by Daniel Hathaway

INTERESTING READ:

Frequent Cleveland Orchestra guest conductor Jakub Hrůša (pictured left in a 2019 performance of Mahler’s Fourth Symphony with soprano Joelle Harvey) is the subject of a New York Times interview this week in conjunction with the release of his recordings of Bruckner’s Fourth Symphony with the Bamberg Symphony.

Obsessed with the piece, the composer left three distinct versions of the symphony, and Hrůša, unable to decide which he preferred, chose to commit all three to disc. The article also reveals some interesting facts about the Bamberg orchestra, which Hrusa regards as the “flagship” of its small Bavarian City, where one in ten of its residents holds season tickets for its concerts. (Cleveland Orchestra principal cello Mark Kosower was solo cellist in Bamberg before his translation to Ohio.) Read the article here.

TODAY’S ALMANAC:

British composer Gustav Holst was born on September 21, 1874 in Cheltenham. Prolific and inspired by such diverse influences as Hindu music and English folksong, he left a large catalogue of music, much of which has been overshadowed by works like The Planets that made his name famous.

Holst’s daughter Imogen recalls her father in a charming documentary, and this restored 1926 recording of The Planets with the composer conducting has been described as revelatory and surprising.

Explore some of Holst’s less familiar choral works with these recordings: His Two Psalms, sung by the Estudio Coral de Buenos Aires in 1981, his Hymn to Jesus, based on the Apocryphal Gospels and performed by the University of North Texas Symphony Orchestra and Grand Chorus in 2012, and — continuing the metaphor of sacred dance — his folklike but sophisticated setting of the old Cornysh carol, This have I done for my true love, performed by the choir of Christ Church Cathedral, Oxford with scrolling score.

Or take a taste of his settings of hymns from the Rig Veda, with the Hymn of the Travellers, sung by the children’s choir and youth ensemble of the Maîtrise Notre-Dame de Paris with harp accompaniment.

And English art song composer Roger Quilter took leave of this life on September 21, 1953, leaving a legacy of over a hundred songs, many setting texts by Shakespere, that still figure importantly in vocal recitals. His Three Shakespeare Songs of 1905 are probably at the top of the list, and composer Peter Warlock wrote that O Mistress Mine is “one of the very few things that very simply send me into ecstasies every time I play it.” This performance of the set is by baritone Zak Kariithi and pianist Lemuel Grave.

by Jarrett Hoffman

ON THIS WEEKEND:

Saturday brings the 7:30 pm Showcase Concert from the Cleveland Classical Guitar Society, featuring performances by the Gruca White Ensemble, Jeremy Collins, and Andy Poxon with Jeanelle Brierley. Watch in person at the Maltz Performing Arts Center, or via stream — either way it’s free, but registration is required. Read our preview article here.

Sunday’s schedule is more packed, with possibilities in Berea, Cleveland, Akron, and Youngstown. At 3:00, tenor JR Fralick gives a BW faculty recital at the University’s Kulas Music Hall (free). And at 4:00, there are three options: the Cavani Quartet continue their “Beyond Beethoven” project at CSU’s Drinko Auditorium (free), organist Anthony Newman plays a recital on the Arts at Holy Trinity Series (freewill offering), and Miriam Burns leads the Youngstown Symphony at DeYor PAC in a performance that features cellist Miriam K. Smith (tickets). The Cavani, Newman, and Smith pictured above.

More details in our Concert Listings.

LOCAL NEWS:

On November 15, The Cleveland Orchestra will release a new recording of Alfred Schnittke’s Concerto for Piano and Strings (with Yefim Bronfman) and Prokofiev’s Second Symphony. The Schnittke was recorded in October 2020 at Severance Hall and was part of the Orchestra’s In Focus series, while the Prokofiev was recorded in January 2020 at the Knight Concert Hall while on tour in Miami. The album will be available via streaming, download, and CD, and pre-ordering begins October 15. 

Many of us take for granted the opportunity to enjoy recordings such as that one above, in addition to all the filmed concerts that have been shot during the pandemic. Taking us behind the scenes, Les Délices has published an interview with audio producer Elaine Martone and video producer Erica Brenner to reveal what a recording project with the ensemble is like from their perspectives.

