by Peter Feher
The three works on The Cleveland Orchestra’s Thursday, January 30 program all evoked other music — a different composer, another piece, or a famous performance. Opening the concert was Prokofiev’s Sixth Symphony, decidedly a B-side in the composer’s symphonic catalogue. [Read more…]
by Daniel Hathaway
While many American orchestras were just beginning to stir again after the holidays, Franz Welser-Möst and the Clevelanders were busy pulling off one of the most impressive programs in recent memory. A neglected Dvořák symphony, a darkish Mozart piano concerto featuring Yefim Bronfman, and a standout among Janáček’s few orchestral works served up sequential delights on Friday, January 10. [Read more…]
by Daniel Hathaway
A compact Schubert symphony, the first half of a Prokofiev ballet score, and both neoclassical and full-out-Romantic works by Richard Strauss were on the docket as Franz Welser-Möst and The Cleveland Orchestra returned to Severance Hall last weekend to begin the ensemble’s 102nd season. Thursday evening’s subscription concert on September 19 began with a stylish reading of Schubert’s Third Symphony, a spirited work festooned with amiable melodic fragments you probably couldn’t go away whistling, but that gave the 18-year-old composer an abundance of cheerful material to play with.
by Daniel Hathaway
Making his only summer appearance with The Cleveland Orchestra, music director Franz Welser-Möst led the ensemble in an eventful hour-long program on Friday evening, July 12 in Severance Hall. The first concert in the Summers@Severance series, preceded and followed by drinks and food on the terrace, was a festive occasion that attracted a large audience, some got up as if headed for an English garden party, others dressing down for the steamy weather. Once inside the hall, they were so enthusiastic about the music that applause was ubiquitous and hearty. [Read more…]
by Mike Telin
From June 12 through June 19 The Cleveland Orchestra Youth Orchestra will make a seven day, four concert tour to Europe under the direction of Vinay Parameswaran.
The tour will include performances at the Abbey of St. Florian (Sankt Florian, Austria), Golden Hall, Musikverein (Vienna, Austria), Reduta Bratislava Concert Hall (Bratislava, Slovakia), and the MOM Cultural Centre (Budapest, Hungary). This marks the third international tour in COYO’s 33-year history.
The Orchestra will celebrate the tour with a sendoff concert on Friday, June 7 at 8:00 pm at Severance Hall. Parmareswaren will lead John Adams’ The Chairman Dances: Foxtrot for Orchestra, Bartók’s Dance Suite, and Brahms’ Tragic Overture and Symphony No. 2 in D. The concert is free, but tickets are required. [Read more…]
by Daniel Hathaway
British baritone Simon Keenlyside made the most of his recent visit to Severance Hall, offering an impassioned odyssey through Schubert’s Winterreise with pianist Natalia Katyukova on May 19 in Reinberger Chamber Hall, and bringing revelatory performances of eight Sibelius songs to his guest appearance with Franz Welser-Möst and The Cleveland Orchestra on Thursday evening, May 23.
by Jarrett Hoffman
My first opportunity to talk to Vinay Parameswaran came in the form of a phone call last week, but I already had an impression of what his players in the Cleveland Orchestra Youth Orchestra think of him. In November, violinist Célina Béthoux told me how she had gifted him an origami conductor.
“Last season, some of the seniors gave me thank-you notes, which was also really nice,” Parameswaran told me. “But origami was a new one for me.”
Of course, there are other, more official signs that his tenure has been well received. In February, halfway through his second year, The Cleveland Orchestra extended his contract as Assistant Conductor and COYO Music Director through 2020-2021.
Heading into his latest performance with the younger orchestra on Friday, May 10 at 8:00 pm at Severance Hall — with music by Bartók, Bruch, and Shostakovich — Parameswaran said he continues to enjoy what he does. “One of the best parts of my job is working with COYO every weekend.” [Read more…]
by Daniel Hathaway
Haydn and Tchaikovsky symphonies bracketed an important new organ concerto at Severance Hall from March 14-17, creating a hodgepodge of a program, but demonstrating the stylistic flexibility of Franz Welser-Most and The Cleveland Orchestra, as well as the breathtaking technique and musicality of organist Paul Jacobs. [Read more…]
by Daniel Hathaway
Organist Paul Jacobs will return to Severance Hall this week to play four performances of Viennese composer Bernd Richard Deutsch’s Okeanos with Franz Welser-Möst and The Cleveland Orchestra.
The concerts, which begin on Thursday evening, March 14 and run through Sunday afternoon, March 17, include Haydn’s Symphony No. 34 and Tchaikovsky’s Symphony No. 5. This week’s programs mark the first United States performances of Deutsch’s organ concerto, which received its debut in November of 2015 by Wolfgang Kogert and Radio-Symphonie-orchester Wien in the Großer Saal of Vienna’s Musikverein.
I caught up with Jacobs on his mobile phone during a break between auditions at the Juilliard School in New York to ask him for some of his impressions of Deutsch and Okeanos.
“I only knew Deutsch by name, but he has quite a successful career and reputation in Europe. It’s my hope that his music becomes better known here in the United States. It’s really excellent writing. We’ve spoken on the phone, and we’re the same age, which is an interesting feature of the collaboration.” [Read more…]
by Daniel Hathaway
“In first impressions,” writes David Wright in his Severance Hall program book notes, Ariadne auf Naxos “can feel like little more than impassioned music filled with an ever-flowing river of non-sequiturs.” But on Sunday afternoon, Richard Strauss’ fervent score — superbly sung and played by a top-notch cast and The Cleveland Orchestra under the direction of Franz Welser-Möst — paved over the gap between high art and comedy, making the opening performance of Ariadne an event to remember for a long time. [Read more…]