by Daniel Hathaway
One of the most versatile early music ensembles in the country, Minneapolis-St. Paul’s Rose Ensemble offers touring programs that range from the life and deeds of St. Francis of Assisi, to an exploration of the roots of Bluegrass, to “Sibyls of the Rhine — Hildegard von Bingen and the Minstrel’s Song of Songs.” On Wednesday, September 30, Jordan Sramek brought his twelve singers to St. John’s Cathedral to perform “Slavic Wonders: Feasts and Saints in Early Russia, Poland, and Bohemia,” a wonderfully varied and superbly performed program. [Read more…]
Officially raising the curtain on its new partnership with Italy’s International Piano Academy Lake Como, the Oberlin Conservatory of Music opened the 138th season of its Artist Recital Series on Sunday, September 27 in Finney Chapel with an impressive recital by Ran Jia, Alessandro Deljavan, and Marcos Madrigal, three artists who have recently been honing their skills to a fine edge at the institution founded by William Grant Naboré in 2002. 
English horn and organ make for a wonderfully sensuous combination, contrasting the mellow, almost mournful sound of the oboe’s big brother with the clarity of the organ’s tone. Oberlin Conservatory faculty members James David Christie, organ, and Robert Walters, English horn, (who is also a member of The Cleveland Orchestra) played a lovely recital on Sunday, September 27, at Immaculate Conception Church, on Superior Avenue just east of E. 40th Street in Cleveland. 
The Cleveland Orchestra crossed Wade Lagoon on Sunday afternoon, September 27 to launch two ships on important missions with a single concert. One order of business was to crack a musical champagne bottle across the bow of the Milton and Tamar Maltz Performing Arts Center at The Temple-Tifereth Israel. The newly renovated University Circle landmark will continue to serve as a space to celebrate major religious holidays and life events while also providing Case Western Reserve University with the first stage in the creation of a long-needed performing arts facility. 
When you go to one of the Cleveland Museum of Art’s concerts at Transformer Station in Hingetown on Cleveland’s near West Side, expect to hear music as edgy and provocative as the art on the walls (and just as hip: the current exhibition from the collection of the Akron Art Museum dispenses with wall tags in favor of elucidation from your smart phone). The performance on Friday, September 25, the second of three concerts by featured performer Ellen Fullman and cellist Theresa Wong, fit that m.o. perfectly. 
Wolfgang Amadè Mozart’s last symphony and Richard Strauss’s last tone poem — though he called it a symphony — were splendid choices for the opening concert of The Cleveland Orchestra’s new season last Thursday evening, September 24 at Severance Hall. In these works, both composers were operating at the height of their powers, investing confident brilliance in the “Jupiter” and “Alpine” Symphonies. 
Pianist Philip Thomson joined music director Christopher Wilkins and the Akron Symphony Orchestra in a spirited concert on Saturday, September 19 at E.J. Thomas Hall. The “American Journey” began in Mexico with Aaron Copland’s El Salón México, stopped in Texarkana, Texas for Clint Needham’s Southern Air, and traveled to somewhere in the Wild West for Copland’s Rodeo before meeting up with George Gershwin in New York. 
The phenomenal French-Canadian organist Isabelle Demers, who currently teaches at Baylor University, crafted an imaginative program for her recital on the Stambaugh Auditorium organ series in Youngstown on Sunday afternoon, September 20, and delivered it with precision and flair. After flawless, memorized performances of music by Vierne, Prokofiev, Bridge, Reger, J.S. Bach, and Laurin, she saved her best trick for last, ending her concert with a breathtaking performance of a “look, Ma: no hands” extravaganza mostly for pedals alone. 
Philippe Lefebvre, one of three tenured organists (titulaires) at the Cathedral of Notre-Dame in Paris, made his impressive Oberlin debut on Wednesday, September 16 in a 70-minute, straight-through recital in Finney Chapel at Oberlin College. His program paid homage to the great bloodline of French organist-composers established by the Belgian-born master César Franck, as well as to the long and distinguished tradition of improvisation that continues to live and prosper in the organ galleries of France.