FURTHER AFIELD:

Management is proposing steep cuts to the San Antonio Symphony, which would bring it from 71 full-time musicians to 42 (San Antonio Report). In more positive news, ClevelandClassical.com correspondent Jeremy Reynolds covers Pittsburgh’s resurgence as a national hotspot for jazz in the Pittsburgh Post-Gazette. And turning to the wonderfully absurd, enjoy the talents of the South Korean a capella group MayTree as they mimic digital sounds such as cell phone ringtones and computer error messages, as heard in an audio story from The World.

WEEKEND ALMANAC:

One for Saturday, one for Sunday. We’ll start with Francesca Caccini (born on September 18, 1587 in Florence), the Italian composer, singer, lutenist, and poet whose opera La liberazione di Ruggiero is believed to be the first entry in that genre by a woman, and possibly the first Italian opera to be performed outside of Italy.

Last March, during the “Women in Music” episode of Les Délices’ SalonEra series, soprano Michelle Kennedy sang the role of the Siren in “Chi nel fior di giovinezza,” a scene from that Caccini opera. I spoke to Kennedy before the episode aired, and among our topics of discussion was the composer’s distinctive ornamentation.

“It’s kind of a signature of hers — she was a master of ornamentation as a performer, and also compositionally,” Kennedy said. Though the episode is no longer freely accessible, it’s worth noting that SalonEra subscribers now get on-demand access to the entire first season.

Caccini’s signature ornamentation is most evident in her famous collection of solo songs and duets Il primo libro delle musiche. Soprano Henriette Feith and theorbist David Van Ooijen choose a selection of songs from that work in their album La Cecchina (the composer’s nickname) — listen in this playlist on YouTube.

And Sunday brings what would have been the 91st birthday of pianist and composer Muhal Richard Abrams, who was born in Chicago, and died in 2017.

A Jazz Master as named by the National Endowment for the Arts in 2010, his compositions and improvisations are often classified as, well, unclassifiable. At the keyboard he was known to suddenly reference historical jazz styles, woven into his own brand of modernism. And as a composer, his ouevre reveals both his background in the blues and his interest in chamber music and orchestra. He’s also famous for helping to found the Association for the Advancement of Creative Musicians (A.A.C.M.), and was its first president.

[Read more…]

by Stephanie Manning

IN THE NEWS:

Jaap van Zweden, the New York Philharmonic’s music director, has announced that he will leave his post at the end of the 2023-24 season. The Dutch conductor and violinist started with the Philharmonic just three years ago, but the pandemic derailed his second season. His agreement to stay on an extra year than his contract required gives the ensemble ample time to search for a successor.

Van Zweden said the experiences of the past year and a half led him to rethink his priorities. “So much has changed because of COVID, including thoughts about my own future, my life, and my family,” he wrote in a letter to the musicians. “In life, I think timing is critical: it’s important to know when to say yes and when to move on.”

TODAY’S ALMANAC:

As any music fan who still listens to music in a physical format might tell you: vinyl is making a comeback, and in a big way. In 2020, vinyl records trumped the annual revenue of CDs for the first time in 34 years.

On this day in 1931, record company RCA Victor introduced a new product to the consumer market: the long-playing 33 1/3 rpm vinyl. These discs were called Project Transcription, and they represent one of the earliest efforts to bring the long-playing (or LP) record to market.

With the capacity to hold fifteen minutes of music per side, these discs were a prime opportunity for classical music content like symphonies. The first record in this format to be released was Beethoven’s Fifth Symphony, performed by the Philadelphia Orchestra under the direction of Leopold Stokowski.

Despite the economic pressures for hiring large orchestras caused by the Great Depression, RCA Victor continued to record the Philadelphia Orchestra during the 1930s. To save money, many of these sessions were moved to the Victor Camden Church Studio and involved less musicians than normal  — the Beethoven, however, was recorded in the Academy of Music in Philadelphia (pictured below) with the full orchestra. Though the audio quality was limited by the current technology, this performance is impressive for how it was recorded in extended first takes. Listen to that recording here.

[Read more…]

by Stephanie Manning

LOCAL NEWS:

Public radio in Northeast Ohio is about to undergo a dramatic change. Ideastream Public Radio and WKSU have announced they will enter an operating agreement, which will go into effect on October 1. This collaboration will create one of Northeast Ohio’s largest news organizations, and in 2022, WKSU will become the area’s sole NPR and local news station.

