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N.E. Ohio-born Jupiter Quartet & ACRONYM return to CCMS & Oberlin Series November 15

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by Daniel Hathaway

The Intergalactic Scheduling Office that normally takes care of bringing planets and other heavenly bodies into conjunction without causing head-on collisions has messed up big time.

On Tuesday, November 15 at 7:30  pm, the Jupiter Quartet, formed in Northeast Ohio, will celebrate its 20th anniversary with a return to the Cleveland Chamber Music Society series at Plymouth Church where it last appeared in 2015. On the same date at the same hour, the Oberlin Artist Recital Series will bring ACRONYM, the Baroque string band formed by Oberlin Conservatory alumni, back to campus for the first time since its founding a decade ago in 2012.

What is a conflicted audience member to do? In order to encourage a bit more scientific solution than flipping a coin, ClevelandClassical.com has spoken with Jupiter Quartet cellist Daniel McDonough and ACRONYM cellist Kivie Cahn-Lipman, both founding members of their ensembles, to find out what’s in store at Plymouth Church and Warner Concert Hall on Tuesday.

I caught up with Daniel McDonough in Champaign-Urbana, Illinois, who was walking his sons to a park where his 5-year-old would meet up with a friend and Daniel and his older son were going to kick a soccer ball around in celebration of the great fall weather. [Read more…]

Oberlin Artist Recital Series:
a conversation with “musical alchemist”
Francesco Turrisi

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by Mike Telin 

For nearly 150 years, Oberlin College and Conservatory’s Artist Recital Series has been a centerpiece in the musical offerings of Northeast Ohio. Now, after a two-year absence, the series returns with a noon performance in Finney Chapel on Tuesday, October 4 featuring musical trailblazer Rhiannon Giddens. The Grammy Award winner, MacArthur “Genius Grant” recipient, and Oberlin alum will be joined by multi-instrumentalist Francesco Turrisi. Click here to find out more about Giddens. Tickets are available online.

Turrisi, himself an award-winning multi-instrumentalist, has been called a “musical alchemist” and a “musical polyglot.” In 1997 he left his native Italy to study jazz piano and early music at the Royal Conservatory of The Hague, where he obtained bachelor’s and master’s degrees. Since then he has released five albums as a leader and two as co-leader with the ensembles Tarab (which blends Irish and Mediterranean traditional music) and Zahr (which celebrates the connections between southern Italian traditional music and Arabic music).

Since Turrisi teamed up with Giddens in 2018, the duo has released two albums that combine Mediterranean music with music from the African diaspora in the Americas — There Is No Other (2019) and They’re Calling Me Home (2021), which won a Grammy for best folk album.

[Read more…]

Oberlin Artist Recital Series welcomes genre-mixing Russian Renaissance

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by Jarrett Hoffman

More and more, today’s musicians are shrugging off divisions of genre. Another trend in programming? Folk instruments from places far and wide are being welcomed into the world of mainstream classical music. Give those unfamiliar instruments a listen and be rewarded.

A perfect example of all that is the 2017 M-Prize-winning ensemble Russian Renaissance, which visits Finney Chapel as part of the Oberlin Artist Recital Series on Friday, February 28 at 7:30 pm. The quartet of Ivan Kuznetsov (balalaika), Anastasia Zakharova (domra and domra alto), Alexander Tarasov (button accordion), and Ivan Vinogradov (balalaika contrabasso), aims to “marry tradition and modernity, creating a fusion of styles and eras.”

That’s echoed in Friday’s program, which ranges from the Baroque and Romantic eras to folk, jazz, and tango, including music by J.S. Bach, Tchaikovsky, Richard Galliano, Piazzolla, Egberto Gismonti, Zequinha de Abreu, Ryuichi Sakamoto, Béla Fleck, Django Reinhardt, and the members of Russian Renaissance themselves. A full program and ticket information are available online. [Read more…]

Oberlin Artist Recital Series: Orchestra & Choir of the Age of Enlightenment (Nov. 22)

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by Daniel Hathaway

Britain’s Orchestra and Choir of the Age of Enlightenment brought smashing performances of well-known Baroque works to Oberlin’s Finney Chapel on Friday, November 22 as part of the college’s Artist Recital Series. Pergolesi’s Stabat Mater, Albinoni’s Oboe Concerto in d, and Vivaldi’s Gloria are titles you can routinely encounter on programs by avocational ensembles — they’re well within the capabilities of amateur musicians — but hearing them burnished to such a high gloss by 32 professional period instrumentalists and singers was revelatory. [Read more…]

Oberlin Artist Recital Series:
A conversation with Iestyn Davies 

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by Mike Telin

Singing has always been an important part of Iestyn Davies’ life. As a boy treble, he began singing in the choir of St John’s College, Cambridge. In his teens he discovered his falsetto, and became a countertenor at Wells Cathedral School, and after completing the British equivalent of high school, he entered St John’s College as a choral scholar, graduating with a degree in archaeology and anthropology. And as they say, the rest is history.

