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Oberlin Baroque Performance Institute: Week One, Day Two (Tuesday, June 20)

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by Daniel Hathaway

Meyerson-HuddleAt BPI, as elsewhere in the musical universe, master classes are the principal conduit for transferring wisdom from teachers to students. Rather than just dryly lecturing on abstract topics, distinguished musicians use performances of selected works as the springboard for discussions of matters both wide and narrow.

Harpsichord master classes on Monday with Lisa Goode Crawford, Mark Edwards, and Mitzi Meyerson offered a long list of takeaways, but also introduced BPI’s 22 harpsichordists to the unique personalities of their mentors [Read more…]

CD Review
Les Délices: Age of Indulgence

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by Daniel Hathaway

Les-Delices-Indulgence-CDWhen an ensemble’s programs are as carefully curated as those of Cleveland’s Les Délices, it makes perfect sense to preserve them nearly intact in the form of a recording. Age of Indulgence is a case in point. Presented twice in November of 2015, the program delivered everything the ensemble is known for: expert, accessible performances of French Baroque repertoire using a small number of players in inventive combinations, always chosen to make an artistic point without pretense or pedantry, and performed without intermission in the course of an hour and a quarter. [Read more…]

Apollo’s Fire caps off its 25th season with “Revolutionary Beethoven”

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by Daniel Hathaway

afjsconductingHistorical performance groups have revitalized Baroque music by performing 17th- and 18th-century works on the instruments for which they were written. More recently, a number of those ensembles have made forays into the classical world of Haydn and Mozart and the early Romantic era of Beethoven and Mendelssohn, expanding their musical rhetoric and stretching the capabilities of their instruments.

Now add Jeannette Sorrell and Apollo’s Fire to that list. Cleveland’s Baroque Orchestra will conclude their 25th-anniversary season with “Beethoven and Schubert Rediscovered,” a festival that includes four Beethoven concerts, a “Schubertiade,” a dance workshop, and lectures and panel discussions.

The Beethoven programs, which run from April 26-29, will feature Berlin Philharmonic first concertmaster Noah Bendix-Balgley performing the Violin Concerto. The program includes the Egmont Overture and the Fifth Symphony.

[Read more…]

Les Délices: tragic stories inspire beautiful cantatas at Plymouth (April 9)

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by Daniel Hathaway

LesDelicesPlymouth012217You can count on Les Délices, Cleveland’s French Baroque specialists, to curate inspired programs and perform them with consummate skill. “Fated Lovers,” featuring cantatas by Louis-Nicolas Clérambault and Jean-Philippe Rameau, continued that tradition on Sunday afternoon, April 9 in Herr Chapel at Plymouth Church. The tragic stories of Hero and Leander, Pyramus and Thisbe, and Hippolyte and Aricie inspired gorgeous music expressively sung by soprano Clara Rottsolk and tenor Jason McStoots, supported by the instrumentalists of Les Délices. [Read more…]

The Gift of Music

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CDsThe gift of music is always a wonderful way to say happy holidays to friends and family. The week, the editors and correspondents of ClevelandClassical.com are pleased to suggest nineteen CDs released in 2016 by outstanding musicians, most of whom call Northeast Ohio home.

There’s certainly something on this list for every classical music lover. Click on the links at the end of each paragraph to read complete reviews of each album. [Read more…]

CD Review
Quicksilver: Fantasticus

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by Daniel Hathaway

quicksilver-fantasticus-cdThe New York-based period instrument ensemble Quicksilver, co-directed by violinists Robert Mealy and Cleveland’s own Julie Andrijeski, have released an enthralling album titled Fantasticus: extravagant and virtuosic music of the German seventeenth century. [Read more…]

Julie Andrijeski’s Cabinet of Wonders at Tregoning & Company (Nov. 12)

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by Nicholas Jones

andrijeskiCleveland-based Baroque violinist Julie Andrijeski, well-known to area audiences for her performances with Les Délices and Apollo’s Fire, premiered a new project on Saturday, November 12 in a lively concert at the Tregoning & Company gallery on West 78th Street. [Read more…]

Julie Andrijeski to present opening concert of Wonder Chamber Project

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by Mike Telin

andrijeski“The sense of discovery is exciting for me,” Baroque violinist Julie Andrijeski said over coffee at her Ohio City home. “I’m so thankful to have received a Creative Workforce Fellowship because it has allowed me to discover many things both artistically and personally.”

On Saturday, November 12 at 7:00 pm at Tregoning & Company Gallery, Julie Andrijeski will give the opening concert of her Wonder Chamber Project, presented as part of her Fellowship.

Andrijeski, who will be joined by harpsichordist Joseph Gascho, gambist Jaap ter Linden, and theorbist Simon Martyn-Ellis, will perform recently discovered music by Austrian composer Johann Heinrich Schmelzer. [Read more…]

Bach at Oberlin BPI: the B-minor Mass in Warner Concert Hall (July 1)

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by Nicholas Jones

BPI-Mass-Concert-1Johann Sebastian Bach’s Mass in B Minor is, to say the least, a daunting work. It’s full of challenging vocal and instrumental parts that seem to venture into every key in the theory book. It’s composed of one complicated counterpoint after another. And like any sung mass, its musical integrity can seem at odds with the liturgical functions of the texts. And it’s long (over two hours). In its recent embodiment at Oberlin’s Baroque Performance Institute (BPI), all of these challenges seemed to disappear. [Read more…]

Les Délices: Vaudeville in the French Baroque (May 8)

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by Nicholas Jones

TheatredelaFoireWhen we hear the big names of French Baroque music — Couperin, Lully, Rameau — we think of the opulence of the courts of Paris and Versailles. And we think big — long, serious operas on mythical subjects, string bands packed with dozens of players, and hefty subsidies from king and courtiers. But outside the heady claustrophobia of the courts, Paris also had a looser musical counterculture in the suburbs: small ensembles that played music based on popular tunes, and presented “operas” based not on the tragedies of gods and heroes but on the complications of everyday life. [Read more…]

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