As a result, 104.9 FM (WCLV), Ideastream’s classical service, will move to 90.3 FM. In addition to WCLV’s usual coverage of The Cleveland Orchestra and other local ensembles, “90.3 FM programming will spotlight more performances by musicians in Akron and Kent as well.” For now, however, the two stations will continue to operate separately. Learn more here.

CONCERT UPDATE:

The Canton Symphony String Quartet concert, originally scheduled for tonight at 7:30 at The Auricle, has been postponed. No news yet on when and where a potential rescheduled concert will be, but we will keep you updated.

TODAY’S ALMANAC:

Composing, conducting, and pedagogy — Nadia Boulanger did all three, and she did them incredibly well.

Born on this date in 1887 in her home country of France, Boulanger (pictured left with her sister Lili) is well-known for influencing an entire generation of composers, with her list of students including Aaron Copland, Philip Glass, and Astor Piazzolla. Her conducting career was equally impressive, as she was the first woman to conduct the Boston Symphony, Philadelphia Orchestra, and other major ensembles.

Though she was also a composer, Boulanger stepped back from writing music after the untimely death of her younger sister Lili. However, Nadia Boulanger would go on to program and share both her and her sister’s music in concert throughout her life. Enjoy this performance of her Fantaisie pour piano et orchestre on YouTube, and check out the Boulanger Initiative for more resources about women in music.

On this day in 1966, the Metropolitan Opera opened its doors at the company’s new opera house at Lincoln Center. Fitting for the occasion, the Met kicked off the season with a world premiere — Samuel Barber’s Antony and Cleopatra, starring soprano Leontyne Price. Librettist, designer, and director Franco Zefferelli staged an extravagant production, but technical issues, “gaudy” costuming, and an overall clash between Zeffirelli and Barber’s artistic visions resulted in a rocky start for the Met’s new era.

[Read more…]

by Jarrett Hoffman

ON TODAY IN PERSON:

First, two early-afternoon options. On the Music at Noon series, the Dana School of Music presents the final concert of the Northeast Ohio Keyboard Festival at 12:15 pm at the Butler Institute of American Art at Youngstown State. Also at 12:15, Florence Mustric takes to the Beckerath organ at Trinity Lutheran Church in Cleveland for “A Tribute to Karl Hass.”

Then at 7, it’s back to Youngstown — to Harrison Commons Field — for the YSU Wind Ensemble Outdoor Pops Concert. Conductors Michael S. Butler and Kate Ferguson will lead you through music by Gershwin, Ticheli, and Sousa. If it rains, the concert moves to Ford Theater in Bliss Hall.

More details in our Concert Listings.

LOCAL NEWS:

Last week, CityMusic Cleveland announced its 2021-22 chamber music series, titled Justice, Equality, and Hope. One highlight of the ten-concert series is the abundance of newly-commissioned works by women composers: Denise Ondishko, Kotoka Suzuki, Michi Wiancko, Elena Ruehr, Jungyoon Wie, Daixuan Ai, Jasmine Barnes, Jessica Meyer, Margaret Brouwer, Fusun Koksal, and Dawn Avery (all pictured above).

The opening concert, “American Dream,” takes place on Friday, September 24 at 7:00 pm at Shrine Church of St. Stanislaus, when the Pantheon Ensemble — Masha Andreini and Mari Sato, violins, Yael Senamaud-Cohen, viola, Helen Hawersaat, cello, Tracy Rowell, bass, and Elizabeth DeMio, piano — will play works by Gershwin, Ondishko, Boulanger, and Dvorák.

See the full season schedule here. All concerts are free, no registration needed. Masks and social distancing are required. For those unable to attend in person, select programs will also be recorded for release on CityMusic’s YouTube Channel.

One last bit of news: individual tickets for the 2021-22 Cleveland Orchestra season, which opens October 14, are now on sale. An update to the docket of guest artists: pianist Jeremy Denk replaces previously-announced soloist Yuja Wang in the Cleveland Orchestra premiere of John Adams’ Must the Devil Have All the Good Tunes? with Adams on the podium at Severance Hall on February 3, 5, and 6, 2022.

TODAY’S ALMANAC:

On this day last year, we paid tribute to four musicians who entered or exited from this world on September 15 in music history: Swiss composer Frank Martin (born in Geneva in 1890), Austrian organist, conductor, composer, and influential teacher Anton Heiller (born in Vienna in 1923), American soprano Jessye Norman (born in Augusta, Georgia in 1945), and Austrian composer Anton Webern (died in Mittersill, Austria in 1945).

