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Baldwin Wallace Opera presents Midwest premiere of Glory Denied

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by Mike Telin

After serving their country, many veterans are faced with multiple challenges as they re-adjust to civilian life. At the top of that list is reconnecting with and re-establishing a role in the family. These issues will be addressed this weekend as Baldwin Wallace Opera presents the Midwest premiere of Tom Cipullo’s Glory Denied.

Based on the book by Tom Philpott, the two-act, 77-minute chamber opera tells the true story of Jim Thompson, the longest-held prisoner of war in U.S. military history, as he tries to re-assimilate into American life after spending nine years behind enemy lines in Vietnam.

Guest baritone Gregory Gerbrandt (above) sings the title role and Brian Onderdonk conducts a nine-piece chamber orchestra on Friday, October 19 at 7:00 pm at Red Space in Cleveland, and on Sunday, October 21 at 3:00 pm in BW’s Gamble Auditorium in Berea. A talk-back will follow each performance. Tickets are available online. [Read more…]

Voice of the Lake — a conversation with composer Margaret Brouwer

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by Mike Telin

Growing up, composer Margaret Brouwer spent many wonderful summers enjoying the beauty of Lake Erie at her family’s cottage in Huron, Ohio. But when dangerous levels of algae blooms in the Lake’s western basin caused a water crisis in Toledo in 2014, the ensuing national conversation about environmental pollution and the state of the country’s drinking water became the source of inspiration for her Voice of the Lake. We spoke with the composer before the work’s premiere in November of 2017.

The revised version will be presented on Friday, October 19 at 7:00 pm at Kulas Hall at the Cleveland Institute of Music (above, rehearsal photo). The performance features soprano Angela Mortellaro, mezzo-soprano Sarah Beaty, tenor Brian Skoog, bass Bryant Bush, the Blue Streak Ensemble and Chamber Singers, and the Cleveland Institute of Music Children’s Choir, all under the direction of Domenico Boyagian. The performance will be video-recorded for future broadcast. Tickets are available online.

Written in four parts, the oratorio is a musical description of Lake Erie during the first quarter of the 21st century. While the work portrays the Lake’s magical side — waves splashing on the rocks, walks on the beach, children playing in the water, and the pleasure of a fisherman in his boat — it also highlights the Lake’s many environmental problems as well as the innovative attempts that are being made to combat those problems.

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Gustavo Gimeno returns to the Cleveland Orchestra podium

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by Mike Telin

When Gustavo Gimeno was appointed principal percussion of Amsterdam’s Royal Concertgebouw Orchestra, he quickly began doing something that he had wanted to do for some time. “I always wanted to study conducting,” the friendly maestro said by phone from St. Louis. “It was not so much an attempt to become a conductor — that was not really in my thoughts. I did it to become a better musician.”

Later this week, the music director-designate of the Toronto Symphony will make his Severance Hall debut when he leads The Cleveland Orchestra in a program that will feature principal cello Mark Kosower in Alberto Ginastera’s Second Cello Concerto, along with Barber’s Overture to The School for Scandal and Rimsky-Korsakov’s Scheherazade. You can hear the full program on Thursday, October 18 at 7:30 pm, Friday, October 19 at 7:00 pm (the first Fridays@7 concert of the season), and Saturday, October 20 at 8:00 pm, or a shorter version without the Ginastera on Friday at 11:00 am (a one-hour matinee). Tickets are available online.

These concerts will mark Gimeno’s third visit to the Orchestra’s podium — the two previous times were at Blossom. [Read more…]

Tuesday Musical to present Les Violons du Roy: A conversation with countertenor Anthony Roth Costanzo

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by Mike Telin

When countertenor Anthony Roth Costanzo was thinking about what to include on his debut recording for Decca Gold, he wanted more than just an anthology of arias from one composer. “As a countertenor my repertoire is split between the contemporary and the Baroque, so I started thinking about how to bridge that gap,” Costanzo said during a telephone conversation. “I have sung Handel all my life. My technique has been defined by that and my soul lies there. And when I sang the music of Philip Glass for the first time it changed me. It influenced my thinking about making art and about being a dramatic singer.”

