by Daniel Hathaway

LIVE AND IN-PERSON THIS WEEKEND:

On Saturday evening, ChamberFest Cleveland ends its season with a Festival Finale at St. Pascal Baylon Church in Highland Heights. The ticketed event includes a champagne toast. On Sunday, organist Karel Paukert plays Music from Prague at St. Paul’s in Cleveland Heights, and members of the Akron Symphony perform at the Bridgestone Senior Players Championship.

ONLINE EVENTS:

On Saturday and Sunday, Local 4 Music Fund continues its three-part series “She Scores,” and on Saturday, Burning River Baroque presents a one-time only, climate-based program, “Elements Worth Fighting For.” Details in our Concert Listings.

NEWS BRIEF:

Earlier this week, fire destroyed the Dobson Pipe Organ Builders Ltd. workshop in Lake City, Iowa, including an instrument being built for an Anglican Church in Australia. The firm, founded by Lynn A. Dobson, has built distinguished instruments for such venues as Verizon Hall in Philadelphia, and St. Thomas Church Fifth Avenue in New York. Read a New York Times story here.

INTERESTING READ:

This week, British oboist Nicholas Daniel will premiere one of the late John Tavener’s last works, eight years after the composer’s death. He explains the delay in a Guardian article, and writes about the complex web that frustrates musical creativity in the U.K.

THIS WEEKEND’S ALMANAC

On June 26, we note the birth of American pianist and conductor Antonia Brico in 1902 in Rotterdam, the Netherlands, and the death of Dutch composer Henk Badings in Maarheeze, a well as the birth of Finnish composer Magnus Lindberg in Helsinki in 1958.

On June 27 in music history, French composer and claveciniste Elizabeth-Claude Jacquet de La Guerre died in Paris in 1729, and several 20th century composers were born: George T. Walker (1922, in Washington D.C.), Jack Gallagher (1947, in New York), Daniel Asia (1953, in Seattle), and Magnus Lindberg (1958 in Helsinki).

We wrote in some detail about Jacquet de la Guerre, Walker, Gallagher, and Asia in the Diary for June 27, 2020, so today we’ll throw a bit of light on the more obscure composers.

Born to a Dutch single mother, Brico emigrated to California with her foster parents in 1908, where she studied at Berkeley and worked as assistant to the director of San Francisco Opera. She returned to Europe for conducting studies in Berlin and made her debut with the Berlin Philharmonic in 1930. Back in the States, she was the first woman to conduct the New York Philharmonic, and after settling in Denver, became conductor of what was eventually named the Denver Philharmonic.

Brico’s life and career are dramatized in the Shooting Star Filmcompany’s The Conductor. Watch a trailer here (the R-rated full-length film can be rented on YouTube). There are also some poor-quality documentaries about the conductor, but you can listen here to her interview with Northwest Public Radio.

Like a number of his fellow Netherlanders, Henk Badings was born in Indonesia during the Dutch colonial period, but was orphaned early on and returned to the Netherlands to study mining and palaeontology in Delft and worked as a mining engineer before turning to a career in music. His fifteen numbered symphonies and other orchestral works were championed by such conductors as van Beinum and Mengelberg, and his catalogue of 1,000 works includes various experimental pieces.

For a taste of Badings’ music, listen to his 1954 symphony Louisville, dedicated to the Louisville Orchestra and performed by the Janacek Philharmonic under David Porcelijn.

Not that Magnus Lindberg is all that obscure, having served as composer in residence with the New York Philharmonic at the invitation of incoming music director Alan Gilbert, and having commissioned works performed by The Cleveland Orchestra, but his larger works haven’t been heard locally for several years now. The composer has passed through various stylistic episodes, with side excursions into Japanese drumming and German punk rock. One of his works that has gained popularity is his Clarinet Concerto, performed here by Emil Jonason at Concertgebouw Brugge.

by Daniel Hathaway

ONLINE TODAY

National Sawdust considers the legacy of James Baldwin in a conversation with Imani Winds oboist Toyin Spellman-Diaz, and DaCapo Chamber Players explore sounds of Native American history merged with African American history in Valerie Coleman’s Freedmen of the Five Civilized Tribes. Details in our Concert Listings.

NEWS

The Knight Foundation has announced its 2021 Arts Challenge, an open call for artists and arts organizations in Akron, Detroit and Miami to submit their best ideas for creating works that connect people to their communities and to each other. Answer this question in 150 words or less: “What is your best idea for the arts in either Akron, Detroit, or Miami?” The winners, to be announced in the fall, will share up to $5 million across the three cities. More information here.

Cleveland Chamber Choir has won the top prize at the World Youth and Children Choral Artists’ Association World Choir Festival.  The “Choir of the World Award” was presented to the top performing group in an online festival that included almost 200 international choirs and was judged by 50 international jury members. The ensemble’s performance of Andrew Rindfleisch’s I Sing To Use The Waiting and Linda Kachelmeier’s O Vos Omnes also earned the award for “Most Musically Moving Performance,” and Artistic Director Scott MacPherson was designated as an “Outstanding Conductor.”

Jeanne Lamon, founder and longtime artistic director of Tafelmusik, the Toronto Baroque orchestra, has died at the age of 71. Read a Toronto Star article here.

TODAY’S ALMANAC

Today’s debuts on the world stage include English tenor Sir Peter Pears (born in Farnham in 1910), and Cleveland composer Jeffrey Mumford (born in Washington, D.C. in 1955), and finales on this date in history include French composer Darius Milhaud (who died in Geneva in 1974). Now that it’s summer, I’ll trim my suggested listening list to one item for each honoree.

