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Music from The Western Reserve enters a new era under Bognár

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by Mike Telin

For 36 seasons, Music from The Western Reserve has presented chamber music concerts of a variety of genres performed by Northeast Ohio’s brightest talent. The organization is now entering a new era as it embarks on season number 37 with a new general manager, and a new lineup of performances.

After Elisabeth Hugh made the decision to retire following over a decade of leadership, Music from The Western Reserve and its board of directors recently announced that Zsolt Bognár, pianist and host of the award-winning film series Living the Classical Life, would succeed Hugh as Artistic Director and General Manager.

In a press release, Chair of the search committee Linda McDonald said that “Zsolt brings energy and passion to his work. We interviewed so many talented people for the position, but Zsolt’s skills and experience were the best fit as the organization moves to its next stage.” [Read more…]

Bach and electronics: Alexi Kenney explains his ChamberFest solo program

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by Jarrett Hoffman

Even for Alexi Kenney — who has loved Bach since age six and considers the Chaconne from the Second Violin Partita to be one of the greatest pieces of all time — digesting the work is not easy.

That’s partly because it’s often performed as a standalone. “It’s so hard for me to get into the right headspace to hear something that intricate, monumental, and emotionally deep,” the violinist said during a recent phone call on a hot day in New York City.

That thought set the 2016 Avery Fisher Career Grant recipient on a quest to put the work in context, and to help audiences feel receptive to what it has to offer. What he devised might surprise you: a solo program that interweaves movements from Bach’s Sonatas No. 1 in g and No. 3 in C with short pieces from the 20th and 21st centuries, some involving electronics, and all leading up to what else but the famous Chaconne. Kenney will present that program, titled “Bach to the Future,” on Tuesday, June 18 at 9:00 pm at The Wine Spot in Cleveland Heights as part of ChamberFest Cleveland.

[Read more…]

June 15 ChamberFest concert prelude to present Golka’s Debussy arrangement

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by Rory O’Donoghue

For pianist Adam Golka, arranging should be organic. Along with his good friend Roman Rabinovitch, he’ll perform his new arrangement of Debussy’s luminous La mer for two pianos on Saturday, June 15 at 6:45 pm in Mixon Hall as a prelude to ChamberFest’s Turning/Tipping Points.

“For many years I was in love with La mer and I yearned for a way to perform it,” Golka said by email, “and though I played around with the idea, it became clear that a two-hand solo version would have too many compromises. There is no way one pianist could bring out all the gorgeous textures and layers of the orchestral score, and each detail is so utterly exquisite.”

La mer premiered in Paris in 1905 to a middling reception, but gained traction over the next few years and secured an enduring place in the orchestral canon following its second Parisian outing in 1908. Its evocative movement titles — “De l’aube à midi sur la mer” (“From dawn to midday on the sea”), “Jeux de vagues” (“Play of the Waves”), and “Dialogue du vent et de la mer” (“Dialogue of the wind and the sea”) — offer ample room for interpretation, and Debussy’s deliberate avoidance of calling it a “symphony” in favor of “three symphonic sketches” all contribute to the work’s enigmatic beauty. [Read more…]

Deng sisters to open for second ChamberFest concert on June 14

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by Rory O’Donoghue

“We’ve been playing together since we were kids – well, not that we aren’t still kids,” 11 year-old violinist Corina Deng said, laughing, in a telephone interview last Friday. She’ll join her 16-year old sister, pianist Athena Deng, for a special performance at 7:15 pm before In Full Swing, this Friday’s 7:30 pm ChamberFest concert in Kulas Hall at the Cleveland Institute of Music. For the two young musicians, familial ties are the secret to their success.

“As sisters, there’s something about our communication that’s really special,” Athena said. “We don’t have any filter in telling each other our real thoughts. Usually at the end, we fully understand what the other wants.” The duo will perform Ravel’s Tzigane and Dvořák’s Romantic Pieces, Op. 75 (Nos. 1, 2, and 3), which they both agree will be an excellent opportunity to showcase their respective talents. [Read more…]

Cleveland International Classical Guitar Festival — chatting with Lynn McGrath

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by Mike Telin

Necessity is the mother of invention, and when guitarist Lynn McGrath needed to figure out how to simultaneously play the music and recite the poetry of Mario Castelnuovo-Tedesco, she found a way to do it.

