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Beethoven’s complete String Quartets in two and a half days at Oberlin

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by Mike Telin

In case you’re not aware, 2020 marks Beethoven’s 250th birthday. Although the actual day is not until December, arts organizations around the globe are already knee deep in celebrations, and Oberlin is no exception. From Friday, March 6 through Sunday, March 8, Conservatory string students will present tag-team performances of all of the composer’s sixteen quartets in five free concerts in Stull Recital Hall. The marathon begins at 4:30 pm on Friday, with other concerts scheduled on Saturday and Sunday at 1:30 pm and 7:30 pm. You can join the live webcasts here.

“This undertaking is unique to other schools in that all the performers are students,” violin professor Sibbi Bernhardsson said during a conversation in his studio. “The students are so excited — we’re all excited about this project, and it’s been all hands-on-deck. The entire string faculty is involved coaching the groups. And some of the theory professors have been coaching as well by offering their perspectives. Some are highlighting the quartets in their courses. So there’s a great synergy around the project. Presenting the complete quartet cycle is exciting no matter where you are, but we’re doing it in five concerts over two and a half days.” [Read more…]

Cleveland Chamber Choir to present “We March On! Music of Social Justice”

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by Mike Telin

On May 4, 1970, the Ohio National Guard fired into a crowd of protesters at Kent State University, killing four students and wounding nine others. On June 3, 1970 that tragic event was commemorated when Robert Shaw led a community performance of the Cherubini Requiem in c at Kent United Church of Christ.

On Saturday, March 7 at 7:30 pm at Kent United Church of Christ, the Cleveland Chamber Choir will mark the 50th anniversary of the Kent State shootings with “We March On! Music of Social Justice.” Directed by Scott MacPherson, the concert includes music by Joel Thompson, Ethyl Smyth, Linda Kachelmeier, Catherine Dalton, and Natsumi Osborn. The program will be repeated on Sunday, March 8 at 3:00 pm at Cleveland’s St. Ignatius of Antioch Church. Charles Edward McGuire will give a pre-concert talk 45 minutes before the performances. The concerts are free.

The idea for creating a program around social justice music came about when a group from CCC attended a performance of Craig Hella Johnson’s passion cantata Considering Matthew Shepard at Bowling Green State University. “When we heard the song All of Us, we started talking about how we should sing it,” CCC alto and managing director Kira McGirr said by telephone. “We talked to Scott MacPherson and he said that if we could come up with a concert theme, he’d be happy to program it.” [Read more…]

Brownlee joins Youngstown Symphony in “Spiritual Journey”

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by Jarrett Hoffman

“At a time in our country when we could use something that’s truly uplifting — that celebrates an enormous triumph of the human spirit — this concert is just such an experience,” Youngstown Symphony music director Randall Craig Fleischer said during a recent phone call.

On Saturday, March 7 at 8:00 pm in Edward W. Powers Auditorium, Fleischer and the YSO will be joined for the first time by tenor Lawrence Brownlee in “Spiritual Journey: The Road to Peace and Freedom.” The program includes arias, spirituals, and songbook standards, as well as a piece by Fleischer and his wife, comedian Heidi Joyce.

That work, Spiritual Journey, explores the history of the Civil Rights Movement. The orchestra will play arrangements of spirituals, ending with Battle Hymn of the Republic, and Brownlee will read excerpts from the speeches of Martin Luther King, Jr.

[Read more…]

Les Délices:
“Torchsongs Transformed”

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by Jarrett Hoffman

Les Délices has added a new twist to their acclaimed Baroque-jazz fusion program. Previously known as “Songs Without Words” — in the form of both a live concert and a beautiful album from 2018 — it’s now called “Torchsongs Transformed,” and adds soprano Hélène Brunet to the core of Debra Nagy (Baroque oboe), Mélisande Corriveau (viola da gamba and pardessus de viole), and Eric Milnes (harpsichord).

Here the ensemble explores the relationship between 17th-century French love songs (airs de cour) and 20th-century torchsongs and jazz standards arranged for and improvised by the ensemble. It’s all laid out in the arc of an affair, viewed through the lens of each passing season, as songs like Gershwin’s Summertime and Johnny Mercer’s Autumn Leaves are interleaved with music by Michel Lambert, Jean-Baptiste Lully, and Sebastian Le Camus. See the full program and read Debra Nagy’s notes here. 

Performances take place Friday, March 6 at 7:30 pm at Holy Trinity Lutheran in Akron, Saturday, March 7 at 7:30 pm at Lakewood Congregational, and Sunday, March 8 at 4:00 pm at Plymouth Church in Shaker Heights. Tickets are available online.

[Read more…]

CONCERT CANCELLED
Cleveland Museum of Art: a conversation with Fatoumata Diawara

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by Jarrett Hoffman

Note: due to flight cancellations, this performance has been cancelled.

Fatoumata Diawara aims for a particular balance in her music: respect for her Malian roots, and enthusiasm for international influences. Another balance? The singer and guitarist loves pop, which you can hear in her songs, but listeners should expect her lyrics to venture into heavy territory. And yet — another balance — when she’s onstage, she radiates joy.

The fascinating and thoughtful Diawara — who will perform at the Cleveland Museum of Art’s Gartner Auditorium on Wednesday, February 26 at 7:30 pm — picked up the phone last week in Lake Como, Italy. And when someone tells you they’re at Lake Como, there’s only one possible response.

Jarrett Hoffman: It’s so beautiful there!

Fatoumata Diawara: It’s a special place, very peaceful.

JH: I imagine that it’s also a great place to write music.

