by Kevin McLaughlin
In what has become a welcome springtime tradition at Severance Music Center, Franz Welser-Möst and The Cleveland Orchestra devoted their season finale to opera. Mozart’s The Magic Flute contained many delights — a beautiful score, superb singing, imaginative staging by Nikolaus Habjan, spare but thought-provoking sets — in such quality as to perhaps win over even the most opera-resistant. And maybe to prompt the timeless question: doesn’t Cleveland deserve a full-time, professional opera company? I attended opening night on May 16.
A centerpiece of the second Jack, Joseph and Morton Mandel Opera & Humanities Festival, Magic Flute shares the festival’s theme of “power.” The characters of Tamino, Papageno, and Pamina eventually vanquish an angry queen, though the allegorical plot is more a parable of growing up and learning to love and trust. There are also initiation rites, a rescue, and a conversion to the high ideals of another powerful figure, Sarastro. [Read more…]