by Stephanie Manning
Creating something new can come with a lot of expectations. Founding an ensemble. Releasing a debut album. Recording a world premiere, or two. But whatever you might expect from the Poiesis Quartet, they want you to take them exactly as they are.
It might sound like quite the proclamation for the young string quartet, founded two years ago at Oberlin Conservatory by violinists Sarah Ma and Max Ball, violist Jasper de Boor, and cellist Drew Dansby. But their debut recording, as we are — to be released on October 18 — sees the four players completely confident in themselves and the music they’re performing.
The name “Poiesis,” from the ancient Greek ποιεῖν, refers to this act of making what has never been made before. Accordingly, the two pieces on the album are each world premiere recordings (though each have had multiple live performances). Both works also have strong ties to Northeast Ohio, with one by Baldwin Wallace composer-in-residence Clint Needham and the other by Cleveland Orchestra trombonist Richard Stout. [Read more…]
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“Daphne” means “Laurel” in Greek, and Ovid’s tale in Metamorphoses of how a river nymph came to be transmogrified into a sacred tree has all the elements that an opera composer could wish for: a sylvan setting, gods meddling in human affairs, passion versus purity, jealousy that leads to murder, a drunken orgy, and an ennobling ending. Jacopo Peri took on the story in 1597 (one of several operas he wrote, now mostly lost), as did Marco da Gagliano (1608), Heinrich Schütz (1627, his only opera, entirely lost), Alessandro Scarlatti (1700) and, most recently, Richard Strauss (1938). 
On Wednesday, May 27 at 7:30 pm, and Saturday, May 30 at 8:00 pm at Severance Hall, Franz Welser-Möst will lead The Cleveland Orchestra and a cast of internationally-renowned singers in a new production of Richard Strauss’s one-act opera, Daphne.