by Mike Telin
Every composer has their own way of approaching their craft. “When I write a piece, whether it’s for orchestra or chamber ensemble, I want everybody to have a moment in the spotlight,” Sebastian Chang said during a telephone conversation. “Most of the time that works out great and results in something that is fun to play. But when Alex asked me to write a timpani part, that pretty much changed everything.”
On Saturday, June 30 at 7:30 pm at the Maltz Performing Arts Center, clarinetist Franklin Cohen, violinist Diana Cohen, timpanist Alexander Cohen, and pianist Roman Rabinovich will perform the world premiere of Chang’s Cryptogenic Infrastructure Fantasy (CIF) as part of ChamberFest Cleveland’s season finale. “Dawn of a Revolution” will also include Debussy’s Violin Sonata, and David Shimotakahara’s choreography of selections from Ligeti, Beethoven, Ravel, Pärt, Shostakovich, and Ginastera, performed by GroundWorks Dance Theater. Tickets are available online.
Chang, who serves as pianist and resident composer for the Louisville Orchestra, began writing CIF with a mission to correct an injustice that orchestral timpanists often experience. “They usually rest for 300 bars, then play a single note just to punctuate a big moment. They don’t get a lot of time in the spotlight and I wanted to fix that with this composition.”
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On Friday, March 20 and Saturday, March 21at 7:30 pm, 
On Wednesday, June 25, Mike Telin had the opportunity to attend a ChamberFest Cleveland rehearsal of Tan Dun’s Ghost Opera for String Quartet and Pipa, with Water, Stones, Paper and Metal, which will be presented in Kulas Hall at the Cleveland Institute of Music on Saturday, June 28 at 8:00 pm. The performance will feature the world premiere of choreography by GroundWorks Dance Theater artistic director David Shimotakahara. The performance promises to be an emotional experience. Tan Dun’s music is captivating and the choreography adds a new and wonderful dimension to the music. The production is a collaboration that requires a lot of sharing of ideas between the musicians, the dancers and the collective. As violinist Amy Schwartz Moretti said, “I’ve never done anything like this before. You can only prepare so much at home, because everything needs to be discussed with your colleagues. But we’re all having a great time!” (Click on the images to enlarge.) 