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Baldwin Wallace Conservatory Opera: Speed Dating Tonight! (Feb. 15)

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by Peter Feher

In 2023, Axios reported that according to a recent poll, only about 20 percent of college students said they regularly used dating apps. The survey didn’t ask if anyone had ever tried good old-fashioned speed dating — presumably, that number would have been even lower.

The undergraduate performers in Baldwin Wallace Conservatory’s opera studies program can therefore claim a special distinction. More than a dozen BW singers took the stage at the Cleveland Museum of Art’s Gartner Auditorium over Valentine’s Day weekend for the local premiere of Speed Dating Tonight!

This quirky one-act opera, with words and music by composer Michael Ching, has received upward of 100 small productions since its 2013 premiere, and it’s easy to see why. If Ching’s concept is somewhat outmoded, the dramatic setup he contrives is perfect for a college or community organization that has talent and ambition to spare.

[Read more…]

BW Vocal Performance Capstone Project takes Hansel and Gretel online

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by Mike Telin

When the 2020 Vocal Performance Program class at Baldwin Wallace Conservatory got together this past August to discuss what their Capstone Project would look like, they decided to create something that would combine their voice studies with their entrepreneurship classes, and involve a community partner.

The seven seniors began laying the groundwork by meeting with Cleveland Opera Theater’s director of education and outreach Megan Thompson, who helped them figure out what they wanted the project to entail and how to structure it. They also discussed what it means to be a teaching artist.

The group ultimately decided that they would design an opera outreach project for elementary school children and produce a thirty-minute adaptation of Engelbert Humperdinck’s Hansel and Gretel.

During a class interview via Zoom, Kailyn Martino, who created that adaptation, said the goal was to make sure that their version would be engaging for elementary school students. “We’ve included the most memorable music from the opera like the Prayer and the Sandman and Dew Fairy arias, and the scene where Gretel teaches Hansel to dance. The plot is driven forward through the narration, so we get to share the entire opera with the kids without keeping them there for hours.” [Read more…]

South Pacific with BW & Cleveland Orchestra: talking to director Victoria Bussert

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by Jarrett Hoffman

Musical theater fans have a thrill coming their way this Saturday, August 24 at 8:00 pm at Blossom. On tap is a production of Rodgers & Hammerstein’s 1949 South Pacific featuring students from the Baldwin Wallace Music Theater program. And the orchestra? It’s one you might have heard of.

“There’s no way for me to describe what it’s going to be like the first time the students hear The Cleveland Orchestra play this music,” Victoria Bussert said during a recent phone call. She heads the Music Theater program at BW and directs Saturday’s performance. 

“It will be a once-in-a-lifetime opportunity because even on Broadway, you don’t get orchestras of this size, or this world-renowned,” Bussert said. “I’m kind of tingly just waiting for when we all walk into Severance [for rehearsal] and the students sing with them for the first time.”

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Margaret Scharf, 89

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Margaret Rickerd Scharf, who co-directed the music program at Old Stone Church in Public Square from 1969-1999 with her husband, Warren, died on Friday, August 1 at the age of 89.

“Maggie” joined Warren on the faculty of the Baldwin Wallace Conservatory in 1993, where he had served as director since 1967, and taught organ there until 2013. The couple met as graduate organ students at the Eastman School of Music (he died in 2014). She also served as Dean of the Cleveland Chapter of the American Guild of Organists, and taught at Cleveland State University.

Services will be held at The Old Stone Church on Saturday, August 10 at 11:00 am, followed by a luncheon. Read an obituary here.

Cleveland Opera Theater {NOW} Festival: Griffin Candey’s The House of Bernarda Alba

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by Mike Telin  

When Griffin Candey first read an English translation of Spanish dramatist Federico García Lorca’s La Casa de Bernarda Alba, he knew the play had the makings for an opera. “My wife suggested that I read it,” the composer said by telephone from his home in Marquette, Michigan. “She went to school for musical theater as did I, and in one of her classes they read the play and thought it was fantastic. I’m always scouring material for things to do in the future, so when I read it, I immediately leapt on it.”

On Friday, February 8 at 8:00 pm in Baldwin Wallace’s Gamble Auditorium, Cleveland Opera Theater’s {NOW} Festival will present a workshop reading of scenes with piano accompaniment from Acts I and II of Candey’s The House of Bernarda Alba with libretto by Obie Award-winner Caridad Svich. The opera is a co-commission between Cleveland Opera Theater and the BW Conservatory.

