by Mike Telin

On Sunday, January 10, at the Westin New York in Times Square during Chamber Music America’s National Conference, The Cleveland Museum of Art will be honored with the CMA/ASCAP Award for Adventurous Programming in the category of Large Presenter, Mixed Repertory. The award, which includes $500 plus a commemorative plaque, will be presented by Cia Toscanini, vice president of concert music, American Society of Composers, Authors and Publishers (ASCAP). Welsh will be receiving the award on behalf of the Museum. [Read more…]





“What are you doing on New Year’s Eve?” I asked vocalist Connor Bogart O’Brien. “I’m thrilled that I’ll be singing What Are You Doing On New Year’s Eve on New Year’s Eve,” he exclaimed during a recent telephone conversation. “I’ve never performed it, and I’m excited to be singing it with Carl and the Cleveland Pops.”
Since 2008 audiences have come to expect the unexpected from the Cleveland-based
To guide your last-minute shopping, the staff of ClevelandClassical.com has compiled a list of 16 CDs by artists who work or have a regular presence in the classical music scene in Northeast Ohio. Support your local musicians by gifting their music to family and friends!
How do you depict grief? The most personal emotion next to love, it seems incommunicable. Its particularity grows out of a unique relationship between the aggrieved and the one who is lost; no one else can understand the complexities of that tie or the feelings engendered by its severing.
“No composer is more iconic of Venice’s fabled Renaissance splendor than Giovanni Gabrieli,” writes Steven Plank, Andrew E. Meldrum Professor of Musicology at the Oberlin Conservatory of Music, in his informative liner notes that accompany the National Brass Ensemble’s stunningly beautiful CD entitled Gabrieli. A sonic feast, the recording transports listeners back in time to the Venetian Basilica of St. Mark’s.
Although composer Claude Debussy rejected the term “impressionism” and referred to music writers who used the term as “fools,” today Debussy’s music is synonymous with the impressionist movement. On his self-titled CD from back in 2012, pianist Robert Cassidy captured the essence of the composer’s music with his performances of the twelve Préludes of Book 1. On his latest recording, Pathways, Cassidy once again demonstrates his affinity for this music with discerning interpretations of the twelve preludes that comprise Debussy’s second book, as well as works by Chopin and Feigin.
Start with the second track of this excellent survey of George Frideric Handel’s expertise in writing for the soprano voice and its realization through the supple vocal chords of Amanda Forsythe. “Geloso tormento,” from Almira, the 19-year-old composer’s first opera, shows how ravishingly Handel and Forsythe can depict both rage and lament in the course of a single aria. (The soprano stunned audiences with such vocal prowess in the role of Edilia in the same opera during the 2013 Boston Early Music Festival.)
The Contemporary Youth Orchestra will present the first concert of its 21st season on Saturday, December 12 at 7:00 pm in Waetjen Auditorium at Cleveland State University. “The orchestra is exceptionally strong this year and has a sense of maturity not just in their work ethic, which they have always had, but also in their technical ability,” CYO founder and Liza Grossman said during a telephone conversation. Grossman will lead her young musicians in Leonard Bernstein’s Mambo, Dee Jay Doc’s Trust-Belt City: Concerto for Turntable and Orchestra, and the centerpiece of Saturday’s program, Michael Daugherty’s Metropolis Symphony.