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Italian guitarist Emanuele Buono debuts with Cleveland Classical Guitar Society

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by Mike Telin

Although guitarist Emanuele Buono didn’t come from a musical family, his father had a passion for the instrument. “He put the guitar in my hands when I was five years old,” Buono said in an email. “And from that moment, I have never stopped playing.”

On Saturday, March 20 at 7:30 pm, Buono will make his Cleveland Classical Guitar Society International Series debut with an online program that will feature music by J.S. Bach, Franz Schubert, Hans Haug, and Gerard Drozd. The pre-recorded concert is free. Click here to receive links to the performance as well as to a post-concert Zoom reception with the artist, plus a copy of the full concert program.

Born in Turin, Italy in 1987, Buono began his musical studies at a young age. He went on to attend the Giuseppe Verdi Conservatory in Milan and later the Accademia Chigiana of Siena. He first broke onto the international concert scene in 2008 when he was awarded the Golden Guitar as the best young concert-player of the year at the XIII International Guitar Competition and Festival of Alessandria (Italy). In 2009, he won the Gold Medal at the International Christopher Parkening Competition (USA). [Read more…]

Emanuel Ax to open in-person Tuesday Musical Series March 25

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by Daniel Hathaway

Thanks to COVID-19, the earth has cycled through four seasons since pianist Emanuel Ax has played a solo recital. He’s looking forward to making up for that with an all-Chopin program on the Tuesday Musical Series at E.J. Thomas Hall in Akron on Thursday, March 25 at 7:30 pm.

This time around, the annual Margaret Baxtresser Concert will mark the Association’s first in-person event since the pandemic began, and the management has made sure that all performers have had their vaccinations, and that distancing protocols are respected in the seating plan.

Ax has chosen works from Chopin’s later years: the Two Nocturnes, Op. 55, the Polonaise Fantasie, Op. 61, the Three Mazurkas of Op. 56, the Barcarolle, Op. 60, the Nocturne in E, Op. 62, No. 2, and Scherzo No. 4, Op. 54.

I reached “Manny” Ax by telephone at his getaway in the Berkshires to chat about his program, which I found a bit unusual. Lots of pianists program Chopin, but you don’t often see a complete recital dedicated to his works.

“I’ve never done it, but it’s been done,” he said. “This program is meant to feature incredible masterpieces from Chopin’s later years. I learned some of it that I’d never played before during quarantine and I’m excited about trying out the program. Of course, I’m going to be very nervous because I haven’t done a recital for a year. I hope people will forgive me for things, because it’s going to be difficult in that sense.” [Read more…]

Bayan + flute: Arts @ Holy Trinity to present Stasera Duo

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by Jarrett Hoffman

Recently, maybe just by coincidence, Akron’s Arts @ Holy Trinity series has been highlighting uncommon, intriguing pairings of instruments — ones that often represent different spheres of the musical world, but that overlap in some slight way.

Last month brought clarinet and acoustic guitar, which share the same basic material: wood. And next up is flute and accordion, which derive their sound from the same place: air.

More specifically, when Stephanie Jutt and Stanislav Venglevski of the Stasera Duo give a virtual concert on Sunday, March 21 at 4:00 pm (register here), the combination that will be on display is flute and bayan, a type of chromatic button accordion developed in Russia that’s known for its wide range and rich sound.

Their program is diverse — it’s mostly made up of Venglevski’s original works, but also includes music by Astor Piazzolla, Isaac Albéniz, Alexander Tziganov, Raimundo Pineda, Claude Debussy, Henry Mancini, and J.S. Bach. It’s also very recent. The Duo was scheduled to record it on Monday at the Madison Museum of Contemporary Art.

[Read more…]

Les Délices “Women of Genius” — a conversation with Clara Rottsolk

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by Daniel Hathaway

Les Délices, Cleveland’s French Baroque ensemble, continues its all-online subscription series on Thursday, March 18 at 7:30 pm with “Women of Genius,” featuring soprano Clara Rottsolk in music and poetry by Louis-Nicolas Clérambault, Mme. Duval, Julie Pinel, Élisabeth Jacquet de la Guerre, and François and Louis Couperin. After its debut, the video will be available on-demand through March 29. Purchase tickets and view connection details here.

The program, curated by Les Délices’ artistic director and oboist Debra Nagy, sets out to present its female composers not as isolated phenomena, but as composers who exerted a strong influence on French musical culture.

These were the daughters, the nieces, and the cousins of musical families like the Couperins. They were poets, translators, and librettists for airs, cantatas, and operas. They were brilliant improvisers and arrangers whose celebrated performances were attested to but whose works were never published. They were singers, keyboard, and theorbo players whose intimate work impressed and delighted. They were Women of Genius.

Rottsolk, a native of Seattle now based in Philadelphia, said in a Zoom conversation that Nagy’s idea of moving from presenting live concerts to forming a production company to produce high-quality video and audio shows was a wise and creative solution to the vagaries of the pandemic. [Read more…]

SalonEra: “Women in Music” — a conversation with Michele Kennedy

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by Jarrett Hoffman

Both the music and the history of women composers are very much underexplored. So it’s fitting that Les Délices will begin its celebration of Women’s History Month with a new entry in their SalonEra series of performances and conversations — there will be plenty to hear, and plenty to learn.

Premiering online on Monday, March 15 at 7:30 pm, and remaining available for another 48 hours, “Women in Music” will feature instrumental and vocal works from the 17th-19th centuries by Francesca Caccini, Barbara Strozzi, Isabella Leonarda, Élisabeth Jacquet de la Guerre, Maddalena Sirmen, and Clara Schumann. See the full program and register here. It’s free to watch, but a donation is suggested.