FD: Of course! It’s so nice when you take your guitar to the lake — you get inspiration right away. [Read more…]

Chanticleer brings Trade Winds to Cleveland Chamber Music Society

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by Jarrett Hoffman

“In a way, we’re the most blissfully portable ensemble around,” Chanticleer music director William Fred Scott said by telephone from his home in Atlanta. “We don’t need microphones, we don’t need a piano, we don’t even need music stands.” If the 12-member male chorus had a superhero catchphrase, it might be what Scott said next, with the obligatory baby tagged on at the end: “All we need is a nice acoustic and we’re ready to go.”

The resonant Plymouth Church in Shaker Heights ought to do the trick. As part of an extensive tour away from its home base of San Francisco, Chanticleer will make its debut on the Cleveland Chamber Music Society Series on Tuesday, March 3 at 7:30 pm at Plymouth. David Rothenberg will give a pre-concert lecture at 6:30 pm, and tickets are available online.

The program, Trade Winds, was “kind of a no-brainer for us this particular year,” Scott said. It’s themed around global travel, fitting for Chanticleer’s presence on the Pacific and for the ensemble’s schedule this season: in July, they head to Oceania for their debut in New Zealand and their first trip to Australia since 1997. [Read more…]

Quire Cleveland to sing Lamentation settings in two local churches founded by immigrants

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by Daniel Hathaway

Jay White will lead Quire Cleveland in two performances of “Journey Home: Finding Unity after Loss,” a program of music based on the theme of exile, on Friday, February 28 at 7:30 pm at St. John Cantius Church, and Saturday, February 29 at 5:30 pm at St. Vitus Church. The performances are free, but freewill offerings will be received (suggested donation, $25) and each will be followed by a reception.

The concerts will be bookended by settings of the Lamentations of Jeremiah by 16th-century English composers Thomas Tallis and Robert Whyte that mourn the destruction of Solomon’s Temple in Jerusalem under Nebuchadnezzar in the late 6th century BCE.

In his program notes, White writes, “Those who were important to the king were taken into captivity in Babylon. The remainder either fled for their lives or were killed. Those fortunate to escape became refugees in their own land, feeling forsaken by God.”

In a recent telephone conversation, White noted that Quire’s program grew out of his interest in engaging with Cleveland’s immigrant communities. “The idea of programming music about leaving home and moving miles away was a way of tying into those immigrants.” [Read more…]

Oberlin Artist Recital Series welcomes genre-mixing Russian Renaissance

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by Jarrett Hoffman

More and more, today’s musicians are shrugging off divisions of genre. Another trend in programming? Folk instruments from places far and wide are being welcomed into the world of mainstream classical music. Give those unfamiliar instruments a listen and be rewarded.

A perfect example of all that is the 2017 M-Prize-winning ensemble Russian Renaissance, which visits Finney Chapel as part of the Oberlin Artist Recital Series on Friday, February 28 at 7:30 pm. The quartet of Ivan Kuznetsov (balalaika), Anastasia Zakharova (domra and domra alto), Alexander Tarasov (button accordion), and Ivan Vinogradov (balalaika contrabasso), aims to “marry tradition and modernity, creating a fusion of styles and eras.”

That’s echoed in Friday’s program, which ranges from the Baroque and Romantic eras to folk, jazz, and tango, including music by J.S. Bach, Tchaikovsky, Richard Galliano, Piazzolla, Egberto Gismonti, Zequinha de Abreu, Ryuichi Sakamoto, Béla Fleck, Django Reinhardt, and the members of Russian Renaissance themselves. A full program and ticket information are available online. [Read more…]

Magic Flute at CIM:
chatting with the Queen of the Night, Papageno, and Pamina

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by Mike Telin

Here’s a story: a young prince named Tamino finds himself lost in a far-off land being pursued by a snake, and he faints. Three ladies, attendants of the Queen of the Night — who is seeking revenge against the high priest Sarastro — appear and kill the snake. After arguing about which of them should stay with the handsome Tamino, they leave. Tamino wakes up just as Papageno, a bird catcher who dresses like a bird, enters and complains that he has no wife — he also takes credit for killing the snake.

The three ladies reappear and put a padlock over his mouth to remind him that it is not good to tell lies. Before leaving they give Tamino a portrait of Pamina — the daughter of the Queen of the Night — who has been kidnaped by Sarastro. In an instant, he falls in love. Thus the stage is set for one of the most beloved operas of all time: The Magic Flute.

On Wednesday, February 26 at 7:30 pm in Kulas Hall, Cleveland Institute of Music Opera Theater will present Mozart’s popular opera. Directed by Dean Southern, the cast includes baritone Dylan Glenn as Papageno, soprano Siyeon Kim as Pamina, and coloratura soprano Mengqi Gao as the Queen of the Night. [Read more…]

Tuesday Musical to present London’s Academy of St. Martin in the Fields  

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by Mike Telin

Although it is common to hear performances of Baroque and some classical period orchestral repertoire performed without a conductor, you don’t often think of a Paganini violin concerto or a Brahms symphony being performed without one. Think again.

On Tuesday, February 25 at 7:30 pm at E.J. Thomas Hall, violinist Joshua Bell will lead the Academy of St. Martin in the Fields in performances of Paganini’s Violin Concerto No. 1 and Brahms’ Symphony No. 4. Presented by Akron’s Tuesday Musical, the evening will be preceded by a conversation with Academy musicians at 6:30 pm. Tickets are available online.

The concert is part of the Ensemble’s 20-day, 16-concert North American tour. “We’re very excited to be coming back to Akron,” Academy violinist Harvey de Souza said by phone from Bethesda, Maryland. “This is probably the biggest group that we have toured. I think there are 54 of us, which for us is very large.”

De Souza, who joined the Academy in 1993, said the Brahms symphony is a lovely piece and a joy to play. It’s also the largest work they have ever taken on tour. [Read more…]

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