by Jarrett Hoffman

On second thought, best to leave out the wound aspect and focus on the musical side of the word, thought up by cellist Seth Parker Woods. As he told me during a recent telephone conversation, what interests him is the splitting open of divisions between periods of music. “I’m finding an opening, essentially, and fusing two worlds into one.”
Those worlds are the 17th-century Italian Baroque, and the 20th- and 21st-century avant-garde. He’ll set those genres against each other in “Dehiscence: A Sonic Radicalisation,” a free concert of solo cello music on Tuesday, November 27 at 8:00 pm at LCCC’s Cirigliano Studio Theatre, presented as part of the Signature Recital Series.




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