This go-around, we’ll add one name to that list: French composer and pianist Louise Dumont Farrenc, who died on this date in Paris in 1875.

Farrenc built up a stellar reputation at the keyboard during the 1830s, leading to her appointment in 1842 as piano professor at the Paris Conservatory, a position in which she remained for 30 years — making her the only female tenured professor at the Conservatory during the entire 19th century.

As a composer, it was in chamber music where she left her strongest legacy. Her two piano quintets, Op. 30 and 31, were especially renowned, and she won the Académie des Beaux-Arts’ Chartier Prize twice.

Her chamber music even played an important role in helping her beat the gender pay gap. Despite being known as an excellent teacher, one of the best in Europe, she was paid less than her male colleagues — that is, until the triumphant premiere of her 1849 Nonet in E-flat, Op. 38, when she was finally granted equal pay.

If only she didn’t have to go above and beyond for that to be the case.

by Stephanie Manning

LOCAL NEWS:

Youngstown State University has announced the fourth season of the Pipino Performing Arts Series, hosted by the University’s Cliffe College of Creative Arts. The six performances, one per month starting this month, will kick off on September 22 with a virtual presentation by Pulitzer Prize-winning composer David Lang. Learn more here.

THE NATIONAL CONVERSATION:

As a companion to yesterday’s diary, which included a New York Times piece exploring the careers of women conductors in the country’s top orchestras, this article in the Los Angeles Times explores a particular program where many of these up-and-coming conductors have received training. That is Gustavo Dudamel’s Fellowship Program, established in 2009.

“A striking aspect of the former fellows, however, is how little they are like Dudamel — or each other,” writes Mark Swed. He goes on to note that out of the five conductors from the program that made their Hollywood Bowl debuts this summer, four were women — including Marta Gardolinska (pictured). “The glass ceiling doesn’t stand a chance.”

TODAY’S ALMANAC:

Artists, it looks like September 14 could be a good day to finish that project you’ve been working on — just ask George Frideric Handel or Francis Scott Key.

On this day in 1741, Handel (pictured) put the finishing touches on his Messiah, a composition he had been working on non-stop for the last 23 days. This great oratorio, now a fixture of the Christmas season, was first proposed to him by librettist Charles Jennens in July of that year.

Jennens, who had previously worked with Handel on the oratorio Saul, wrote to a friend that “I hope [Handel] will lay out his whole Genius & Skill upon it, that the Composition may excel all his former Compositions, as the Subject excels every other Subject.” Surely the librettist would have been pleased to know that the composer worked on it morning and night until its completion, and that it would eventually become Handel’s best-known work.

The well-known recordings of Messiah are almost too many to list, so let’s focus on a specific type of performance that’s uniquely connected to this piece — the “sing-along Messiah.” Open to singers of all skill levels, these performances prioritize the joy of singing over musical perfection.

In Northeast Ohio, Credo Music has made a Messiah sing-along an annual tradition. Hosted at Oberlin Conservatory, this year’s event is on December 12. Learn more, and take a listen to the “Hallelujah” chorus from the 2017 performance, here.

[Read more…]

by Stephanie Manning

HAPPENING THIS WEEKEND:

There are plenty of concerts to enjoy over the weekend — let’s break it down day by day.

Saturday, September 11

The Cleveland Orchestra concludes its 2021 Blossom season tonight at 7:30 with drummer Stewart Copeland (pictured). The founder of legendary rock band The Police will perform his work Police Deranged for Orchestra, which features some of the group’s biggest hits. Tickets available online.

The Tri-C Jazz Fest begins today at Cain Park in Cleveland Heights. The Mainstage, Colonnade Stage, and Talk Tent will feature a variety of performances throughout the day, including the Spanish Harlem Orchestra, A Moment in Cleveland, and The Funky 8. Read more details in our concert listings and buy tickets here.

Trinity Cathedral will host its 9/11 Twentieth Anniversary Commemoration Concert tonight at 7:30 pm. The program includes poetry, prose, and music by American composers Copland, Barber, Hampton, Hancock, and Paulus. Reserve your free ticket for in-person attendance or click here for the live stream.

In the afternoon, enjoy a free concert from Music at Main at the Cleveland Public Library at 2:00 pm. Pianist Roman Rudnytsky will play a program featuring pieces by Herrarte, Brahms, Prokofiev, Holst, and Bach.

