by Daniel Hathaway
For the second recital in its 2017 Concert Series, the Cleveland International Piano Competition presented Marc-André Hamelin at the Cleveland Museum of Art on Tuesday evening, March 21. The Montréal-born pianist gave outstanding performances of works by Haydn, Feinberg, Beethoven, Scriabin, and Chopin that could teach future competition contestants a lot about how to prick up the ears of juries and audiences. [Read more…]
by Robert Rollin
On Sunday, May 19 at Anshe Chesed Fairmount Temple, CityMusic Cleveland, under the direction of Avner Dorman, performed an excellent concert that brought insight into pop icon David Bowie’s many inspirations. Bowie’s own songs, juxtaposed with Richard Strauss’s “Im Abendrot” (In the Twilight) from his Four Last Songs, were the highlight of the concert. [Read more…]
by Timothy Robson
Johann Sebastian Bach’s monumental Clavier-Übung III is arguably the greatest collection of organ works of all time. Comprised of twenty-one chorale preludes and four duets, and bookended with a prelude and fugue in E-flat major, the Clavier-Übung III is the final distillation of Baroque organ counterpoint. American organist Jonathan Ryan played Bach’s longest, most complex, and most difficult organ work Tuesday evening, March 21 on Trinity Cathedral’s 1977 Flentrop organ. [Read more…]
by Daniel Hathaway
Those who say they like or don’t like the music of Igor Stravinsky risk being detained for further questioning: which of the different styles the composer took on and discarded during his long 20th-century career are you referring to? There were several to be heard on The Cleveland Orchestra’s all-Stravinsky program on Thursday evening, all masterfully performed under the direction of Franz Welser-Möst with the help of the Cleveland Orchestra Chorus and Miami’s Seraphic Fire. [Read more…]
by Robert Rollin
On Sunday afternoon, March 12 at Hudson’s Christ Episcopal Church, Music from the Western Reserve presented an exceptional concert of sextets by Kent State’s Black Squirrel Winds and guests. The group, named for the furry creatures inhabiting Kent’s grassy campus, consists of five talented wind players with genuine rapport. [Read more…]
by Daniel Hathaway
Organist Christopher Houlihan’s two previous recordings were devoted to music by Maurice Duruflé, Jehan Alain and Louis Vierne — three go-to composers for demonstrating the talents of a young organ virtuoso. His most recent release on Cleveland’s Azica label takes on more dangerous interpretive material: some of the more monumental works of Johann Sebastian Bach, as well as Houlihan’s own arrangement of Bach’s Concerto in the Italian Style. [Read more…]
by Robert Rollin
The Cleveland Orchestra Family Concert on Sunday afternoon, March 5 was a delight. The program, titled “The Magic Firebird,” was a collaboration between the Orchestra and the Enchantment Theatre Company. Guest conductor Ruth Reinhardt led Stravinsky’s The Firebird with precision, commenting briefly on each piece and drawing in the young audience. The concert was a terrific success despite limited space onstage. [Read more…]
by Daniel Hathaway
Les Délices’ normal métier is French Baroque music, but last weekend the ensemble turned to earlier French music, joining forces with Boston’s Blue Heron to produce a condensed version of Guillaume de Machaut’s Remède de Fortune. Their performance of this dit, or long narrative poem, by the 14th-century superstar attracted a good-sized audience to Historic St. John’s Episcopal Church in Ohio City on Saturday evening. [Read more…]
by Daniel Hathaway
Whether you know her as Cendrillon, Aschenbrödel, La Cenerentola, La Cenicienta, Soluschka, or, most likely, Cinderella, the story of that downtrodden stepchild is an irresistible fairy tale. It’s been turned into many operas, but perhaps most magically by Jules Massenet in his Cendrillon, beautifully produced by Oberlin Opera Theater last Wednesday evening at its opening performance in Hall Auditorium. [Read more…]
by Daniel Hathaway
Under the direction of Franz Welser-Möst on Thursday evening, members of The Cleveland Orchestra and Chorus and an excellent team of soloists made a strong case for a not-so-historically informed approach to Bach’s sacred vocal works. The quality of Welser-Möst’s interpretation and the excellence of its execution got right to the heart of the composer’s Passion According to St. John and left a powerful emotional impression. [Read more…]