by Nicholas Stevens
“Forging New Paths,” the title of ChamberFest Cleveland’s sixth concert this season, refers to a time when critics feared that classical music was dying. In an article titled “New Paths,” Robert Schumann predicted that his young colleague Brahms would become German art music’s savior. The unstated premise was that it needed one. [Read more…]
by Nicholas Stevens
In the fifth concert of this year’s ChamberFest Cleveland season, programming took “A Turn in the Road” amid the festival’s theme of searching for freedom. Three trios played works by Alban Berg, George Crumb, and Antonín Dvořák, each of whom sought liberation from aesthetic constraints in some way. The resulting musical experience on June 21 in the Cleveland Institute of Music’s Mixon Hall had remarkable stylistic and sonic range. [Read more…]
by Mike Telin
Every composer has their own way of approaching their craft. “When I write a piece, whether it’s for orchestra or chamber ensemble, I want everybody to have a moment in the spotlight,” Sebastian Chang said during a telephone conversation. “Most of the time that works out great and results in something that is fun to play. But when Alex asked me to write a timpani part, that pretty much changed everything.”
On Saturday, June 30 at 7:30 pm at the Maltz Performing Arts Center, clarinetist Franklin Cohen, violinist Diana Cohen, timpanist Alexander Cohen, and pianist Roman Rabinovich will perform the world premiere of Chang’s Cryptogenic Infrastructure Fantasy (CIF) as part of ChamberFest Cleveland’s season finale. “Dawn of a Revolution” will also include Debussy’s Violin Sonata, and David Shimotakahara’s choreography of selections from Ligeti, Beethoven, Ravel, Pärt, Shostakovich, and Ginastera, performed by GroundWorks Dance Theater. Tickets are available online.
Chang, who serves as pianist and resident composer for the Louisville Orchestra, began writing CIF with a mission to correct an injustice that orchestral timpanists often experience. “They usually rest for 300 bars, then play a single note just to punctuate a big moment. They don’t get a lot of time in the spotlight and I wanted to fix that with this composition.”
by Alice Koeninger
Rick Maron and Judy Eigenfeld’s Glass Box was filled with people celebrating a special Father’s Day brunch complete with chamber music on Sunday, June 17. The title of the third ChamberFest Cleveland concert, Let Them Loose, felt applicable as the musicians performed in front of windows looking out across the city towards the lake. [Read more…]
by Daniel Hathaway
Although ChamberFest Cleveland dubbed its third concert “The Independent Spirit,” it might just as aptly have been titled “The Indefatigable Pianist” in honor of Roman Rabinovich. He spent the entire evening at the keyboard on Saturday, June 16 in Mixon Hall, flawlessly spinning out one elegantly articulated phrase after another. [Read more…]
by Mike Telin
Since ChamberFest Cleveland’s inaugural season in 2012, Festival co-artist directors Diana and Franklin Cohen have taken the concept of thematic programming to new heights. (It’s) About Time (2013) explored elements of time as related to the musical experience. Last season’s theme, Cycles: Phases! reflected on the complexity of the human experience at each stage of life.
This season ChamberFest will consider the concept of freedom — an essential ingredient to the creative process. Beginning of June 14 and continuing through June 30, In Search of Freedom will explore the range of freedom in music, with nine concerts in a variety of venues.
In addition to violinist Diana Cohen and clarinetist Franklin Cohen, this year’s roster of returning artists will include violinists Noah Bendix-Balgley, Alexi Kenney, and Amy Schwartz-Moretti, violinist/violist Yura Lee, cellists Julie Albers, Clive Greensmith, and Oliver Herbert, bassist Nathan Farrington, and pianists Zoltán Fejérvári, Roman Rabinovich, and Orion Weiss. Making their ChamberFest debuts are violinist Noah Geller, violists Matthew Lipman and Tanner Menees, cellist Nicholas Canellakis, flutist Lorna McGhee, and singer Amanda Powell.
by Mike Telin
Last weekend ChamberFest Cleveland presented the final three concerts of its 2017 edition. I attended two of the performances which exemplified why the Festival has become a crown jewel in the area’s rich classical music scene. The inventive programming ranged from the almost never heard, to the seldom heard, to music by giants of the repertoire. Above all, the performances of the five works were beyond reproach. [Read more…]
by Samantha Spaccasi
Reinberger Chamber Hall at Severance Hall hosted the penultimate concert of ChamberFest Cleveland’s sixth season on the evening of June 30. It was the first ChamberFest experience for my family, who were visiting from the Washington, D.C. area. I told them they were in for a treat and they weren’t disappointed — the musicians delivered a wonderful performance. [Read more…]
by Joshua Rosner
On June 23, as beautiful light poured through Mixon Hall’s many windows, ChamberFest Cleveland presented “Hommage,” a program showcasing composers paying tribute to J.S. Bach. The concert began with the final two movements of Bach’s Suite No. 2 in b, replacing the originally programmed Cantata BWV 209 due to the withdrawal of mezzo-soprano Lauren Eberwein. [Read more…]
by Timothy Robson
With the theme of Cycles: Phases, the sixth ChamberFest Cleveland opened Thursday evening, June 15, in Mixon Hall, at the Cleveland Institute of Music. The theme reflects on “the complexity of the human experience at each stage of life, and ultimately circles around all types of musical, political and emotional phases.”
The concert showed off the qualities we have come to expect from ChamberFest: brilliantly imaginative programming, with a mix of old, new, familiar, and unfamiliar works, in superior performances by (mostly young) musicians hand-picked by festival directors Franklin and Diana Cohen. [Read more…]