by Mike Telin
As a music journalist, I have had many opportunities to have aside conversations with artists about their favorite concert halls. While everyone mentions the acoustic of places like Severance Hall, for example, most add that they can also feel the ghosts that inhabit these storied venues.
Without question one of the most iconic halls in the United States is Carnegie Hall, and on Saturday, January 19 the Oberlin Orchestra and College Choir will perform among the ghosts of Tchaikovsky, Dvořák, Mahler, Bartók, George Gershwin, Billie Holiday, Benny Goodman, Judy Garland, and The Beatles, to name only a few. To view the full roster of Carnegie Hall ghosts, click here.
You can hear a preview concert by these Oberlin ensembles on Wednesday, January 16 at 7:30 pm in Finney Chapel. Gregory Ristow will lead the Choir in Tarik O’Regan’s Triptych and Stravinsky’s Les noces, and Raphael Jiménez will lead the orchestra in Elizabeth Ogonek’s All These Lighted Things (three little dances for orchestra) and Debussy’s La Mer. Click here for the live webcast.
A return to a concerto that brought with it a solo debut. The celebration of a long chamber music partnership and friendship. And one final concerto in a 22-year orchestral tenure.
“No composer is more iconic of Venice’s fabled Renaissance splendor than Giovanni Gabrieli,” writes Steven Plank, Andrew E. Meldrum Professor of Musicology at the Oberlin Conservatory of Music, in his informative liner notes that accompany the National Brass Ensemble’s stunningly beautiful CD entitled Gabrieli. A sonic feast, the recording transports listeners back in time to the Venetian Basilica of St. Mark’s.