Sunday, September 12

The Tri-C Jazz Fest continues today with a full slate of programming across all stages. Highlights include Harp vs Harp (Edmar Castaneda and Grégoire Maret), Upside of Medium, and Catherine Russell. Read more details in our concert listings and buy tickets here.

The front lawn of the Historic Barder House in Akron will host Tuesday Musical’s Music al Fresco Passport Series at 1:00 and 3:00 pm. Brazilian guitarist, vocalist and storyteller Moises Borges and his quartet will interpret classic samba and bossa nova songs as well as Moises’s own work. Tickets available online.

At 3:00 pm, check out the latest concert from the Cleveland Composers Guild. “Creativity: Learning Through Experience” will feature area music students performing original compositions by Guild members. Click here to watch the free live stream.

For those interested in an in-person offering at the same time, The University of Akron will host the opening concert for the Seventh Annual Northeast Ohio Keyboard Festival. Guest pianist Henry Kelder teams up with faculty from Youngstown State University and UA in works for solo piano, duets, and eight hands on two pianos.

REMEMBERING 9/11:

Today, as we honor the twentieth anniversary of the September 11, 2001 attacks that changed our world, take a moment to read about and listen to the classical music works which were shaped by that tragedy. An article published by WQXR ten years ago today details the way that composers were affected and how it shaped the musical responses they would create.

[Read more…]

by Jarrett Hoffman

LOCAL NEWS & FEATURES:

The Akron Symphony’s Unorchestrated podcast continues its four-part series on the Akron Symphony Chorus with a discussion about Haydn’s The Creation, including excerpts of the work as performed by the ASO and Chorus themselves. Listen here.

And whether you are 3 years old or 103, the Canton Symphony invites you to learn more about music and make it part of your life through the ensemble’s education programs (one such event pictured). See this season’s list of programs here.

INTERESTING READS:

The New York Times interviews 31-year-old Swiss maestro Lorenzo Viotti, chief conductor of the Dutch National Opera and Netherlands Philharmonic Orchestra, whose “action-man social media posts are part of a plan to shake up perceptions about people who enjoy classical music.”

On a much darker note, Reuters tells the story of Afghanistan’s all-female Zohra Orchestra in the days following the Taliban’s recent conquest. “The story of the orchestra… encapsulates the sense of shock felt by young Afghans…particularly women.”

And BBC Music Magazine celebrates six historic women “who defied social norms to perform, compose, teach and conduct classical music.”

TODAY’S ALMANAC:

One celebrity of early music, and one lesser-known visual-musical artist.

The more internationally famous name today is Christopher Hogwood (born September 10, 1941), the English conductor, harpsichordist, and musicologist who was a leading figure in the historically informed performance movement in the late 20th century. He passed away in 2014.

Among his most important positions, he was a co-founder of the Early Music Consort in 1967, and six years later started up the Academy of Ancient Music. The ‘80s began taking him more and more frequently across the pond, including what became a 15-year tenure as artistic director of Boston’s Handel & Haydn Society (1986-2001), and four years in Minnesota as music director of the Saint Paul Chamber Orchestra (‘88 to ’92).

Just as one place to start, hop around the six-hour playlist of one of his biggest recording projects, the complete Beethoven Symphonies with the Academy of Ancient Music, here on Spotify.

Our other Almanac Inductee™ is under-recognized outside of his home country: Lithuanian painter, composer, and writer Mikalojus Konstantinas Čiurlionis, born on this date in 1875 (Old Style calendar). Though he died at age 35, his oeuvre totaled hundreds of paintings and works of music, and he is considered a key figure in the development of European abstract art.

Perhaps it’s not surprising with those crossed artistic wires that Čiurlionis had synesthesia — in this case with colors and music. It’s also notable that several of his paintings are titled after musical forms, such as sonatas, preludes, and fugues.

Two listening and two viewing suggestions: first, his symphonic poem Miške (In the Forest) and one of his many works for solo piano, the Prelude in b-flat (“Dedication”), the latter performed by Gintaras Januševičius live at the 66th International Chopin Festival.

Then his two paintings under the umbrella of SONATA VI: Stellar Sonata (Allegro), pictured left, and Stellar Sonata (Andante), right. Just a quick glance and you can feel the difference in speed.