by Jarrett Hoffman

“It’s beautiful music and I really look forward to playing it, especially in that church,” Cohen said in a recent conversation. “It’s extraordinary — a beautiful space and a landmark of Cleveland — and it has all Tiffany windows. I’ve always liked playing there.”





In a humanities class at the Curtis Institute of Music in the 1980s, professor Joan Landis asked a young Robert Walters to do something he had never done before: read a poem aloud. It was Wallace Stevens’
Debra Nagy and her colleagues of Les Délices usually dedicate themselves to bringing the music of 17th- and 18th-century France alive for modern ears. But this weekend, the period instrument ensemble will push the clock back to the 14th century — not an era of powdered wigs and salons, but a time of knights, crusades, courtly love, and increasing secularization.

“We’re starting off the new year with a bang,” No Exit artistic director Tim Beyer said during a telephone conversation. This weekend

