by Daniel Hathaway
Russian pianist Arsentiy Kharitonov played the second concert in the Rocky River Chamber Music Society Series on Monday evening, November 15, not in the Society’s home venue — West Shore Unitarian Universalist Church — but at Lakewood Congregational Church, due to COVID-19 concerns. I watched the recital, a hybrid event with in-person attendance permitted, via the live stream.
Unlike most concert pianists, who seem to have taken to the keyboard while they were still learning to walk, Kharitonov only began his studies at the age of 16. But he plays with such naturalness and easy virtuosity that you’d never imagine he came late to the party. [Read more…]
The Cavani Quartet’s well-attended concert on Sunday, November 21 at St. Wendelin Church marked the sixth of eight performances in the ensemble’s roaming “Beethoven and Beyond” series, as well as the beginning of the 30th season of the Arts Renaissance Tremont series.
Parallel revolutions in France and Haiti have inspired the second episode of this season’s online concert series from Les Délices. “Winds of Change,” which went live on November 18 and is available both on subscription and as a single performance, includes late 18th-century music by Joseph Bologne (Chevalier de Saint-Georges), Karl Bochsa, and Luigi Boccherini, and the premiere of a commissioned piece, Haitian-born composer Sydney Guillaume’s A Journey to Freedom.
If you want to identify the Naughton sisters, look at their shoes. As the identical twin pianists took the stage for their recent performance at Tuesday Musical, each wore one red and one black heel, placed on opposite feet. It was a fitting choice — Christina and Michelle Naughton are distinct individuals, yet when playing together, they become one half of the same whole.
It’s fun and illuminating to trace outside influences on composers’ changing styles as they make their way through life, standing on the shoulders of their predecessors to see a clearer view of the future.
A bit of jazz, and even some rock crept onto saxophonist Gabriel Piqué’s program at Christ Church Episcopal in Hudson on October 31. Although he stuck to mostly classical repertoire in his Music From The Western Reserve recital, those occasional flashes of other genres didn’t seem out of place.
Like the exiles in The Book of Isaiah who returned rejoicing to Zion, the Cleveland Orchestra Chorus jubilantly revisited Severance Music Center, the scene of many past triumphs, on Thursday evening, October 28. Chorus director Lisa Wong was on the podium, Johannes Brahms’ Ein Deutsches Requiem was in singers’ hands and on their lips, a pair of Steinways manned by Carolyn Warner and Daniel Overly sat dovetailed at center-stage, and a near-capacity audience witnessed the homecoming.
VOCES8 sings a little something for everyone. The British a cappella ensemble had a packed house at E.J. Thomas Hall on October 19, ready for the group’s polished take on any song. The program, the first performance in Tuesday Musical’s 2021–2022 Akron Concert Series, ran from Renaissance music to jazz — styles that don’t intuitively go together.
Like many of us, guitarist Celil Refik Kaya had a lot of time on his hands over the past eighteen months, and he used the opportunity to lean into another of his musical passions — composing. In his second-ever visit to the Cleveland Classical Guitar Society, Kaya brought the product of this extra time with him — the newly-composed Sketches, based on four works of visual art created by his father.
At the top of their program at the Cleveland Museum of Art on Sunday afternoon, October 24, Apollo’s Fire founder and artistic director Jeannette Sorrell told the full house that the Baroque orchestra was opening its 30th season with Vivaldi’s Four Seasons rediscovered, returning to a piece that the ensemble has featured every year since 1991.