by Noah Auby

Performed by a string quartet with periodic shouting from violinist (and ENCORE artistic director) Jinjoo Cho, the players flawlessly executed the intended discordant quality of the piece. [Read more…]
by Noah Auby
by Noah Auby

Performed by a string quartet with periodic shouting from violinist (and ENCORE artistic director) Jinjoo Cho, the players flawlessly executed the intended discordant quality of the piece. [Read more…]
by Jarrett Hoffman

•Today’s schedule: Ohio Light Opera goes outdoors with The Fantasticks (pictured), Local 4 Music Fund presents the Athena Quartet, and pianist Spencer Myer joins the Miami String Quartet at Kent Blossom
•Job postings: openings for string players, oboists, and clarinetists at Heights Chamber Orchestra and the Lima Symphony
•Interesting reads: a withdrawal due to the use of blackface, a grappling with the character of Carmen, and financial privilege in classical music
•Almanac: two American composer/performers in Peggy Stuart Coolidge and Will Marion Cook
by Daniel Hathaway

. Locals Gabriella Haigh, Randall Fusco, and Joela Jones featured on Charnofksy’s radio show
. Girls join John’s choir at Cambridge U., new comic opera at Glimmerglass, Rhiannon Giddens “reweaves” Silk Road Ensemble, update on Afghanistan Music School
. Almanac honors Canadian composer & environmentalist R. Murray Shafer [Read more…]
by Daniel Hathaway

. String Quartets, Orchestra concerts, Light Opera, and a trio of Carillons
. Concert updates and news bits from Ohio Light Opera, Cleveland Jazz Orchestra, Cleveland Classical Guitar Society and Cuyahoga Arts & Culture
. From Van: Two young musicians survive their orchestral trial years in Germany
. Almanac: birth anniversaries of Linda Ronstad, James MacMillan, and Peter Schickele (aka P.D.Q. Bach)
THIS WEEKEND’S EVENTS:
On Friday July 15 at 7:00 pm the Callisto Quartet (pictured, Cameron Daly & Gregory Lewis, violins, Eva Kennedy, viola, Hannah Moses, cello) performs Haydn’s Quartet op.76, no. 4, Debussy’s. Quartet and Mendelssohn’s Quartet, op. 13 at the Solon Center for the Arts. Tickets are available online. [Read more…]
by Jarrett Hoffman

•Carillon, Twitter, football, and math collide today at noon at the McGaffin Carillon, and Ohio Light Opera takes up The Mock Marriage at 2:00
•R.I.P. Bramwell Tovey, British conductor and composer
•Almanac: George Lewis, Unsuk Chin, and Gerald Finzi
HAPPENING TODAY:
At noon, George Leggiero will take up the McGaffin Carillon in Cory Arcangel’s Hail Mary, a project in which a Twitter bot uses an algorithm to generate a new score for carillon every day.
“The dynamics, harmonic content, and even placement on manual of the piece is loosely based on a ‘hail mary’ maneuver in American football,” Arcangel writes. Emoji also make up an important element of the score. (Click here and scroll down on that page for details about the process.) The performance will also be live streamed here.
And at 2:00 pm at Freedlander Theatre, Ohio Light Opera gives the opening performance of Franz Lehár’s The Mock Marriage. Get tickets here.
by Nicolette Cheauré

Several tracks depict nature or natural disasters, starting with Takuma Itoh’s Kohola Sings (Humpback Whales), Michael Daugherty’s Hear the Dust Blow, Chen Yi’s Dark Mountains, and Aaron Jay Kernis’ On Hearing Nightbirds at Dusk.
by Stephanie Manning

It was on the Blossom Music Center stage where the Columbus, Ohio native made his debut with the Orchestra back in 2017. “I remember how sensitive they were to the music and how the sections within the orchestra were so together, and so expressive and nuanced,” he reflected in a 2019 interview with ClevelandClassical.com. “It was like playing with a chamber music group.”
For his third appearance at Blossom, Diehl will be joined by bassist David Wong, drummer Aaron Kimmel, and soprano Mikaela Bennett on Saturday, July 16 at 7:00 pm. Led by conductor Jader Bignamini, the Orchestra will also perform two works by Ottorino Resphigi: Fountains of Rome and Pines of Rome. Tickets are available here.
by Daniel Hathaway
Ohio Light Opera has expanded its repertoire beyond the Savoy operas that originally defined the company, but it still finds room to produce one or two shows every season by the brilliant team of William Schwenck Gilbert and Arthur Seymour Sullivan, who found so many ways to poke fun at the cozy conventions of Victorian England.
This season’s G&S show, Pirates of Penzance, subtitled “The Slave of Duty,” spins its plot around young Frederick, sung by the clear-voiced tenor Spencer Reese, who does double duty as choreographer of the show’s athletic ensemble numbers.
by Mike Telin
by Mike Telin

While Piano Cleveland’s signature event is the Cleveland International Piano Competition, Kohlberg said that it is important for them to engage with their audience while attracting new people to that event and to classical music. “It’s our role to tackle these things and to influence people — we are responsible for the future.”
To get people in the piano mood, there will be two Forte Friday events — the first on July 15 at 6:30 pm at Crocker Park and the second on July 22 at 5:30 at the Van Aken District. “Last year we saw that the pop-up events like these were a great way to attract new audiences and to generate excitement for our big performances,” Kohlberg said, adding that like last year, these will also feature music of many genres and styles.
by Jarrett Hoffman

Gabriel Fauré’s Piano Quartet No. 2 in g will be the focus when Myer and the Miami get this tradition going again on Tuesday, July 19 at 7:30 pm at Kent State University’s Ludwig Recital Hall. Of course, the Quartet will be minus one fiddle for that piece, but not to worry: violinists Benny Kim and Cathy Meng Robinson, violist Scott Lee, and cellist Keith Robinson will all come together in string quartets by Joseph Haydn (Op. 77, No. 1) and Samuel Barber (Op. 11). Tickets are available here.
Myer has played Fauré’s First Piano Quartet before, but the g-minor — which he described as grittier and with more gravitas — is new to him. And what a warm welcome it gives to any pianist: a series of quick 32nd-note gestures right at the top, repeated again and again, and again.