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Cimarosa’s Il matrimonio segreto at Baldwin Wallace (March 22)

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by Nicholas Stevens

Matrimonio1A white picket fence, a suburban home interior, a blue sky dotted with puffy clouds — and six opera singers, each decked out in a distinct color ranging from deep purple to highlighter orange: such were the sights onstage on the opening night of Baldwin Wallace Conservatory’s production of Domenico Cimarosa’s Il Matrimonio Segreto last week. The show’s bright imagery — Pixar meets Japanese anime, inside a dollhouse — complemented the vibrant acting and spirited singing of the student performers.

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Genre-blending Africa→West Percussion Trio to perform at Baldwin Wallace on Friday

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by Jarrett Hoffman

africa west“In reality — in the wild — musics interact,” said Josh Ryan of Africa→West Percussion Trio. “Sometimes we play folkloric music, sometimes we play what sounds like experimental concert music, and sometimes we play a mix of the two. That’s just the reality of being a 21st-century person and percussionist, and it’s really fun.”

On Friday, February 16 at 7:00 pm at Baldwin Wallace Conservatory’s Gamble Auditorium, the Africa→West Percussion Trio (Ryan Korb and brothers Jamie and Josh Ryan) will present a program of original works and arrangements, with influences ranging from Ghanaian and Cuban music to jazz, classical, and pop. The group is a longtime ensemble-in-residence at BW, and their fourth CD, Loud Fossil, was released in 2016.

[Read more…]

Cleveland Opera Theater and
BW Conservatory present
The Threepenny Opera

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by Jarrett Hoffman

Dreigroschenoper“There’s a very raw, visceral style to the language and the drama in Threepenny,” said Cleveland Opera Theater director Scott Skiba in a recent conversation. “Nothing is whitewashed, nothing is varnished.”

On Friday, October 27 at 7:30 pm at Maltz Performing Arts Center, Cleveland Opera Theater opens its season with The Threepenny Opera, co-produced by Baldwin Wallace Conservatory. Presented in English, the work brings together Kurt Weill’s genre-fusing music and Elisabeth Hauptmann’s and Bertolt Brecht’s famously provocative text, adapted from John Gay’s 18th-century English ballad opera, The Beggar’s Opera. A second performance will be given on Sunday, October 29 at 3:00 pm.

“It’s a relevant, exciting piece that hasn’t been done here for a long time, and this is going to be a special version,” said Skiba, who also serves as director of opera studies at BW. “Sometimes the word ‘opera’ scares people, but this will feel more like musical theater. It’s outrageous and vibrant.” [Read more…]

Boston’s A Far Cry chamber orchestra in concert at Baldwin Wallace (Jan. 24)

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by Daniel Hathaway

A-Far-Cry-Jordan-HallNow ten years old, Boston’s conductorless string orchestra A Far Cry made a long-distance runout performance in Gamble Auditorium at Baldwin Wallace Conservatory on Tuesday, January 24, part of a three-day residency at BW. The orchestra’s wide-ranging program reached back to the 12th-century Codex Calixtinus in arrangements of some very early polyphony, then leapfrogged into more modern times for double violin concertos by J.S. Bach and Arvo Pärt and a commissioned work by Lembit Beecher.

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Iron Composer returns to Baldwin Wallace: a conversation with director Joe Drew

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by Mike Telin

Joe-Drew-2On Friday, September 4 at Baldwin Wallace Conservatory, the creativity of five composers will be tested when they have five hours to write a brand new piece of music in order to win the coveted titled of Iron Composer. Competition director Joe Drew said that this years contestants are all accomplished composers and college-level teachers whose musical styles are quite varied. “We try to select as diverse a group as possible. We are putting on a show, and it wouldn’t work if we had a group of composers who all write in similar styles, or who would all have a similar response to the stimulus of the challenge.”

What is that challenge? On Friday at 9:00 am in the Chamber Hall, the five finalists will be assigned an instrumentation and a secret musical ingredient that must be incorporated into their work. Past challenges have paired piano trio with a Monet painting, pipe organ with 19th-century music boxes, and brass trio with audience participation. After five hours, the composers must submit a score and parts for their finished piece. Their work will be performed and judged during a free public concert at 8 pm in Gamble Auditorium. Following the performance, prizes will be awarded, and the title of Iron Composer will be bestowed.

[Read more…]

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