by Daniel Hathaway

by Daniel Hathaway

by Mike Telin
by Mike Telin

The revised version will be presented on Friday, October 19 at 7:00 pm at Kulas Hall at the Cleveland Institute of Music (above, rehearsal photo). The performance features soprano Angela Mortellaro, mezzo-soprano Sarah Beaty, tenor Brian Skoog, bass Bryant Bush, the Blue Streak Ensemble and Chamber Singers, and the Cleveland Institute of Music Children’s Choir, all under the direction of Domenico Boyagian. The performance will be video-recorded for future broadcast. Tickets are available online.
Written in four parts, the oratorio is a musical description of Lake Erie during the first quarter of the 21st century. While the work portrays the Lake’s magical side — waves splashing on the rocks, walks on the beach, children playing in the water, and the pleasure of a fisherman in his boat — it also highlights the Lake’s many environmental problems as well as the innovative attempts that are being made to combat those problems.
by Jarrett Hoffman

by Mike Telin

You can hear Rossini’s Barber at the Maltz Performing Arts Center this Saturday, October 6 at 7:00 pm and Sunday, October 7 at 3:00 pm. The cast includes Young Kwang Yoo in the title role of Figaro, Corrie Stallings as love interest Rosina, David Margulis as the conniving Count Almaviva, Jason Budd as Rosina’s guardian Dr. Bartolo, Frank Ward as the music teacher Don Basilio, and Gillian Hollis as the governess Berta. Stage direction is by Scott Skiba, and Domenico Boyagian conducts the Cleveland Opera Theater orchestra. The production is sung in Italian, with English supertitles. A Pre-Show, Opera-101 lecture will be held 60 minutes prior to each performance. Tickets are available online.
“Barber is a wonderful first opera for people to see,” Boyagian said by telephone this past weekend. “It’s clean humor and the music does a wonderful job of explaining what is going on. It’s light and bubbly, which is what the bel canto style is all about.”
by Daniel Hathaway

by Mike Telin

On Friday, April 27 at 7:30 pm and Sunday, April 29 at 3:00 pm at the Maltz Performing Arts Center, Cleveland Opera Theater will present a fully-staged production of Puccini’s heartbreaking opera. Tickets are available online.
“It’s traditional to say that Butterfly is about a clash of cultures, and of course it is — but not only that. It’s about a clash of various kinds of love and expectations,” soprano Dina Kuznetsova, who will perform the role of Cio-Cio San, said during a telephone conversation. The cast includes tenor Timothy Culver as B.F. Pinkerton, mezzo-soprano Sandra Ross as Cio-Cio San’s maid Suzuki, baritone Young Kyang Yoo as United States counsel Sharpless, tenor Mark Eldred as the matchmaker Goro, and bass Jason Budd as Cio-Cio San’s uncle Il Bonzo. Domenico Boyagian conducts the Cleveland Opera Theater Orchestra with stage direction by Scott Skiba. The production will be sung in Italian with English supertitles.
by Mike Telin

Then one night during dinner with her mother-in-law, that changed. “I knew she had been born and spent part of her childhood in East Prussia, but I didn’t know why she had left. So I asked her and she told me the whole story. And when I was listening to it I thought, this is it!”
On Saturday, January 27 at 7:30 pm at the Maltz Center for the Performing Arts, Cleveland Opera Theater will present the Cleveland premiere of Dawn Sonntag’s Verlorene Heimat (“Lost Homeland”) as part of the company’s {NOW} Festival. Presented in collaboration with the Cleveland Composers’ Guild, the opera is based on the true story of the East Prussian refugee family of Christa Neuber Kuske (1937 – 2012) and the Jewish-Ukrainian girl they sheltered.
by Mike Telin
by Mike Telin

Beginning later this week, Cleveland Opera Theater will present its second annual {NOW} Festival featuring performances of new opera works at various stages of development, including readings, workshops, and staged productions. {NOW} is presented in collaboration with The Cleveland Composers’ Guild, Baldwin Wallace Conservatory, Oberlin Conservatory, and the Maltz Center for the Performing Arts. All events are free and open to the public (some require registration). Following each performance audiences will have the opportunity to engage with the creative teams and performers during talk-back sessions.
{NOW} begins on Friday the 26th at 7:30 pm at the Maltz Center with a reading of Obie award winner and Garcia Lorca scholar Caridad Svich’s new libretto based on Lorca’s last play, Bernarda Alba. [Read more…]
by Mike Telin
by Mike Telin

The four-part oratorio will have its world premiere this Sunday, November 12 at 3:00 pm at the Breen Center for the Performing Arts.
by Daniel Hathaway
