by Robert Rollin
Todd Wilson returned to Stambaugh Auditorium’s Skinner organ on Sunday afternoon, October 25, to improvise a score to Charlie Chaplin’s 1925 silent film, The Gold Rush. Wilson, who is organist at Cleveland’s Trinity Cathedral and chair of the organ department at the Cleveland Institute of Music, played a similar role last season in providing musical accompaniment to the Harold Lloyd comedy Speedy. Though The Gold Rush is also a comedy, it focuses on Chaplin’s beloved little tramp character in an unusual context. [Read more…]
String players sometimes say that instruments can “remember their past” — that one can tell the quality of the previous owner by listening to the violin’s tone. Played for years by a mediocre player, the violin settles into mediocrity; played by the best, the violin becomes the best. The violins played in last week’s community concert at Severance Hall have a long and heavy past. Now, restored to life, they seem to remember the tragedy and the hope of the Holocaust, a memory that can remind us of the worst and the best in human life. 
The newest addition to Cleveland’s classical music scene, Earth and Air: String Orchestra, made its debut on Thursday, October 8 in Tucker Hall at St. Paul’s Episcopal Church in Cleveland Heights. Founder and director David Ellis chose a challenging program entitled “Prague Serenades” that featured Antonín Dvořák’s Serenade for Strings, Op. 22, and the Serenade, Op. 6 by Dvořák’s student (and son-in-law), Josef Suk. 
Modernity — with its fresh inventions, sounds, and sensations — often inspires us to respond in kind. We are in constant dialogue with our environs. We listen. We talk back. We create reflections of our experience. This was certainly the case in last Sunday’s Cleveland Composers Guild concert (October 11), which filled Drinko Hall at Cleveland State University with an array of new resonances. 
Venice, always on the verge of sinking into the Adriatic, rose well above sea level on Friday evening at Fairmount Presbyterian Church in Cleveland Heights as Apollo’s Fire began its 24th season with “Splendor of Venice: An Orchestral Extravaganza.” Following a parade by the musicians up the center aisle heralded by natural horns on either side of the stage, founder and conductor Jeannette Sorrell announced in her opening remarks that she would play the role of Rick Steves that night, taking the audience on a musical tour of 18th-century Venice.
After a Wednesday evening concert in Dublin, near Columbus, CityMusic Cleveland opened its new season at Lakewood Congregational Church on October 15 with the first of four area concerts featuring violinist Sayaka Shoji. On Thursday, she turned in a tidy reading of the Brahms concerto, and the orchestra itself delivered an impressive, highly polished performance of Robert Schumann’s first symphony led by music director Avner Dorman.
The three programs scheduled by The Cleveland Orchestra last weekend were each colorful in their own right, but the blueprint of works being performed was complicated enough that the program book color-coded each evening to keep patrons apprised about what they were hearing, and in what order. Come to think of it, the orchestra and stage crew probably appreciated those navigational aids as well. 
Vespers is the only service of the medieval church outside of Mass to have survived and prospered from the Protestant Reformation. Some elaborate musical settings of this early evening rite have come from the Roman Catholic pens of Claudio Monteverdi and Wolfgang Amadè Mozart, but the tradition has really gone on to thrive in Lutheran and Anglican circles, where musical Vespers services and Choral Evensongs have inspired countless settings of the psalms and canticles (especially the Magnificat) which form the backbone of the service. 
The opening concert of the Cleveland Philharmonic Orchestra season on Sunday, October 11 was an exuberant memorial to long-time Philharmonic music director William Slocum. Maestro Slocum, who conducted the orchestra for twenty-six years, passed away in the spring of 2015. 
Arts Renaissance Tremont opened its twenty-fifth anniversary season Sunday with an ambitious and satisfying program of two masterpieces of the piano trio repertoire: Beethoven’s Opus 97 in B-flat (“Archduke”) and Shostakovich’s Opus 67 in e-minor. Performing were the members of the Autana Trio (Venezuelan violinist Rubén Rengel, cellist Anna Hurt — originally from Utah — and South Korean pianist Yuri Noh), who are participants in the Cleveland Institute of Music’s Advanced Piano Trio Program, directed by noted cellist Sharon Robinson.