On Tuesday, October 16 at 7:30 pm in Akron’s E.J. Thomas Hall, Tuesday Musical will present Anthony Roth Costanzo and the Montreal-based Baroque orchestra, Les Violons du Roy, under the direction of Jonathan Cohen. The program will feature works from that debut album: ARC Glass/Handel. Tickets are available online.

Costanzo said that the music of Handel and Glass have similar qualities when it comes to harmonic language and emotional impact, as well as repetition. “Handel has the da capo aria — A and B sections then the A section repeated. He’ll also take lines of text and he’ll chunk them up by repeating a couple of words in that line several times, then he’ll go onto the next set of words and he’ll repeat them a few times. That’s almost exactly what Glass does, except he repeats the music itself.”

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Oberlin Artist Recital Series:
A conversation with
violinist James Ehnes

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by Mike Telin

Without a doubt, James Ehnes is one of the nicest people you could ever meet. “How are you today, thanks for calling,” the Canadian violinist said, answering his cell phone in Nashville. “I’m really looking forward to getting back to Oberlin. And of course, under these special circumstances with the unveiling of this violin, it’s going to be a nice occasion.”

On Sunday, October 14 at 2:30 pm in Finney Chapel, James Ehnes will make a return visit to the Oberlin Artist Recital Series along with pianist Andrew Armstrong. Their program will feature the earliest published works by Beethoven, Ravel, Brahms, and Corigliano. And the “unveiling of this violin” he mentioned refers to the recently restored 1722 ‘ex-Vallot’ Stradivarius instrument owned by Oberlin, on which he’ll be performing. Tickets are available online.

Sunday’s concert will mark the first public hearing of the ‘ex-Vallot’ in nearly two decades, and since its complete restoration by the Chicago-based restorer John K. Becker. Ehnes’ invitation to perform on the instrument came from the conservatory’s long-time professor of violin Marilyn McDonald, who has known Ehnes since his teenage years, when he spent his summers performing at the Peninsula Music Festival in Wisconsin. “I think I’ve known Marilyn for over 20 years,” Ehnes recalled. “She’s a special woman and it’s always nice to spend time with her.” [Read more…]

Cleveland Chamber Music Society presents The Jerusalem Quartet

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by Mike Telin

Sometimes personalities and musical sensibilities among members of a chamber music ensemble just seem to click. Such is the case with the acclaimed Jerusalem Quartet, who first came together while still in high school. But in a 2015 interview with ClevelandClassical.com, violinist Alexander Pavlovsky said that at that time, becoming a world-class string quartet was the furthest thing from their minds. “We did not think a lot about the future. We were only concentrating on building a repertoire and enjoying every moment of being part of such an amazing ensemble.”

On Tuesday, October 2 at 7:30 pm at Plymouth Church in Shaker Heights, the Cleveland Chamber Music Society will inaugurate their new season with a return visit by the Jerusalem Quartet — Alexander Pavlovsky and Sergei Bresler, violins, Ori Kam, viola, and Kyril Zlotnikov, cello. The program includes Beethoven’s Quartet in a, Op. 18, No. 5, Ravel’s Quartet in F, and Shostakovich’s Quartet No. 3 in F, Op. 73. CWRU professor David J. Rothenberg will give a pre-concert lecture beginning at 6:30. Tickets are available online.

Tuesday’s concert will mark the Quartet’s fifth appearance on the CCMS series since 2010 — the last was in March of 2017. Looking back at that 2015 interview, we thought it would be nice to re-share some of Alexander Pavlovsky’s responses to questions he graciously agreed to answer by email.

