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Conductor Richard Kaufman returns to Blossom for two evenings of film music

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by Stephanie Manning

To Richard Kaufman, returning to Blossom this weekend to lead The Cleveland Orchestra in music by John Williams “is like winning the concert lottery.” The combination of a world-class orchestra, a beautiful venue, and fantastic music fills the conductor with enthusiasm for the two performances on September 4 and 5 at 7:00 pm.

“There’s something about doing a concert during the summer, especially at a place like Blossom, where everybody is just in a great mood,” Kaufman said during a recent phone interview. The program, “Salute to John Williams,” will feature that composer’s music from beloved films like Superman, Harry Potter, and Star Wars. Tickets are available online — fireworks will follow both performances.

“You know, the difficult part about putting together a John Williams concert is what not to do, because there are so many fantastic choices of music that audiences love,” Kaufman said. “So you put together the program knowing that you can’t play everything.” Nevertheless, he’s confident that there’s something for everyone, from the “Flight to Neverland” from Hook to the “Flying Theme” from E.T. the Extra-Terrestrial.

[Read more…]

Cleveland Chamber Collective and Inlet Dance Theater at Cain Park 

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by Mike Telin

In her article Four Qualities of Classic Literature, MJ Booklover says that

A great writer has something specific to say, or perhaps, more typically, a big question to ask about the nature of the world as it was in the times of that writer. But a great work also observes truths about the human condition as it occurs in any age. 

Perhaps no writer has captured the timeless truths of the human condition more profoundly than William Shakespeare, and nowhere as persuasively as in The Tempest, the inspiration for Ty Alan Emerson’s new ballet, Caliban Ascendant.

“This project started about eight years ago when I was working with a friend of mine, Josh Legg,” Emerson (pictured below) said during a telephone conversation. “He’s a choreographer and a wonderful person. We wanted to collaborate on a project so we started talking about what we’d like to do. I had seen many productions of Shakespeare’s The Tempest. I saw one at Bowling Green that was really fun — they actually put a gamelan onstage and Caliban was played by a two-person puppet. So I thought, ‘I’d like to dig into that.’”

On Sunday, August 29 at 8:00 pm at Cain Park Amphitheater, the Cleveland Chamber Music Collective in partnership with Inlet Dance Theatre will present the world premiere of Caliban Ascendant. The ballet is based on a story developed by Joshua Legg and Ty Alan Emerson and features music by Emerson and choreography by Bill Wade in collaboration with Dominic Moore-Dunson, Kevin Parker, Emily Stonecipher, and Katie Wilber. [Read more…]

Jonathan Biss to perform
Caroline Shaw’s Watermark
with The Cleveland Orchestra 

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by Mike Telin

When pianist Jonathan Biss pitched the concept for his Beethoven/5 project to the St. Paul Chamber Orchestra, he was certain the idea of commissioning five composers to write new concertos, each inspired by one of Beethoven’s, would be seen as too daunting. Much to his surprise, the SPCO ran with the idea. Even more of a surprise was the number of orchestras who signed on to the project as co-commissioners.

In November of 2017 Biss gave The Cleveland Orchestra premiere of Salvatore Sciarrino’s Piano Concerto: Il sogno di Stradella, (Beethoven No. 4). He’ll follow that up on Saturday, August 28 at 7:00 pm at Blossom Music Center with Caroline Shaw’s Watermark (Beethoven No. 3).

“Being with The Cleveland Orchestra is always special for me,” Biss said during a recent telephone conversation. “And given that I played the Sciarrino in Cleveland, I need to talk about how different the two pieces are and how unbelievably different the composers’ approaches to the project were.”

Biss noted that the connection between the Sciarrino and the fourth concerto is so oblique that he had to “go hunting for it.” But with Watermark, Caroline Shaw clearly uses the third concerto as its starting point.

“Caroline said something that I found very interesting. She said that she was trying to ‘write the writing process of Beethoven,’ which I think was her way of saying that she’s imagining how Beethoven might have found his way toward many of the ideas that ended up being central to the third concerto. I think it’s interesting because although I’ve spent my whole life immersed in great music, I don’t think I understand all that much about how the creative process works — how a composer gets from a blank page to a fully realized piece of music. So I find it incredibly fascinating to hear someone like Caroline, whose life’s work is being a composer, engage with the question of how someone else conceives of a piece of music.”

[Read more…]

Jahja Ling returns 
to the Blossom Stage

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by Mike Telin

When Jahja Ling returns to the Blossom Music Center podium on Sunday, August 22 at 7:00 pm, the concert will mark the continuation of a relationship between Ling and The Cleveland Orchestra which began in 1984.

“My first concert was at Severance in January of ‘85 and my first Blossom concert was in July of ‘85,” Ling said during a recent telephone conversation. “Aside from last year, which was cancelled due to the pandemic, if you count from ‘85 until now, this is the 36th consecutive season. I think it is a record.”

The all-Brahms program will feature the Violin Concerto with Sayaka Shoji as soloist and Symphony No. 3. Tickets are available online.

The past year and a half has been difficult for many people, including the 69-year-old conductor. “I got COVID,” he said. “It was last July, so over a year ago. I was taken to L.A. because my son works at Cedars-Sinai, and was hospitalized for five days. I received very good treatment and have had no issues after that, thank God.”

