by Daniel Hathaway

Beethoven’s Sixth Sonata is something of an entremet among the three works of his Opus 10. Shorter and lighter in spirit than its siblings, it made a delightful curtain raiser. Ohlsson played the opening movement with an elegant clarity, inviting his listeners to join in the fun he was obviously having. [Read more…]





I’ve been enjoying watching the tenor Matthew Polenzani’s masterclasses on YouTube. There’s one at Ravinia from a few years ago where he approaches students like a shy visitor, then gently teaches like he performs — guilelessly and penetratingly.


Could the prodigiously talented players of the Danish String Quartet all be drinking from some magic source? By now among the world’s finest quartets — perhaps taking the top rung left by the Emerson Quartet after their recent retirement — they perform with such easy excellence and intuitive musical consensus that you wonder: is this the product of hard work and long hours of rehearsal, or some magic potion?
