by Mike Telin
More often than not, the creation of a new opera is a lengthy process. While composers such as Mozart and Rossini were able to dash off operas in record time, new titles can go through a long gestation period.
Beginning later this week, Cleveland Opera Theater will present its second annual {NOW} Festival featuring performances of new opera works at various stages of development, including readings, workshops, and staged productions. {NOW} is presented in collaboration with The Cleveland Composers’ Guild, Baldwin Wallace Conservatory, Oberlin Conservatory, and the Maltz Center for the Performing Arts. All events are free and open to the public (some require registration). Following each performance audiences will have the opportunity to engage with the creative teams and performers during talk-back sessions.
{NOW} begins on Friday the 26th at 7:30 pm at the Maltz Center with a reading of Obie award winner and Garcia Lorca scholar Caridad Svich’s new libretto based on Lorca’s last play, Bernarda Alba. [Read more…]
“I can look at all four symphonies of Brahms and say, ‘Oh that one is my favorite.’ Then I think, ‘No this one is,’” conductor Daniel Hege said during a recent telephone conversation. “But I have so much admiration for the Second Symphony. It has a lot of passion and emotional power all the way through, including a brilliant finish.”
Friends of fifteen years will come together as duo partners in the next concert on the Arts Renaissance Tremont series. On Sunday, January 21 at 3:00 pm at Pilgrim Congregational Church, clarinetist Franklin Cohen and pianist Zsolt Bognár will play a program that includes art songs by Beethoven and Fauré, two famous sonatas by Poulenc and Brahms, and a rarely-heard sonata by Mieczysław Weinberg. A freewill offering is requested.
In a humanities class at the Curtis Institute of Music in the 1980s, professor Joan Landis asked a young Robert Walters to do something he had never done before: read a poem aloud. It was Wallace Stevens’ 
Debra Nagy and her colleagues of Les Délices usually dedicate themselves to bringing the music of 17th- and 18th-century France alive for modern ears. But this weekend, the period instrument ensemble will push the clock back to the 14th century — not an era of powdered wigs and salons, but a time of knights, crusades, courtly love, and increasing secularization.