by Daniel Hathaway
In their most recent appearance at the Cleveland Museum of Art, Peter Phillips’ renowned British vocal ensemble, Tallis Scholars, dedicated a program of sacred Renaissance music — with a couple of modern insertions — to those who lost their lives in the First World War from 1914 to 1918.
by Daniel Hathaway
The final event in the Cleveland Chamber Symphony’s 2018 NEOSonicFest gave eight young composers the opportunity to hear their creations played by a professional orchestra led by Steven Smith — himself a composer. The pieces were performed in Gamble Auditorium at Baldwin Wallace University on Wednesday, April 11.
by Nicholas Stevens
The sun is shining, the leaves regenerating — and something wonderfully alive is stirring in Severance Hall. The Cleveland Orchestra billed its programs on April 12 and 13 as “sneak previews” of the concert cycles that close its 100th season: windows into the ensemble’s preparations for The Ecstasy of Tristan and Isolde and The Prometheus Project. [Read more…]
by David Kulma
The Syndicate for the New Arts kicked off their new Transmitter series at Historic St. John’s on Tuesday night, April 10. Focusing on a collaboration among experimental noise musicians and video and performance artists, this first night had the Parish Hall both visually and aurally glowing. [Read more…]
by David Kulma
Apollo’s Fire’s L’Orfeo is, in short, spell-binding. You should drop everything and go to their final local performance in Bay Village on Wednesday, April 18. If you’re not yet convinced, please keep reading. Two things stand out about this glorious semi-staged performance of Claudio Monteverdi’s “Favola di musica” in Kulas Hall at the Cleveland Institute of Music on April 13. First is the magnificent production and performance. Second is the special music crafted by Apollo’s Fire principal cello René Schiffer to restore the original 1607 Bacchanale ending. [Read more…]
by David Kulma
Concerts by CIM’s New Music Ensemble have such startlingly high levels of performance that it’s hard to remember that the musicians are, in fact, students. In their concert on Saturday night, April 7 at the Bop Stop as a part of this year’s NEOSonicFest, the ensemble gave immaculate performances of works selected from their 2017-2018 repertoire. [Read more…]
by David Kulma
This year’s NEOSonicFest — the new music festival presented by the Cleveland Chamber Symphony — held its second concert on Friday, April 6th with a program by the venturesome ensemble No Exit at Heights Arts. The musicians of No Exit and two guest trumpeters were in top form for this potpourri of chamber music. [Read more…]
by Daniel Hathaway
Michigan-based cellist Deborah Pae was the featured soloist with David Ellis’ Earth and Air: String Orchestra at a concert in the nave of St. Paul’s Episcopal Church in Cleveland Heights on Friday evening, April 6. The main piece of business that brought her to Cleveland was a performance of Jeffrey Mumford’s two rhapsodies for cello and strings, but she was front and center in Tchaikovsky’s Andante Cantabile as well.
by Nicholas Stevens
Éliane Radigue creates works that often suit the gallery better than the concert hall. Best known for drone compositions of almost cosmic proportions — OMNHT, her current installation at MOCA Cleveland, runs for several decades before looping — her works tend to defy conventional notions of performance. But last week, Northeast Ohio concertgoers took in a rare experience: hearing some of Radigue’s recent acoustic works for live performers, while seated inside the installation.
by Nicholas Stevens
The repertoire for brass quintet embraces a range of periods and styles. Arrangements of vocal music take on a certain muscle and gleam, Baroque pieces ring triumphant, classics gain in pep, and recent music can audibly push the ensemble’s limits. Jazz often makes for a natural fit. Small wonder, then, that the Dana Brass Quintet delighted in a program at Hudson’s Christ Church on April 8 with a program that incorporated all of the above. [Read more…]