are shrugging off divisions of genre. Another trend in programming? Folk instruments from places far and wide are being welcomed into the world of mainstream classical music. Give those unfamiliar instruments a listen and be rewarded.
A perfect example of all that is the 2017 M-Prize-winning ensemble Russian Renaissance, which visits Finney Chapel as part of the Oberlin Artist Recital Series on Friday, February 28 at 7:30 pm. The quartet of Ivan Kuznetsov (balalaika), Anastasia Zakharova (domra and domra alto), Alexander Tarasov (button accordion), and Ivan Vinogradov (balalaika contrabasso), aims to “marry tradition and modernity, creating a fusion of styles and eras.”
That’s echoed in Friday’s program, which ranges from the Baroque and Romantic eras to folk, jazz, and tango, including music by J.S. Bach, Tchaikovsky, Richard Galliano, Piazzolla, Egberto Gismonti, Zequinha de Abreu, Ryuichi Sakamoto, Béla Fleck, Django Reinhardt, and the members of Russian Renaissance themselves. A full program and ticket information are available online. [Read more…]
by Mike Telin
Here’s a story: a young prince named Tamino finds himself lost in a far-off land being pursued by a snake, and he faints. Three ladies, attendants of the Queen of the Night — who is seeking revenge against the high priest Sarastro — appear and kill the snake. After arguing about which of them should stay with the handsome Tamino, they leave. Tamino wakes up just as Papageno, a bird catcher who dresses like a bird, enters and complains that he has no wife — he also takes credit for killing the snake.
The three ladies reappear and put a padlock over his mouth to remind him that it is not good to tell lies. Before leaving they give Tamino a portrait of Pamina — the daughter of the Queen of the Night — who has been kidnaped by Sarastro. In an instant, he falls in love. Thus the stage is set for one of the most beloved operas of all time: The Magic Flute.
On Wednesday, February 26 at 7:30 pm in Kulas Hall, Cleveland Institute of Music Opera Theater will present Mozart’s popular opera. Directed by Dean Southern, the cast includes baritone Dylan Glenn as Papageno, soprano Siyeon Kim as Pamina, and coloratura soprano Mengqi Gao as the Queen of the Night. [Read more…]