by Nicholas Jones

The Romantics knew how to face death. John Keats declared himself “half in love with easeful death.” “Death is the mother of beauty,” asserted Wallace Stevens, that modernist poet with a Romantic soul. [Read more…]
by Nicholas Jones

The Romantics knew how to face death. John Keats declared himself “half in love with easeful death.” “Death is the mother of beauty,” asserted Wallace Stevens, that modernist poet with a Romantic soul. [Read more…]
by Mike Telin
by Mike Telin

In 2012, 16-year-old Italian Leonardo Colafelice won the top honors, and he too quickly cultivated an impressive career. In 2014 the first prize was awarded to 15 year-old Canadian Tony Yike Yang (left, with Jahja Ling and The Cleveland Orchestra), who at the age of 16 won the fifth prize at the International Chopin Piano Competition, making him the youngest prizewinner in the history of that competition. [Read more…]
by Mike Telin
by Mike Telin

If you can’t make it to Blossom, the Orchestra has scheduled three early Friday evening concerts in its Summers@Severance series. Special “happy hour” drink prices will be offered one hour prior to each concert on Severance Hall’s front terrace. Attendees are encouraged to arrive early and enjoy the outdoor delights of University Circle.
“As usual the summer season is a mix of musical genres and artists,” Cleveland Orchestra artistic administrator Ilya Gidalevich said during a recent telephone conversation. [Read more…]
by Daniel Hathaway

by Nicholas Jones

by Mike Telin

One piece is common to both programs: Haydn’s C-Major Cello Concerto, and McGegan looks forward to renewing his friendship with the soloist, TCO principal cello Mark Kosower. “I’ve known him since he was a teenager, so it will all be great fun.”
The Haydn concerto is both old and new: it was presumed lost until the score was discovered by Oldřich Pulkert in the Prague National Museum in 1961. “People knew it existed, because the first couple of bars are in one of Haydn’s own catalogues,” McGegan said, “and that’s all we knew until the 1960s. It’s one of the great musical discoveries of our time, and a masterpiece at that. It’s a wonderful foil for the D-Major concerto. The C- Major is a really outgoing piece, whereas the D-Major is more intimate.” [Read more…]
by Robert Rollin
On August 7th, the second concert in this season’s Summers@Severance series marked guest conductor Stanislaw Skrowaczewski’s return to Cleveland. Drinks on Severance Hall’s lovely Front Terrace in the waning afternoon sun provided an excellent prelude to a fine musical event, of which Dmitri Shostakovich’s Symphony No. 5 was the centerpiece. Skrowaczewski, now 91 years old, knew the composer personally, and on Friday evening he shepherded the Orchestra through a stunning performance of the work.
by Daniel Hathaway

On Friday, August 7 at 7:00 pm, Skrowaczewski will return to Severance Hall to conduct the Orchestra in a program that features Dmitri Shostakovich’s Symphony No. 5. He was scheduled to lead this program at Blossom last summer but was forced to withdraw at the last moment. This preview was written for that occasion and has been revised and reposted. [Read more…]
by Nicholas Jones

by Timothy Robson

Jörg Widmann’s music brilliantly combines skillful use of orchestration with modernist compositional techniques, at the same time retaining just enough references to recognizable musical styles to make his music appealing to a wide audience. [Read more…]