by Daniel Hathaway | Cleveland Classical
Originally published on Cleveland.com
CLEVELAND, Ohio — On Thursday evening, while the mysterious life forces of nature were busy choreographing an early outburst of vernal colors outside Severance Music Center, guest conductor Klaus Mäkelä and The Cleveland Orchestra were deeply engaged in recreating an ancient spring ritual from pagan Russia inside Mandel Concert Hall.
Igor Stravinsky’s 1913 ballet score The Rite of Spring gave the conductor and orchestra the raw material for their task, but the large body of musicians dug deep into their physical resources, producing a Rite that was singularly explosive and terrifying in its power, but no less variegated than what nature itself was serving up.
A large and conspicuously intergenerational audience — unusually so for a Thursday evening — gathered at Severance Hall for The Cleveland Orchestra concert on March 12. Did they turn out in droves to hear guest conductor Fabio Luisi lead Beethoven’s seventh symphony? Or to hear Jean-Yves Thibaudet play Liszt’s second piano concerto? Maybe both. Whatever drew the crowds in, they experienced a distinguished evening of music.