by Jarrett Hoffman
The Cleveland Composers Guild’s annual collaboration with music students in the area couldn’t go ahead as usual this year (I’ll let you guess why). But that didn’t stop the Guild and these young players from putting together something virtual.
by David Kulma
It was another fascinating afternoon of recent music by members of the Cleveland Composers Guild at CSU’s Drinko Recital Hall on Sunday, October 13. Opening the Guild’s 60th anniversary season, the concert featured chamber music by eight local composers in the usual explorative potluck format.
by Mike Telin
If you’ve ever been asked to define new music, you’ve probably found yourself over-thinking the question. As the Minneapolis-based ensemble Zeitgeist explains it on their website, “In the end, new music is simply that: newly created music written by living composers.”
On Sunday, October 13 at 3:00 pm in Drinko Hall at Cleveland State University, the Cleveland Composers Guild will kick off its 60th anniversary season with a program that celebrates the membership’s diversity of musical styles. The free concert will feature works by Sebastian Birch, Margaret Brouwer, Margi Griebling-Haigh, Scott Michal, Ryan Charles Ramer, Robert Rollin, Matthew C. Saunders, and James Wilding.
“I always say that our concerts are for adventurous listeners who like a smorgasbord of the unexpected,” Composers Guild vice-chair Margi Griebling-Haigh said during a telephone interview. [Read more…]
by Daniel Hathaway
The creation of new operas is a passion of Scott Skiba, Cleveland Opera Theater’s executive artistic director. The company will host the third annual {NOW} Festival at Baldwin Wallace Conservatory beginning on Monday, February 4 and running through Sunday, February 9. All Festival activities are free and open to the public.
This year’s Festival will include partnerships between Baldwin Wallace, Bowling Green State University, the Cleveland Composers Guild, Hiram College, and Oberlin. “Every year we try to make the institutional collaborations and student engagement more rich,” Skiba said during a telephone conversation. “And this year we’ve got great energy around everything that’s happening.”
The Festival will also include an American Futures Residency by composers Jake Heggie and Griffin Candey, and soprano Ann Moss. “We started putting the plans for this together during the first {NOW} Festival,” Skiba noted. “The residency will allow us to bring these three exceptional artists to the BW campus to work and collaborate with Conservatory students.” [Read more…]
by Mike Telin
Since 2014, the Grammy Award-winning Cleveland Chamber Symphony has sponsored NEOSonicFest, a festival of new music performed by musicians from Northeast Ohio and beyond. The 2018 festival will run from April 5 through 11 (see below for concert dates and times).
Clarinetist Carol Robinson and trumpeter Nate Wooley will kick things off by performing selections from Éliane Radigue’s Occam Ocean on April 5 at MOCA. The composer describes her work as “an ongoing acoustic work with influences ranging from electromagnetic waves, to William of Ockham’s philosophies, to science fiction mythologies.”
The always creative No Exit will return to the Festival on April 6 at Heights Arts. The ensemble was founded by composer Timothy Beyer as an outlet for the commissioning and performance of contemporary avant-garde concert music. No Exit is committed to promoting the works of living composers, particularly the music of young and emerging artists who haven’t yet received either the opportunities or exposure of their better-known counterparts. (Works by Leo Ornstein, Ty Emerson, Per Nørgård, James Praznik, Andrew Rindfleisch & Tristan Murail).
by Daniel Hathaway
Excellent performances of chamber music written by 7 of the 34 members of the Cleveland Composers Guild were featured in a collaborative concert with the Syndicate for the New Arts on Sunday evening, December 4 at Historic St. John’s Episcopal Church in Ohio City. [Read more…]
Bulgarian-born pianist Avguste Antonov, now based in Dallas, who specializes in the performance of works by living composers, will present a concert at Youngstown’s Holy Apostles Church (formerly Ss. Peter and Paul) on Sunday, August 31 at 4:00 pm, and a noonday recital at the Youngstown’s Butler Institute of American Art (Beecher Court) on Wednesday, September 3.
Repertory from Antonov’s new CD on the New York Hartshorn Recordings label will be featured on his August 31 recital. Youngstown composers account for three-fifths of that project, including professor emeritus Robert Rollin’s Blue Fantasy, Richard Zacharias’s Romance for piano solo, and Samantha Hogan’s Cumulus Humilis for piano solo. Other composers are Matthew Saunders and Sy Brandon. [Read more…]
by Daniel Hathaway
Soon after arriving at the Dana School of Music at Youngstown State University, composers Robert and Gwyneth Rollin founded the Dana New Music Society and the New Music Festival. This week, the Festival celebrates its thirtieth anniversary with a series of performances and premieres on Wednesday, April 30 and Thursday, May 1.
The free performances begin with a Music at Noon concert on Wednesday at the Butler Institute of American Art, followed by a gala concert in Bliss Recital Hall on Wednesday evening featuring Robert Rollin and the Festival Orchestra. Guest pianist Holly Roadfeldt will play a solo recital on Thursday evening in Bliss Recital Hall (see the calendar listings for details).
Swedish composer and performer Lars Bröndum (above) and California-based composer Kathy Henkel will be the featured artists this year, each of them premiering a new work. Bröndum will be returning to the university where he first matriculated as a guitar major but soon encountered the new music scene. “When they introduced us to the curriculum as freshmen,” he said in a telephone conversation, “they warned us about taking a certain course because it was all ‘strange music’.” [Read more…]
by Daniel Hathaway
Youngstown State University’s Dana New Music Festival XIX held its ultimate concert at St. Columba Cathedral on Wednesday evening, May 1, featuring new works by faculty, student and community composers, a couple of not-so-new-music selections by French and American composers and several Polish pieces performed by four members of the Sobieski family (left) who had also been featured at a noontime concert at the Butler Institute of American Art. The Festival Orchestra was conducted by composition professor Robert Rollin and other performances featured members of the Dana Composers Ensemble (directed by Gwneth Rollin). The two-hour concert, played without intermission, offered an intriguing buffet of musical styles.
Youngstown composer Richard Zacharias’s All Right, Time to Go, ironically opened the evening with intriguing back-and-forth monologues between violin (Natalie Sahyoun) and piano (Alison Morris) who only later joined in dialogue. Both in the opening work and in Zacharias’s Duo Two (a first performance), the pairs of instrumentalists seemed to be trying to start up a conversation but communication proved difficult. Duo Two was distinguished by strong horn playing from Stephen Klein, with the fine assistance of pianist Maria Fesz. [Read more…]