On Friday, June 7 at 6:30 pm in Studio 113 at the Cleveland Institute of Music, Lynn McGrath will present a lecture recital titled “Guitar With Spoken Word.” The program features selections from Castelnuovo-Tedesco’s Platero y yo (Platero and I). The free event is presented as part of the Cleveland International Classical Guitar Festival.

Inspired by the 1914 book by the Nobel Prize-winning author Juan Ramon Jiménez, Platero y yo tells the story of a poet and his silvery gray donkey, the poet’s traveling companion and confidant. [Read more…]

Cleveland Orchestra Youth Orchestra to embark on European Tour  — chatting with Christine Shih, Ania Lewis, and William Bowers

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by Mike Telin

From June 12 through June 19 The Cleveland Orchestra Youth Orchestra will make a seven day, four concert tour to Europe under the direction of Vinay Parameswaran.

The tour will include performances at the Abbey of St. Florian (Sankt Florian, Austria), Golden Hall, Musikverein (Vienna, Austria), Reduta Bratislava Concert Hall (Bratislava, Slovakia), and the MOM Cultural Centre (Budapest, Hungary). This marks the third international tour in COYO’s 33-year history.

The Orchestra will celebrate the tour with a sendoff concert on Friday, June 7 at 8:00 pm at Severance Hall. Parmareswaren will lead John Adams’ The Chairman Dances: Foxtrot for Orchestra, Bartók’s Dance Suite, and Brahms’ Tragic Overture and Symphony No. 2 in D. The concert is free, but tickets are required. [Read more…]

CIPC Concert Series: catching up with pianist Roberto Plano

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by Daniel Hathaway

Italian-born pianist Roberto Plano, who won first prize in the 2001 Cleveland International Piano Competition, will play the next recital in CIPC’s Concert Series on Saturday, June 8 at 8:00 pm in Kulas Hall at the Cleveland Institute of Music.

In addition to playing solo repertoire by Respighi, Liszt, Tárrega, Villa-Lobos, and Ginastera, Plano will join the Omni Quartet (Cleveland Orchestra musicians Amy Lee, Alicia Koelz, Joanna Zakany, and Charles Bernard) to close the evening with Brahms’ f-minor Piano Quintet. Tickets are available online.

[Read more…]

Cleveland International Classical Guitar Festival — chatting with lutenist Elizabeth Kenny and composer Nico Muhly

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by Mike Telin

“With plucked instruments you have the freedom of a classical musician on the one hand, and on the other, you can also have a great relationship with folk, rock, and jazz,” English lutenist Elizabeth Kenny said via Skype from Cremona, Italy. “And sometimes you can escape those boundaries, which is very true of composers like Kapsberger and Piccinini — they had their intellectual side and a strong sense of what could be done with three or four chords.”

On Saturday, June 8 at 4:00 pm in CIM’s Mixon Hall, Kenny will present a program titled “Theorbo Fantasy: old and new music for the long-necked lute,” featuring the music of Kapsberger and Piccinini, as well as works by James MacMillan and Benjamin Oliver. [Read more…]

Oberlin celebrates Daune Mahy’s 39 years as Conservatory voice professor

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by Daniel Hathaway

On Sunday, May 12, the Oberlin Conservatory honored Daune Mahy on the occasion of her retirement as professor of voice, following “39 years of exemplary service to Oberlin.”

The well-attended event in Warner Concert Hall, introduced by voice professor Salvatore Champagne, included nine mini-performances by distinguished singers who have passed through Mahy’s studio, video and in-person tributes, a surprise mass singing of Schubert’s An die Musik, and a reception in the Warner lobby. As the audience gathered, a slideshow of photos of students and colleagues from Mahy’s long career flashed across a big screen. [Read more…]

Ohio Light Opera: a look ahead — part one of two previews

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by Kelly Ferjutz
Special to ClevelandClassical.com

en·sem·ble /änˈsämbəl/
noun
1. a group of musicians, actors, or dancers who perform together.

That definition perfectly describes the company of magicians who form Ohio Light Opera, a summer organization housed on the campus of The College of Wooster that provides a colorful look at musical theater of the past. Mostly — the past is always encroaching on the present.

Those who follow the company can’t help but be continually impressed by the camaraderie and inclusiveness of the 150 or so musicians, actors, and dancers, as well as the designers who build the sets and costumes, and the technicians who enhance the whole with light and sound and present magic to the audience at every single performance. In fact, there are 56 performances of 7 productions between June 15 and August 10 of imaginary examples of time and space not our own. [Read more…]

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