ClevelandClassical.com Header
Ad
Ad

Brunfelt, Guegold, and Wilkins on Akron Symphony’s “Stand Beside Her”

by

by Jarrett Hoffman

The 19th Amendment to the U.S. Constitution was ratified in August of 1920, and leading up to the 100th anniversary of that event, the Akron Symphony is highlighting six women composers through a project called “Stand Beside Her.”

I spoke to concertmaster Tallie Brunfelt and principal horn Meghan Guegold — who will both be featured as soloists in the Orchestra’s November 16 concert — and asked what this programming initiative means to them.

“I’m just so thrilled that the ASO is doing this, especially in light of the centennial,” Brunfelt said by telephone. Being a woman at her position in the Orchestra makes this project all the more exciting for her. “There aren’t many female concertmasters, and I think representation and visibility are extraordinarily important,” she said.

[Read more…]

Akron Symphony in “Symphonic Shakespeare” (Oct. 19)

by

by Nicholas Stevens

Shakespeare is everywhere these days: not just at the roots of today’s literature, poetry, philosophy, pop culture, and theatre, but as the ultimate canonic figure in the arts. His fame helps keep him famous. Titles of novels riff on the fact that his work remains required reading; Supreme Court justices make headlines for doubting his authorship; tempests in teapots brew when people move his portrait. Classical music, with its piano-adorning composer busts, boasts figures of comparable monumentality. In presenting music on Shakespearean themes and scenarios in a recent concert, however, the Akron Symphony seized a chance to savor works of rarer vintages. [Read more…]

Akron Symphony:
“Symphonic Shakespeare”

by

by Jarrett Hoffman

Akron Symphony music director Christopher Wilkins has long had an interest in theater. “I’ve kept my eye out for theater-related projects for years and years and years,” he said during an interview.

One of those projects was Mendelssohn’s incidental music for A Midsummer Night’s Dream interleaved with a significant chunk of Shakespeare’s play, a production ClevelandClassical.com reviewed in 2014. “I’ve also done The Tempest with the complete incidental music by Sibelius,” Wilkins said. “But these next two pieces are knockouts.”

Those would be Shostakovich’s Hamlet Film Suite and William Walton’s Henry V: A Shakespeare Scenario, which make up two-thirds of “Symphonic Shakespeare,” the Orchestra’s program this Saturday, October 19 at 8:00 pm at E.J. Thomas Hall.

[Read more…]

Akron Symphony’s West Side Story: O’Brien gets his shot at Tony

by

by Jarrett Hoffman

From the first time he saw West Side Story, Connor Bogart O’Brien knew that Tony was a role he was born to play.

So why did he pass on opportunities to do just that — not once, not twice, but three times?

“I didn’t want my debut as Tony to be for anything less than the biggest, most stellar production,” the Ashtabula native said with a laugh during a recent phone call.

Then, about six years ago, O’Brien found himself right where he wanted to be: in Pearl Studios in Manhattan in the final callbacks for the musical’s national tour. “I’m there with two other Tony’s, and I’m thinking, this is it, now is my chance. And fifteen minutes later, I’m on the street wondering what the heck just happened. I did not get it. So I thought, that’s it, I’m going to get too old to play a teenager, and I’m just not going to be able to do it.”

But the universe — via Akron Symphony music director Christopher Wilkins — smiled on O’Brien. [Read more…]

Akron Symphony & Chorus in Beethoven’s “Eroica” & Mass in C (Apr. 6)

by

by Nicholas Stevens

Most musicians and music history buffs recount Beethoven’s life as a three-part story of artistic progress, from early indebtedness to precedent, through the heroic rupturing of tradition, then on to strange yet sublime experiments. However, smart concert programming can remind us that this central figure of the classical pantheon, like most artists, tended to zigzag. [Read more…]

Akron Symphony: Jinjoo Cho, kitchen magnets & the Korngold Concerto

by

by Jarrett Hoffman

Sometimes it feels appropriate to get right down to business. Last week, when I got in touch with Jinjoo Cho, that would have meant delving immediately into Korngold’s Concerto, which she played in the final round at the 2014 International Violin Competition of Indianapolis enroute to winning the Gold Medal. She’ll revisit the piece with Christopher Wilkins and the Akron Symphony this Saturday, March 16 at 8:00 pm at E.J. Thomas Hall.

