“The string quartet repertoire is perhaps richer than any other musical form,” cellist Brook Speltz said during a recent telephone conversation. “There is a purity to the soprano, alto, tenor, and bass combination of instruments that is equal to a choir, and that has inspired many composers.”
On Wednesday, April 26 at 7:30 pm in Akron’s E.J. Thomas Hall, Speltz will join his Escher String Quartet colleagues — violinists Adam Barnett-Hart and Aaron Boyd and violist Pierre Lapointe — in a performance featuring works by Claude Debussy, Dmitri Shostakovich, and Felix Mendelssohn. The concert, presented by Tuesday Musical, marks the culmination of the Escher’s first year as TMA’s Quartet-in-Residence, a performance and education initiative.
Speltz said that Mendelssohn’s Quartet No. 6 in f makes a great opener. “His last fully completed string quartet is known for its drama — that carefree Mendelssohn that exists in almost all of his music is nowhere to be found. He wrote it after the death of his sister, who was his best friend and sort of life companion, and it’s relentless in its combination of anxiety and passion that at times almost feels like anger.”
To make it in the music business, you need to be able to capitalize on any opportunity that comes your way. Someone who has always been prepared to do exactly that is the versatile cellist 