On Friday, November 22 at 7:30 pm in Finney Chapel, Iestyn Davies will join the Orchestra and Choir of the Age of Enlightenment in performances of Pergolesi’s Stabat Mater and Vivaldi’s Gloria under the direction of Jonathan Cohen. Presented as part of the Oberlin Artist Recital Series, the program also includes Albinoni’s Oboe Concerto No. 2 in d, Op. 9. Tickets are available online.

During a Skype interview, Davies said that like Vivaldi’s Gloria, Pergolesi’s Stabat Mater has also been used in many films and advertisements. “People will recognize the opening movement. For that reason alone, I think the two pieces are a great combination.”

He noted that although they are religious pieces, like Bach’s B-minor Mass and his two Passions, they are more often performed in a concert situation rather than an ecclesiastical setting. [Read more…]

Oberlin Artist Recital Series: Orchestra of the Age of Enlightenment (first of two articles)

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by Mike Telin

Central to Enlightenment thought were the use and celebration of reason, the power by which humans understand the universe and improve their own condition. The goals of rational humanity were considered to be knowledge, freedom, and happiness. (Encyclopedia Britannica)

On Friday, November 22 at 7:30 pm in Finney Chapel, the Oberlin Artist Recital Series will present the Orchestra and Choir of the Age of Enlightenment. Under the direction of Jonathan Cohen, the program will include Pergolesi’s Stabat Mater, Albinoni’s Oboe Concerto No. 2 in d, Op. 9, and Vivaldi’s Gloria. The concert will feature sopranos Katherine Watson and Rowan Pierce, countertenor Iestyn Davies, and oboist Katharina Spreckelsen. Tickets are available online.

Following the performance, you can unwind with members of the OAE during The Night Shift. The free hangout and performance will take place at the Birenbaum club, on the lower level of the Hotel at Oberlin. Capacity is limited, and guests will be admitted on a first-come, first-served basis.

[Read more…]

Oberlin Artist Recital Series: Spring Quartet at Finney (Apr. 17)

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by Nia Burger
Special to ClevelandClassical.com

The Spring Quartet — bassist and vocalist Esperanza Spalding, saxophonist Joe Lovano, drummer Jack DeJohnette, and pianist Leo Genovese — was warmly welcomed to the Finney stage by a sold-out audience on April 17. The show, part of the Artist Recital Series and the 30th anniversary of Oberlin’s Jazz Studies program, started with a fitting tune titled Spring Day written and led by Lovano. Each player was individually brilliant in personal style, and yet they also melded seamlessly into a powerfully dynamic quartet. [Read more…]

The Spring Quartet: a conversation with Joe Lovano and Jack DeJohnette

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by Mike Telin

On Wednesday, April 17 at 7:30 pm in Finney Chapel, the Oberlin Artist Recital Series will present The Spring Quartet, an all-star ensemble that includes drummer Jack DeJohnette, saxman Joe Lovano, bassist/vocalist Esperanza Spalding, and pianist Leo Genovese. The concert is part of the 30th anniversary celebration of the Conservatory’s Jazz Studies Program. Tickets are limited and available online.

Click here to read a preview of tomorrow night’s concert. Here we continue our conversations with Lovano and DeJohnette to talk about their careers and how they came to jazz.

Joe Lovano was born in Cleveland, where his father was a noted tenor saxophonist. After graduating from Euclid High School he went on to study at the Berklee College of Music. Lovano is a self-proclaimed Cleveland ambassador and is thrilled to have recently spent two nights at the Bop Stop recording for National Public Radio’s Jazz Night in America. When I spoke to him, he was in a four-day residency at San Francisco Jazz.

[Read more…]

Oberlin Artist Recital Series: pianist Alexandre Tharaud (Apr. 3)

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by Daniel Hathaway

It’s a near-sacred tenet of the concert business that the show must go on. Happily for the Oberlin Artist Recital Series, French pianist Alexandre Tharaud made that happen when he stepped in on very short notice — and soon after an international flight — to replace Piotr Anderszewski in Finney Chapel on April 3. And with J.S. Bach’s daunting “Goldberg” Variations, no less. [Read more…]

Oberlin Artist Recital Series: The Spring Quartet

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by Mike Telin

It’s been three decades since the Oberlin Conservatory launched its Jazz Studies Program, and beginning on Monday, April 15, the school will mark the milestone with a three-day celebration. (A full schedule is below.) The festivities will culminate on Wednesday, April 17 at 7:30 pm in Finney Chapel with an Artist Recital Series performance by The Spring Quartet, an all-star ensemble that includes drummer Jack DeJohnette, saxman Joe Lovano, bassist/vocalist Esperanza Spalding, and pianist Leo Genovese. Tickets are limited and available online.

The membership of the Spring Quartet spans three generations, something that DeJohnette, a 2012 NEA Jazz Master, said makes for a nice balance of older and younger generations. “There’s this exchange of inspiration from Esperanza and Leo and you need that young energy,” he said during an interview.

In a separate interview Joe Lovano said that the group shares a common musical vocabulary which is the reason the four members “clicked from the very first downbeat.”

DeJohnette agreed. “Sometimes people come together and the magic happens,” he said. “We have a lot of love and respect for each other as people and as artists, and the propensity to work together cooperatively is greatly enhanced because of that.” [Read more…]

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