Ling’s experience with COVID played an important part in his programming choices for Sunday’s concert. [Read more…]

Violinist Sayaka Shoji to make her Cleveland Orchestra debut

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by Mike Telin

Having performed on three occasions with CityMusic Cleveland, Japanese violinist Sayaka Shoji is no stranger to Northeast Ohio audiences. But when she returns to Cleveland this Sunday, August 22, it will be to make her debut with The Cleveland Orchestra, performing Brahms’ sublime Violin Concerto.

“I’m excited and very happy that this is happening,” Sayaka Shoji said by telephone from her home in Paris. “It was programmed last year, and of course we all had a difficult period, but they re-programmed it and I am very grateful.”

Under the direction of Jahja Ling, the 7:00 pm all-Brahms program also includes Symphony No. 3. Tickets are available online.

When asked why she thinks the concerto is one of the greatest in the repertoire, the violinist said it is partly because Brahms was a demanding, self-critical composer. “He also collaborated on the piece with his friend Joseph Joachim. And the result of that intensive collaboration is what makes it a jewel.”

[Read more…]

Fine Arts Association synthesizes music with visual art in opener to new Artist Recital Series

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by Stephanie Manning

“At the Fine Arts Association, we like to say that we’ve got all the arts under one roof,” conductor Michael Lund Ziegler (pictured) remarked in a recent Zoom interview. It’s a statement that succinctly sums up the Willoughby-based organization, known for its community theatre performances and robust education programs in dance, visual arts, music, and more.

Most recently, FAA is branching out into music performance through its upcoming Artist Recital Series. The opening concert, on Thursday, August 19 at 7:00 pm, will feature works for chamber orchestra and string trio and will be held in Corning Auditorium on the organization’s campus. In-person tickets are available here.

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Chanticleer at Akron’s Tuesday Musical: a conversation with music director Tim Keeler

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by Daniel Hathaway

When Chanticleer sings a concert on the Tuesday Musical series at E.J. Thomas Hall in Akron on July 27, it won’t just be business as usual for the twelve male singers of San Francisco’s “orchestra of voices.”

The ensemble, which normally spends much of the year on the road, has been becalmed by the pandemic for more than a year. Akron will be the next-to-last stop on its current, eight-concert tour, the first since the shutdown.

“We’ve had to reinvent everything for each venue,” Music Director Tim Keeler said in a telephone call from Chicago. “We’re grateful to each presenter for helping us figure everything out. There’s no rulebook for how to sing choral music at the end of a pandemic.”

[Read more…]

Conductor Rafael Payare to make Cleveland Orchestra debut

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by Mike Telin

It’s fascinating how many people can recall the event that planted a career bug inside of them. For Rafael Payare, that event occurred while on tour in Italy as a member of the horn section of the National Children’s Orchestra of Venezuela. “This Italian maestro, Giuseppe Sinopoli, came. He spoke no Spanish and communicated only with his energy,” Payare recalled during a recent telephone conversation. “But he changed the sound of the orchestra in the first minute of rehearsal and that really impressed me. I thought, wow, when I am old and my hair is all white, I would love to be a conductor. So that is how the conducting bug got into me.”

On Sunday, July 25 at 7:00 pm at Blossom Music Center, Rafael Payare will make his Cleveland Orchestra debut with a program that features Prokofiev’s Violin Concerto No. 2 with Stefan Jackiw as soloist and Dvořák’s Symphony No. 9 (“From the New World”). Tickets are available online.

[Read more…]

Cleveland Classical Guitar Society: Creative Fusion from start to finish

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by Jarrett Hoffman

One grant, given to two organizations, presenting three artists-in-residence, joined by over one hundred guest artists, in nine videos designed to increase awareness around an array of social and cultural issues.

The sum of those numbers is a virtual series presented by the Cleveland Classical Guitar Society and El Comité Mexicano de Cleveland (Mexican Committee of Cleveland) through funding from the Cleveland Foundation’s Creative Fusion program. The series is ongoing: six videos have been released since early June — watch them here — with three still to come beginning on Friday, July 30.

First, some background about Creative Fusion in general, and in particular the 2020 edition, delayed twelve months due to the pandemic. The program invites artists from around the world to participate in residencies in Cleveland, and since 2016, each year has been designed around a different theme.

The 2020 edition, titled Contar, was to be centered in Clark-Fulton, which contains the La Villa Hispaña neighborhood, known as an emerging cultural, social, and economic hub for the Hispanic community. The dual meanings of contar — Spanish for both “to count” and “to tell” — were tied into the 2020 Census.

[Read more…]

Capathia Jenkins returns to Blossom with the Great American Songbook

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by Cait Winston

“They are iconic,” Capathia Jenkins says of the pop and jazz standards that make up the Great American Songbook. “These songs will never go away. They are just so beautiful, they’re so well crafted, and as an artist you want to wrap your brain and your artistry around these songs and what they represent. I think that they will always be regarded as the Great American Songbook. Whether we are in 2021, or 2055 — they will remain.”

Joining guest conductor Lucas Waldin and the Cleveland Orchestra, Jenkins will bring Songbook classics by the Gershwins, Oscar Hammerstein, and more to the Blossom stage on Sunday, July 18 at 7:00 pm.

To Jenkins, the music of the Great American Songbook has stood the test of time not only because it evokes universal emotions and tells timeless stories, but because the songs themselves are so well-crafted. “You have a melody that may be unexpected, or you have a harmony that may be unexpected,” she said during a recent telephone conversation. [Read more…]

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