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No Exit begins tenth anniversary season with trio of concerts and collaborations

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by Mike Telin

2018-19 marks the tenth anniversary of the always creative new music ensemble No Exit. And they will begin their season later this week by once again sharing a stage with Minneapolis-based Zeitgeist. “I’m just thrilled that they will be joining us for these opening three concerts,” No Exit Artistic Director Timothy Beyer said during a telephone interview. “They are they an absolutely amazing new music ensemble but they’re also great collaborators — they always bring something wonderful to the table.”  

The first concert on Friday, September 14 at 8:00 pm at SPACES will include world premieres by Christopher Goddard and Cleveland-based composer Ty Emerson. The program will also feature music by Joshua Rosner, Philip Blackburn, Jerome Kitzke, and Julius Eastman.

The two ensembles will move to WOLFS on Saturday the 15th. The 8:00 pm program will again feature works by Goddard, Emerson, and Blackburn. Rounding out the evening will be Frederic Rzewski’s Winnsboro Cotton Mill Blues and the world premiere of North Star by Minnesotan Alexis Lamb.

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Cleveland Classical Guitar Society to present Showcase Concert Sept. 15

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by Mike Telin

What are musicians to do when the piece of music they are looking to present simply doesn’t exist in the repertoire? In the case of guitarists Stephen Aron and Jeremy Collins, they decided to fill that void by writing their own.

On Saturday, September 15 at 7:30 pm in the Maltz Performing Arts Center, Aron and Collins will be joined by fellow guitarist Colin Davin during the Cleveland Classical Guitar Society’s annual Showcase Concert. The program will include Mauro Giuliani’s Rossiniana No. 1 along with selections from Aron’s Menagerie, Sixteen Concert Studies for Guitar (2018) and the premiere of Collins’ Impressions for Viola and Guitar. The free event is part of the inaugural Silver Hall Concert Series.

Aron, who has been teaching at the Oberlin Conservatory since 1992 (he also taught at the University of Akron for thirty-four years), has often felt “boxed in” by the limited number of concert studies available to him as a teacher. “Then it finally hit me — I should just write my own,” he said during a telephone conversation.

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The Cleveland Museum of Art Composers Cohort: “Find your inspiration here”

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by Mike Telin
Originally published on the Website of
The Collective Arts Network | Cleveland

Since its inception in 2008, the Cleveland Foundation’s Creative Fusion program has brought more than eighty international artists to Cleveland for residencies. Now, and for the first time in its history, the Cleveland Museum of Art (CMA) will make a serious commitment to the commissioning of new music in partnership with the Cleveland Foundation.

Over the next two years, the latest edition of the Creative Fusion program will result in the creation of six new works by composers from across the globe under the auspices of the museum’s Performing Arts Series. The composers—Luciano Chessa, Cenk Ergün, Aya Nishina, Sophie Nzayisenga, Henry Threadgill and Aleksandra Vrebalov—will travel to Cleveland, gain inspiration by immersing themselves in the museum’s collection and the city, and create compositions, three of which will be premiered in Cleveland in the spring of 2019 and three during the 2019–2020 concert season.

The scope and nature of the works in this series will be developed during the composers’ visits to the museum and the city. Discussions with curators and conversations with potential collaborators from across Cleveland’s creative community will steer the process, in close coordination with the museum’s performing arts staff. After this research phase, the composers will create their work on individually crafted timelines. Read the article on the CAN Journal

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CD Review — Ogni Suono to release SaxoVoce with a party at Historic St. John’s

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by Mike Telin

All musical instruments are an extension of the human voice. Even the best keyboard, string, and percussion players know how to create musical lines that breathe. While wind and brass players are keenly aware of how to use air to inflect a myriad of emotions, there is not a lot of music that requires them to incorporate their voices with their instruments. On their new recording, titled SaxoVoce, (to be released on September 7) the inventive saxophone duo Ogni Suono — Noa Even and Phil Pierick — take on the challenge of playing and vocalizing during seven eclectic works. [Read more…]

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