by Daniel Hathaway
You’d think that two instruments that create their sound by plucking strings might not provide enough variety to sustain interest over the course of a whole program, but guitarist Colin Davin and harpist Emily Levin have news for you.
The Davin-Levin Duo played the second recital of the 2022 Cleveland International Classical Guitar Festival on June 3 in Kulas Hall at the Cleveland Institute of Music.
Their engaging program, containing original arrangements of 20th-century works and a recent piece, was the first of four during the festival to feature guitarists playing with other instrumentalists, and Davin and Levin made the most of their opportunity to plunge into the rich possibilities of collaboration. [Read more…]
Margaret Brouwer’s latest album, Reactions: Songs and Chamber Music, released in April of this year, is an exploration of shared humanity, connection, love, and responses to universal life experiences.
“Man is born to trouble as the sparks fly upward,” a line from The Book of Job, inspired the title of a full-length opera that received its Cleveland premiere last weekend at the Maltz Performing Arts Center. I saw the last of four performances on Sunday afternoon, June 12.
Over the past few years Petra Poláčková has enthralled audiences at the Cleveland International Classical Guitar Festival, and on Sunday afternoon, June 5, at the Cleveland Institute of Music’s Kulas Hall, the young Czech musician demonstrated why she has become a Festival favorite.
The post-COVID era may be on the horizon, but it hasn’t arrived yet. That dastardly microbe that has wrought havoc in the performing arts world for more than two years is still on the prowl.
Anyone who has been paying attention to the world of contemporary chamber music during the past twenty years will recognize the names of flutist Molly Barth and guitarist Dieter Hennings — together known as Duo Damiana. 
If you were sitting in Mixon Hall last Wednesday, you might have thought you were in the midst of a recording session rather than a recital. And with good reason: the Catalyst Quartet was in top form playing a program that previewed several works on the group’s upcoming album.
The guitar is an instrument that can travel anywhere and play just about anything. Listeners got the chance to take in some of that variety at the Cleveland International Classical Guitar Festival, which returned in person to the Cleveland Institute of Music last weekend. Original arrangements and inventive pairings — pieces with harp, cello, and more — added to the schedule, but a sense of what makes a performance “classical” emerged as well.
On Thursday June 2 in Kulas Hall at the Cleveland Institute of Music, Drew Henderson (Canada) opened the Cleveland International Classical Guitar Festival with a program of Baroque and Romantic music.