Pears was the life partner of composer Benjamin Britten, and their musical collaborations included Pears’ wonderful choices of texts set brilliantly by Britten and often performed by the two with Britten at the piano. One of Britten’s most superb song cycles is the Serenade for Tenor, Horn, and Strings, performed here by Pears, hornist Dennis Brain (playing natural horn in the Prologue and Epilogue), and the BBC Symphony Orchestra led by John Hollingsworth. The playlist with start times:

Prologue 0:00 Pastoral – The Evening Quatrains (Charles Cotton) 1:19 Nocturne – Blow, bugle, blow (Alfred Tennyson) 5:16 Elegy – The Sick Rose (William Blake) 8:51 Dirge – Lyke-Wake Dirge (Anonymous) 13:45 Hymn – Hymn to Diana (Ben Jonson) 17:42 Sonnet – To Sleep (John Keats) 19:42 Epilogue 23:37.

Mumford (pictured at top) is a prolific composer with a predilection for colorful titles like an expanding distance of multiple voices. Here’s a performance of his 2015 work becoming… at the Cleveland Institute of Music with Shuai Wang, piano, Ethan Ramaly, flute, Susannah Greenslit, horn, James Thompson, violin, Julian Maddox, violin, Tess Krope, viola, Daniel Blumhard, cello, Tristen Jarvis, double bass, Grace Cross, harp, Matt Moore, vibraphone, and Charles Renneker, marimba. Dean Buck conducts.

Milhaud was also prolific, and some will remember attending summertime performances of his operas at the Central City Opera House in Colorado with the composer in attendance. Here’s a strange little “Visit With Darius Milhaud” documentary, much of it in French, that “shows him with former student Dave Brubeck in an informal jazz session at his home and watches Milhaud compose a sonatina for violin and cello.” There are also some highlights of his sonatinas and operas.

And now that people are contemplating travel again, if Philadelphia is on your road trip itinerary, you might consider visiting the Grand Court of the former John Wanamaker department store (now Macy’s) in City Center, where the world’s largest operational pipe organ was first played on this date in 1911. Its curious story is woven into this guided tour (there’s a second part, too!)

If it were all in working order, you could hear the largest pipe organ in the world not far away in Boardwalk Hall in Atlantic City, N.J. It’s being gradually restored and is worth a visit. Here’s a performance by John Wanamaker organist Peter Richard Conte, who knows his way around such outrageous instruments. The seven-manual console alone is a daunting prospect (pictured here on a recent visit by Organ Clearing House CEO John Bishop, left, and curator Nathan Bryson).

by Daniel Hathaway

LIVE THIS WEEKEND:

On Friday, ENCORE Chamber Music presents The Evelyn Wright Jazz Quartet at the Dodero Center at Gilmour Academy, and ChamberFest Cleveland presents pianist Roman Rabinovitz (pictured) in Bach’s Goldberg Variations — moved indoors at St. Paschal Baylon due to rain.

Saturday’s in-person lineup on the new official national holiday, Juneteeth, includes ChamberFest’s “Nature Emerging” at The Grove Ampitheater, the Akron Symphony Strings and Symphonic Winds at Lock 3, and Cleveland Opera Theater in Medina’s Uptown Park.

On Sunday — Father’s Day — ChamberFest tells the tale of Ferdinand the Bull at The Grove, organist Karel Paukert plays music from Paris at St. Paul’s, Cleveland Heights, and the Cavani String Quartet plays a Sunday Discovery Concert on the ENCORE series in Gates Mills.

ONLINE THIS WEEKEND:

On Friday, Carnegie Hall replays Leonard Bernstein’s performance of Mahler’s Second Symphony in Ely Cathedral, and the final round of the James Stroud Classical Guitar Youth Competition features four young guitarists.

On Saturday, Saratoga Opera observes Juneteenth, as do the Harlem Chamber Players with Adolphus Hailstork’s Pity These Ashes: Tulsa 1921-2021, 

And on Sunday, Renovare Music presents a virtual benefit concert on World Refugee Day.

Check details on our Concert Listings page.

CIPC BOX OFFICE OPENS:

Tickets are now on sale for Piano Cleveland’s 2021 Cleveland International Piano Competition (July 8—August 11), including both in-person and virtual options. Click here for details.

THIS WEEKEND’S ALMANAC:

On June 18, 1818, French composer Charles Gounod was born in Paris. Instead of linking to one of his popular operas or symphonic masses, here’s his Petit symphonie pour vents in honor of all the wind players who have been watching the game from the bench for the last 14 months. The Orchestre philharmonique de Radio France performs it in January, 2018 at the Maison de la Radio in Paris.

On June 18, 1942, Paul McCartney (Sir Paul since 1965 when The Beatles were inducted into the Order of the British Empire) was born in Liverpool, England. In addition to his career with the groundbreaking Liverpudlian band (who memorably played Cleveland in 1964 and 1966), he made a foray into classical music with his Liverpool Oratorio, featuring Kiri Te Kanawa. But while searching for that video link, I ran across a Wired Autocomplete Interview where Sir Paul answers “the internet’s most searched questions about himself.” Too charming to pass up. Watch here.

On June 19, 1819, Rhenish-Jewish conductor, cellist, and composer Jacques Offenbach was born in Köln (Cologne). To celebrate his lesser-known side as a cellist, here’s his Grand Concerto for Cello in G, nicknamed “Concerto militaire,” written in 1848. Mark Minkowski leads Les Musicians du Louvre with soloist Jérôme Pernoo.