Les Délices artistic director Debra Nagy, who is also the host of SalonEra, will be joined by harpsichordist Byron Schenkman, violinist Shelby Yamin, and soprano Michele Kennedy (above), who share a commitment to researching, performing, and recording music by women composers.

I reached Kennedy by telephone in Oakland, California to talk about the selections by three 17th-century Italian composers: Caccini, Strozzi, and Leonarda. We also discussed the societal restrictions on women of that era, and in some cases, the connections that helped these composers establish their careers. And we closed our phone call on the topics of equity and representation in classical music — particularly, Kennedy’s efforts to further that work while sheltering at home.

[Read more…]

Du Yun to be featured on YSU’s virtual Pipino Series February 24

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by Daniel Hathaway

What should viewers expect when they tune in to composer/performer/curator Du Yun’s master class and presentation on the Donald Pipino Performing Arts Series from Cliffe College at Youngstown State University on February 24?

Publicist Maggie Stapelton described this fascinating artist last October in a press release for one of New York’s Bang on a Can Marathons:

Du Yun has a secret life. Several secret lives, actually — she is not only a composer of socially activated opera but she is also a pop diva, an extreme improviser, a high energy new music storyteller. When she performs her own music on the Marathon, at least one of these personalities will be on display.

A native of Shanghai, China who took up the piano at the age of four, Du Yun studied composition with Randoph Coleman at the Oberlin Conservatory, going on after graduation to study at Harvard, where she earned a master’s and a doctorate in composition with Bernard Rands and Mario Davidovsky.

Northeast Ohio had its most recent look at Du Yun’s work when Oberlin Winter Term Opera gave five sold-out performances of her Pulitzer Prize-winning work Angel’s Bone in late January and early February of 2018. The opera, directed by Christopher Mirto, explores a dark topic with alluring words and music. [Read more…]

Cleveland Classical Guitar Society: Stephanie Jones & pandemic premieres

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by Jarrett Hoffman

The shift online for concerts over the past year has included world premieres. And as amazing as it can be to gather in a room with other people and hear something that’s never been heard before, there’s a positive side to the new format. When the player has a history of not only winning solo competitions, but also creating impressive and stylish videos, perhaps a new piece can sail off into the world with a little extra propulsion.

That might well be the case with the next program from the Cleveland Classical Guitar Society. In a free, pre-recorded recital on Saturday, February 27 at 7:30 pm, Stephanie Jones will introduce the world to Kevin Callahan’s The Whiskey Tales. The Australian-born, German-based guitarist — who has won first prize at the Hannabach Guitar Competition, among other awards — also makes her Cleveland debut. [Read more…]

Black History Month at Oberlin:
a conversation with Jeff Scott
(first of two articles)

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by Mike Telin

“What a series of events — Oberlin really has pulled out all the stops,” associate professor of horn Jeff Scott said during a telephone conversation. “Even more than just showcasing the arts, there are so many talks and conversations happening — moments when you can just listen to perspectives about history and current events. It’s important to combine all of that because it’s more than just a month, it’s a long continuous conversation that this country needs to have.”

On Thursday, February 25 at 7:30 pm, Oberlin Black History Month: A Celebration of Black Artistry continues on Stage Left with a pre-recorded program hosted by Jeff Scott. The evening features three of his own compositions as well as works by Ulysses Kay and Duke Ellington. In addition to Scott, performers include Mark Dover (clarinet/keys), Drew Pattison (bassoon), James Howsmon (piano), the Verona Quartet, and the Oberlin Orchestra. The concert is free. Click here at start time.

Although this is his first year on the Oberlin faculty, Scott has spent a lot of time in Ohio as a member of the acclaimed Imani Winds. “We’ve been all over the state many times and during those twenty-some odd years, there are a few places we call our second home — and Akron’s Tuesday Musical is one of them. It’s great to have presenters who aren’t afraid to take risks with artists,” Scott said. [Read more…]

Skinner organ transplants are well underway at Trinity

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by Daniel Hathaway

When three trucks from Croton, Ohio’s Muller Organ Company pulled up to Trinity Cathedral in downtown Cleveland on January 11, the Cathedral’s history of distinguished pipe organs opened a new chapter.

Those vehicles were delivering renovated parts of several E.M. Skinner organs, to be installed in chambers above the Cathedral chancel, where Trinity’s first instrument had been located when the building was consecrated in 1907.

“We’re very close to hearing some sounds,” Trinity music director Todd Wilson (left, among the pipes) said today in a Zoom conversation. “They’ll be doing rough tuning for several days, then start real voicing.”

That 1907 organ, Skinner’s Opus 140, served the Cathedral and its organist-choirmaster, Edwin Arthur Kraft (right), until the 1970s, when its outdated mechanism had deteriorated beyond the point of renovation.

After a long process, contracts were signed with Flentrop Orgelbouw in Zaandam, the Netherlands, for two mechanical action instruments in the Dutch 18th-century style — a moveable, two-manual Choir Organ (delivered in 1976 but later sold) and a three-manual Great Organ at the rear of the nave (pictured below, dedicated in December 1977).

The remains of the Skinner were finally removed in advance of the construction of Trinity Commons in 2002, and salvageable pipework was donated to other organ projects. [Read more…]

Has the Pandemic Changed the Definition of Live Music?

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by Max Shain

The COVID-19 pandemic has changed the shape of the live music industry, impacting musicians, audiences, curators, managers, venue owners, festival directors, and recording engineers. Not only have revenue streams shifted, but it has caused many to rethink their definition of live music.

I spoke with six people from different sectors of the music industry to find out how their perception and experience of live music — as well as their expectations for its future — have changed over the past year. I also spoke to a few of my friends who served as proxy “Jane and Joe” audience members.

[Read more…]

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