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ChamberFest Cleveland: Color X Expanse (June 24)

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by Daniel Hathaway

At the Cultural Arts Center at Disciples Church on Friday, June 24, the repertoire was indeed both colorful and expansive as the excellent musicians of ChamberFest Cleveland explored works ranging from the sentimental (Fritz Kreisler’s Three Pieces for Piano Trio) to the evanescent (Gabriel Fauré’s Piano Quintet No. 1), from the stark and compact (George Walker’s Piano Sonata No. 5) to the delightfully verbose (Zoltán Kodály’s Duo for Violin and Cello, Op. 7).

Violinist Alexi Kenney, cellist Jonathan Swensen, and pianist Andrius Žlabys raised the curtain with three light pieces arranged by a virtuoso violinist famous for his encores. Kreisler’s takes on The Old Refrain, Farewell to Cucullain (a.k.a. Londonderry Air or Oh Danny Boy), and Miniature Viennese March worked equally well as preludial bon-bons. [Read more…]

ChamberFest Cleveland: “Spirited Away” at Disciples Church (June 17)

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by Daniel Hathaway

The post-COVID era may be on the horizon, but it hasn’t arrived yet. That dastardly microbe that has wrought havoc in the performing arts world for more than two years is still on the prowl.

Just ask Jessica Peek Sherwood, ChamberFest Cleveland’s new executive director, whose first official acts since coming on board June 1st have been to replace musicians whose positive test results have left them on the sidelines.

Swapping out individuals in a festival roster can often be accomplished quickly and efficiently, as for ChamberFest’s opening concert when Rising Star Sterling Elliott offered to step in for another cellist without missing a beat. It’s not so simple when a guest ensemble like King’s Return, the Dallas male vocal quartet, is scheduled to headline a concert. [Read more…]

ChamberFest Cleveland opens with “Exquisite Beginnings” at CIM (June 16)

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by Daniel Hathaway

ChamberFest Cleveland’s Season X — Roman numeral, not unknown quantity — got underway on Thursday, June 16 when a crowd of masked fans filled every seat in Mixon Hall at the Cleveland Institute of Music for “Exquisite Beginnings,” an opening salvo of works by Mozart/Grieg, George Walker, and Brahms.

The joy of returning to live concerts was palpable, reinforced by co-artistic director Franklin Cohen — who warmly greeted attendees in the lobby beforehand — and captured in the words of performers in an almost giddily edited video by Erica Brenner that was shown right after intermission. Chez Cohen was once again bubbling over with the sounds of rehearsing musicians in the “Chamberhood” that the Festival has created over nine previous seasons. The audience showed its feelings in ardent ovations. [Read more…]

ChamberFest Cleveland 2022 —
“The Revelry We Need”

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by Donald Rosenberg

This essay was written as an overview of ChamberFest’s tenth season. It is reposted with the permission of the author and ChamberFest Cleveland.

If you’re reading these words, you don’t have to be convinced that chamber music is a gift — anytime, anywhere. But we should be especially grateful this year, when we have cravings to connect (reconnect?) on so many levels. The pandemic has continued to disrupt our lives. A senseless war has placed the world at risk. So why chamber music? And why now? [Read more…]

ChamberFest Cleveland & Cleveland Chamber Music Society at the Maltz (Apr. 5)

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by Daniel Hathaway

Having discovered surprisingly little overlap between their mailing lists, Cleveland’s two main purveyors of chamber music decided to bring their followers together on April 5 to enjoy a joint concert at the Maltz Performing Arts Center.

Although they tend the same vineyard, The Cleveland Chamber Music Society and ChamberFest Cleveland go about their mission differently. [Read more…]

ChamberFest Cleveland: Goldberg Variations with Roman Rabinovich (June 18)

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by Peter Feher

ChamberFest Cleveland’s simplest concert this season was also its most daunting. The 90-minute program on June 18 at St. Paschal Baylon involved only one performer and one piece — pianist Roman Rabinovich in Bach’s Goldberg Variations. If the listener is in the right frame of mind, this is challenging but ultimately rewarding music.

[Read more…]

ChamberFest Cleveland: Emerging into Light (June 24)

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by Timothy Robson

It was with a sense of relief and anticipation that I attended last Thursday’s third-to-last concert of ChamberFest Cleveland 2021, after a complete pandemic cancellation of its 2020 season. This musical star of Cleveland summers returned along with many performers from past seasons, plus talented younger musicians in CFC’s Rising Star program. As usual, the performances were top-notch. [Read more…]

ChamberFest Cleveland — Luscious Soundscapes (June 16)

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by Mike Telin

On Wednesday, June 16 at 7:00 at The Grove Amphitheatre, ChamberFest’s theme of the evening was Luscious Soundscapes and included music by Richard Strauss and Amy Beach.

However, it was pianist Shai Wosner’s imaginative interweaving of sonatas by Italian Baroque composer Domenico Scarlatti with sonatas by American composer Frederick Rzewski that got things off to a fascinating start. [Read more…]

ENCORE and ChamberFest: World Class Music in the eastern suburbs (June 11 & 12)

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by Daniel Hathaway

Since many Clevelanders don’t have a clue why State Route 91 in Cuyahoga and Lake Counties is called SOM Center Road, maybe it’s time to rename at least one five-mile segment of that thoroughfare that passes through the centers of Solon, Orange, and Mayfield townships.

Based on recent events, its new designation might well be “Chamber Music Way” in honor of the fine performances that are taking place this month at Gilmour Academy in Gates Mills and The Grove Amphitheatre in Mayfield, courtesy of ENCORE Chamber Music Institute and ChamberFest Cleveland, respectively. In addition to the distinction of presenting some of the first in-person performances to come onto the calendar since the pandemic, both organizations were making their debuts in new venues. [Read more…]

ChamberFest Cleveland:
Looking Ahead at Week 2

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by Mike Telin

The second week of ChamberFest Cleveland begins on Wednesday, June 16 at 7:00 pm at The Grove Amphitheatre in Mayfield. Admission is free, but reservations are required. A full weekly calendar listing is below.

The program “Luscious Soundscapes” begins with pianist Shai Wosner’s imaginative interweaving of sonatas by Italian Baroque composer Domenico Scarlatti (1685-1757) with sonatas by American composer Frederick Rzewski (1938 -). Wosner’s three pairings include Scarlatti’s Sonata in d K. 141 with Rzewski’s Nanosonata No. 36 (“To a Young Man”), Scarlatti’s Sonata in d K. 9 with Rzewski’s Nanosonata No. 38 (“To a Great Guy”), and Scarlatti’s Sonata in c K. 230 with Rzewski’s Nanosonata No. 12.

If juxtaposing music by these two seemingly dissimilar composers sounds like an oddity, Wosner believes they make an interesting match. “I love Scarlatti and I love Rezewski,” the pianist said during an interview. “And I think that Scarlatti and Rzewski are mavericks in similar ways. Of course their music is very different from one another’s, and Rzewski was not trying to emulate Scarlatti in any way with his short sonatas. The Nanosonatas are almost like a stream of consciousness, but I hear that in the Scarlattis as well.” [Read more…]

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