by Daniel Hathaway
In the grand scheme of chamber music, a group that is only beginning its 14th season as an ensemble is still in its adolescence. Young though the Jupiter Quartet may be, their energy, enthusiasm, and technical prowess put them head to head with established chamber music groups who have developed the fine patina that only many years of playing together can buff to a fine sheen. [Read more…]
by Jane Berkner
A couple of weeks ago, The Price Is Right host and former Clevelander Drew Carey urged long-suffering Cleveland Browns fans to stop attending (expletive) Browns games and instead go see the (expletive) orchestra. This prompted the Akron Symphony Orchestra to champion the comedian’s cause by offering to exchange a Browns ticket stub for a free ticket to their annual holiday pops concert, “Home for the Holidays,” on Friday, December 11 at E.J. Thomas Hall. [Read more…]
by Robert Rollin
Back to the Future (1985) took center-stage at Severance Hall last Thursday evening, December 10, on The Cleveland Orchestra’s “At the Movies” series. Deftly conducted by associate conductor Brett Mitchell, the Orchestra played the score live as the film was shown on a huge screen over the stage. Other than a slight bobble at the outset, the performance sparkled with excellent ensemble and balanced beautifully with the lively soundtrack. [Read more…]
by Mike Telin
A great thing about chamber music is that it can be performed in any space that can accommodate a small number of musicians while leaving room to comfortably seat an audience. Since 2005, Heights Arts’ Close Encounters Chamber Music Series has found its niche in Cleveland’s vibrant chamber music scene by presenting concerts in intriguing and inviting spaces around the city. The series, coordinated by artistic director Isabel Trautwein, presented its first concert of the season on Sunday afternoon, November 22 at Dunham Tavern Museum in Midtown. [Read more…]
by Daniel Hathaway
When you’ve presented a Christmas program every December for seven years, it could become a routine event — your institutional Nutcracker. Happily, Quire Cleveland has taken its “Carols for Quire” program in new directions and infused it with new twists every year. The 21-voice professional ensemble’s concert on Sunday afternoon in the chaste, Gothic space of St. Peter’s Church in downtown Cleveland just might have been its best edition yet. [Read more…]
by Robert Rollin
Last Sunday afternoon, December 6, The Cleveland Women’s Orchestra, under its Music Director and Conductor Robert Cronquist, presented “A Commemorative Program in Memory of the Women’s Orchestra at Auschwitz” at Kangesser Hall at The Park Synagogue in Cleveland Heights. The event received support from Violins of Hope Cleveland and The Cleveland Jewish Federation. Robert Conrad, President of WCLV, acted as host and introduced each work. It was a lively and interesting concert. [Read more…]
by Daniel Hathaway
Performing Handel’s most famous oratorio poses a challenge for modern conductors, choruses and orchestras. Even in 1742 when it was being created prior to its debut in Dublin, its composer found himself steering a perilous course between the values of puritans, who wanted it to be religious, and thespians, who saw it as a piece of theater. Nowadays, conductors, orchestras and choruses also find themselves navigating between the values of the historically informed performance movement and the desire to make this hugely popular work accessible to a wide public. Decisions, decisions! [Read more…]
by Timothy Robson
James Feddeck, former assistant conductor of The Cleveland Orchestra, played an ambitious and enjoyable organ program Sunday afternoon, December 6, on the Holtkamp instrument in Gartner Auditorium at the Cleveland Museum of Art. The annual Holiday Circlefest was taking place simultaneously all over University Circle, so the museum was swarming with visitors, some of whom stopped in for part of the recital. Feddeck, an alumnus of the Oberlin Conservatory, might be described as an over-achiever, having studied piano, oboe, organ, and conducting at Oberlin. He now mostly travels the world as a guest conductor of many notable orchestras. [Read more…]
by Robert Rollin
Last Friday evening, December 4, the Cavani String Quartet (Annie Fullard and Mari Sato, violins, Kirsten Docter, viola, and Merry Peckham, cello) — who serve as Artists-in-Residence at the Cleveland Institute of Music — presented a stellar concert of Czech music in Kulas Hall as the final event of the CIM Violins of Hope concert series. [Read more…]
by Daniel Hathaway
Among the more important activities during the four-month Violins of Hope Cleveland project are the extensive educational activities being offered to schools and students by a number of area institutions. On Wednesday, Thursday, and Friday (December 2 – 4) at 10:10 am and 12:10 noon, associate conductor Brett Mitchell and The Cleveland Orchestra — in conjunction with graduate students from the Case Western Reserve University / Cleveland Play House MFA Program in Acting — presented six engaging, hour-long concerts that unflinchingly presented the events of the Holocaust in music, mime, and words. [Read more…]