by Neil McCalmont
“Dad, I think we should have a festival.” Recalling the words of his daughter Diana, Franklin Cohen related how ChamberFest Cleveland first got started. “We loved the way summer music festivals felt like a family,” he explained. “What a great way to reach the core of the average audience member.”
After more than a dozen thrilling concerts, the festival’s fifth season has come to a close. Though the number of artists and performances has grown since its 2012 inception, ChamberFest still holds this mission at its core: “To nurture a deep family-like connection between musicians and audiences of all ages.”
The father-daughter duo of Franklin and Diana Cohen founded and co-direct ChamberFest Cleveland. Diana is concertmaster of the Calgary Philharmonic Orchestra, her father the principal clarinet emeritus of The Cleveland Orchestra. They set out to found a festival — partly inspired by their experiences at the Marlboro Music Festival — with the goal of “great players, great music-making, and great community.” [Read more…]
ChamberFest Cleveland’s concerts organize chamber works under imaginative themes. On Friday evening, June 17 in Reinberger Chamber Hall at Severance, the connective tissue that linked works by Bridge, Dvořák, Kurtág, Beethoven, and Brahms in a concert titled “To My Distant Beloved” was the idea of separation anxiety. 