But there was something I’d read at the bottom of her bio that I needed to clear up first. So when she picked up the phone, I quickly put on my reporter’s hat and began to investigate.

“In the beginning they were more like souvenirs,” Cho said of her collection of kitchen magnets. “I would get one that reminded me of someplace. Now I feel like it’s become a full-on obsession. Whenever I see a cute one, I just can’t not buy it.”

[Read more…]

Akron Symphony: diving into Stella Sung’s Oceana

by

by Jarrett Hoffman

Asked to name a piece that uses sounds recorded from nature, many would think of Respighi’s Pines of Rome and the nightingales that end its third movement. Locals especially might remember the calls of the shore lark and whooper swan in Einojuhani Rautavaara’s Cantus arcticus, which the Akron Symphony paired with Pines in a Planet Earth-themed concert last March.

Here’s another one that’s even more technologically ambitious. Stella Sung’s Oceana was premiered by Christopher Wilkins and the Boston Landmarks Orchestra last summer, and will receive its Northeast Ohio premiere in the hands of Wilkins and the ASO on Saturday, February 9 at 8:00 pm at E.J. Thomas Hall.

Oceana was inspired by the issue of ocean noise pollution — like from seismic testing and large ships — which disrupts the ability of many animals to communicate, navigate, and find food. Meshing orchestral sounds with those of whales, dolphins, seals, and other animals, Sung penned an ode to oceanic ecosystems and their importance to all forms of life.

[Read more…]

Akron Symphony: “Verdi & Valkyries” (Nov. 16)

by

by Nicholas Stevens

E.J. Thomas Hall looms and soars, cradling audiences in a colossal yet cozy acoustic shell. The mechanism that allows for adjustments in the ceiling height — a system of suspended counterweights — dominates one lobby like a giant’s carillon. The hall hosts performances of all sizes, but truly comes alive when a given theatrical or musical production offers art of comparable scale, scope, and solidity, spanning the spectrum from soft speech to symphonic swells. The Akron Symphony offered just such a program earlier this month. [Read more…]

Akron Symphony: “Verdi and Valkyries”

by

by Jarrett Hoffman

“Verdi and Wagner together represent the pinnacle of the high Romantic age in music, and both were masters of drama,” Akron Symphony music director Christopher Wilkins says in a video on the ASO’s YouTube channel.

Those two composers will find themselves paired in a program titled “Verdi and Valkyries,” to be performed by the Akron Symphony and Chorus on Friday, November 16 at 8:00 pm at E.J. Thomas Hall.

Another pairing: Wilkins and chorus director Marie Bucoy-Calavan, who will trade off conducting duties throughout the evening. Bucoy-Calavan will handle much of the first half, comprising Verdi’s Overture to La forza del destino, the Overture and “Va, pensiero” from Nabucco, the Anvil Chorus from Il Trovatore, and the Ballet and Triumphal March from Aïda.

[Read more…]

ASO to feature pianist Angela Cheng in “Elvira Madigan” Concerto

by

by Jarrett Hoffman

“Ghost”
“Moonlight”
“Resurrection”
“Trout”

What looks like a dramatic poem about fish is actually a list of four famous nicknames of classical works. And everyone loves a nickname: they’re not always important to think about, but they’re always fun.

Oberlin Conservatory piano professor Angela Cheng and I recently talked about Mozart’s “Elvira Madigan” Concerto (No. 21 in C), which she’ll perform with the Akron Symphony and conductor Christopher Wilkins on Saturday, September 29 at 8:00 pm at E.J. Thomas Hall. The program will also include Tchaikovsky’s Capriccio italien and Rimsky-Korsakov’s Scheherazade.

[Read more…]

Follow ClevelandClassical.com

Contact us