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Akron Symphony & Choruses to present Mendelssohn’s Elijah

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by Daniel Hathaway

mendelssohnconductingelijahAt least one scholar has pointed out that the British entered the 19th century as a nation of folk singers, but emerged as a nation of oratorio singers. The Birmingham Triennial Festival, founded in 1787, became one of the principal commissioners of new works for large choruses and orchestras, and one of that festival’s favorite composers was Felix Mendelssohn.

Also a favorite of Queen Victoria and her Prince Consort Albert, Mendelssohn wrote and conducted St. Paul and his Second Piano Concerto for the 1837 Festival, and composed Elijah for the 1846 event, the year before he died. Elijah became so popular that it was performed at every successive festival until the series ended in 1912.

On Saturday, May 6 at 8:00 pm, Christopher Wilkins will conduct the Akron Symphony and the combined voices of the Akron Symphony Chorus, the Summit Choral Society’s Masterworks Chorale, and the University of Akron choruses, prepared by Marie Bucoy-Calavan, in Mendelssohn’s famous oratorio. [Read more…]

Overnight review —
Cleveland Opera Theater:
The Marriage of Figaro (April 28)

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by Mike Telin

COT-FIgaroLast night, Friday, April 28 at Masonic Auditorium, Cleveland Opera Theater scored a win with its latest mainstage production, Mozart’s The Marriage of Figaro. Directed by Scott Skiba, the exceptionally strong cast performed with solid vocal prowess and comedic flair, making for an enjoyable musical as well as theatrical experience. [Read more…]

Cleveland Opera Theater: a conversation with The Marriage of Figaro’s title character

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by Mike Telin

Holmes-Christopher“The challenge of performing the role of Figaro is holding onto all of the words, but the character is so much fun,” Christopher Holmes said. “As a baritone, I’m used to playing the bad guy, which is a lot of fun too, but this role is written so well that I’m really looking forward to it.” This week the Oberlin graduate will make his Cleveland Opera Theater debut, singing the title role of Mozart’s popular opera buffa Le nozze di Figaro.

Directed by Scott Skiba, performances will take place at the Cleveland Masonic Auditorium in MidTown on Friday, April 28 at 7:30 pm and Sunday, April 30 at 3:00 pm. Domenico Boyagian will conduct the Cleveland Opera Theater Orchestra and cast, which includes Christopher Holmes as Figaro, Marian Vogel as Susanna, Brian Keith Johnson as Count Almaviva, and Rachel Copeland as Countess Rosina. The opera will be sung in Italian with English supertitles. [Read more…]

Opera Western Reserve: Carmen at Stambaugh Auditorium (Nov. 11)

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by Robert Rollin

wynerpitOpera Western Reserve’s tradition of giving only one annual performance has always insured a substantial turnout. This year’s crowd was as large and enthusiastic as ever for Georges Bizet’s Carmen on Friday, November 11 at Youngstown’s Stambaugh Auditorium. [Read more…]

Nightingale Opera Theatre: Mark Adamo’s Little Women at Hudson’s Barlow Center (July 16)

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by Daniel Hathaway

FourSistersA strong cast of singer-actors and superb production values made Nightingale Opera Theatre’s recent production of Mark Adamo’s Little Women a beautiful experience. I saw the second of two performances in the intimate theater of the Barlow Community Center in Hudson on Sunday afternoon, July 16. [Read more…]

Nightingale Opera to stage Little Women: thoughts from executive director Melissa Davis

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by Daniel Hathaway

Little-Women-SetMark Adamo’s Little Women, his first attempt at an opera, turned out to be a composer’s dream project. It is based on Adamo’s own adaptation of Louisa May Alcott’s story of four New England sisters coming of age during the American Civil War. The piece was workshopped at Houston Grand Opera in 1998, then given a full production there in 2000. With more than 70 productions to date, including a version filmed for national television, Little Women has gone on to become one of the most-produced new operas of our time. Nine productions will have taken place in 2015-2016 alone.

Nightingale Opera Theatre will bring Little Women to the stage of Hudson’s Barlow Community Center on Friday, July 15 at 7:30 pm and on Sunday, July 17 at 2:30 pm. [Read more…]

Akron Symphony & GroundWorks Dance collaborate in Orff’s Carmina Burana (May 7)

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by Daniel Hathaway

ASO-Carmina-BuranaCarl Orff intended his immensely popular “Scenic Cantata” Carmina Burana to be a staged work with dancers rather than just a concert piece — the form in which we usually encounter it today. On Saturday, May 7 at E.J. Thomas Hall, the Akron Symphony and Chorus joined with David Shimotakahara’s GroundWorks Dance, Ballet Excel Ohio, the Dance Institute at the University of Akron, soprano Grace Kahl, tenor Timothy Culver, baritone Brian Keith Johnson, and the Cleveland Orchestra Children’s Choir in a performance that splendidly fulfilled the composer’s original vision. [Read more…]

Bohemian Rhapsody: Cleveland Opera Theater’s La bohème at Masonic PAC (April 29)

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by Nicholas Jones

COT-Boheme-CafePuccini’s La bohème, probably one of the world’s most performed operas, packs a wallop pretty much every time you hear it. This weekend at Cleveland Opera Theater, that was again the case for me. But the emotional ending isn’t the whole of the opera. In its first three acts (and even in the opening of the fourth), La bohème often seems more comic than tragic, more boisterous than tender. Perhaps its mix of contraries, not just its sentiment, is what makes it so powerful. [Read more…]

Cleveland Opera Theater’s La bohème: second of three articles

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by Mike Telin

Boheme-PosterOn Friday, April 29 at 7:30 pm and Sunday, May 1 at 3:00 pm at Masonic Auditorium Performing Arts Center, Cleveland Opera Theater will present Giacomo Puccini’s  La bohème, directed by Scott Skiba. Conducted by Domenico Boyagian, the opera will be sung in Italian with English subtitles.

“It’s going to be an exciting production,” Skiba said during a recent conversation. “It’s easy to take it for granted and say, yeah, it’s La bohème, but when you’re working on it and discovering new things in it, it just strikes you how rich it is at every turn. And Puccini’s music is so wonderful. At every rehearsal I look over at Domenico and say ‘This music is so good!’” [Read more…]

Cleveland Opera Theater: La bohème (first of three articles)

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by Mike Telin

COT-Orchestra-&-Set“La bohème is just a winner,” Cleveland Opera Theatre founder Andrea Anelli said during a rehearsal break at Masonic Auditorium. “It was the first opera the company ever put on. We did it at the Beachwood Middle School Auditorium — semi-staged, no chorus, and just with a piano,” Anelli recalled. “It’s really exciting to see the growth of the past ten years in circling back to that opera, but now doing it with full chorus and full orchestra. It’s a fantastic feeling.”

On Friday, April 29 at 7:30 pm and Sunday, May 1 at 3:00 pm at Masonic Auditorium Performing Arts Center, Cleveland Opera Theater will present Giacomo Puccini’s beloved La bohème, directed by Scott Skiba and conducted by Domenico Boyagian. Lisa Yanofsky is the assistant director. The opera will be sung in Italian with English subtitles. [Read more…]

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