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Cleveland Orchestra Youth Orchestra: a conversation with concerto competition winner Julia Schilz

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by Mike Telin

As a young musician, many times the decision to learn a new piece is not a decision at all. Such was the case for violinist Julia Schilz and Max Bruch’s Scottish Fantasy. “My teacher assigned it,” Schilz said during a telephone conversation. “But from the moment I heard it I was so drawn to it.”

On Friday, May 10 at 8:00 pm at Severance Hall, Schilz, a COYO concerto competition winner, will have the honor of performing the work with the Cleveland Orchestra Youth Orchestra under the direction of Vinay Parameswaran. The program also includes Bartók’s Dance Suite and Shostakovich’s Symphony No. 5. Tickets are available online.

Throughout the concerto Bruch borrows Scottish folk melodies such as Through the Wood Laddie, The Dusty Miller, I’m A’ Doun for Lack O’Johnnie, and Hey Tuttie Tatie. That said, Schilz views the concerto as “100% classical music” that is inspired by these Celtic tunes.

Describing the piece, Schilz, who is in her third year as a member of COYO, said that the first and third movements are extremely lyrical.

[Read more…]

Cleveland Museum of Art to present world premiere of Ergün’s Formare

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by Mike Telin

Since its inception in 2008, the Cleveland Foundation’s Creative Fusion program has brought more than 80 international artists to Cleveland for residencies. For the program’s latest edition, the Cleveland Museum of Art (CMA) is partnering with the Foundation in the commissioning of six new works by composers from across the globe under the auspices of the Museum’s Performing Arts Series.

On Wednesday, May 8 at 7:30 pm in the Museum’s Ames Family Atrium, composer Cenk Ergün will present Formare, the second premiere of the series. The work is scored for female choir, children’s choir, harpsichords, and trombones. The hour-long concert is free.

Responding to questions by email, Ergün said that the work’s title, Formare, means “to form” in Latin, and refers both to the formation of sound, and to the positioning of the performers within the space. Ergün will use both the ground level and second-floor allées of the atrium.

“The four trombones are divided into pairs and placed on the west and east allées,” Ergün said. “Four of the twelve singers are spread across the north allée, and the other eight, along with three harpsichords and a children’s choir, are positioned evenly across the ground floor. [Read more…]

The Cleveland Orchestra: a conversation with Katia Labèque

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by Mike Telin

When the duo piano team of sisters Katia and Marielle Labèque return to Severance Hall this week, they will be bringing with them a rarity of the two-piano literature. “The Bruch is really the only Romantic concerto we have in our repertoire,” Katia Labèque said during an interview. “The Romantic composers didn’t write a lot for two pianos, so we are very happy to have this one. It is a wonderful piece and we look forward to bringing it to Cleveland.”

On Thursday, May 9 at 7:30 pm, guest conductor Semyon Bychkov will lead The Cleveland Orchestra in a concert that includes Bruch’s Concerto for Two Pianos, Detlev Glanert’s Distant Land: Music with Brahms, and Smetana’s Three Selections from Má Vlast: “Vyšehrad,” “The Moldau,” and “Sárka.”  The program will be repeated on Friday at 11:00 am (without the Glanert) and Saturday at 8:00 pm. Tickets are available online.

Interestingly enough, Bruch composed the concerto for the American duo-pianist sisters Rose and Ottilie Sutr in 1912. However, without the composer’s permission, the sisters rewrote the concerto to accommodate their technical abilities. [Read more…]

Violinist Vadim Gluzman returns to Severance Hall

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by Mike Telin

Tchaikovsky’s Violin Concerto has been part of The Cleveland Orchestra’s repertoire since its founding in 1918. Mishel Piastro soloed in the first Cleveland Orchestra performance of the work on February 13, 1921 under the direction of Nikolai Sokoloff at the Hippodrome in New York City. Mischa Elman gave the first performance at a Subscription Concert on October 23, 1924 at Masonic Auditorium under Sokoloff — who also conducted the first Severance Hall performance on October 20, 1932 with Jascha Heifetz as soloist. Artur Rodzinski first conducted the work on March 29, 1934 with Nathan Milstein as soloist, and Erich Leinsdorf first led the concerto on January 6, 1944 with Efrem Zimbalist.

What did these soloists have in common? They were all students of the great violin pedagogue Leopold Auer, to whom Tchaikovsky originally dedicated the concerto.

Vadim Gluzman will continue the Auer legacy when he performs the work on Thursday, May 2 at 7:30 pm in Severance Hall on the legendary Auer Stradivarius from 1690, the instrument for which Tchaikovsky wrote his famous concerto. The concert, under the direction of Michail Jurowski, also includes Shostakovich’s Symphony No. 11 (“The Year 1905”). The program will be repeated on Friday and Saturday at 8:00 pm and Sunday at 3:00 pm. Tickets are available online.

[Read more…]

The Cleveland Orchestra: a conversation with guest conductor Stéphane Denève

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by Mike Telin

Ecstasy:
1) An overwhelming feeling of great happiness or joyful excitement.
2) An emotional or religious frenzy or trance-like state, originally one involving an experience of mystic self-transcendence.

This week at Severance Hall, guest conductor Stéphane Denève will lead The Cleveland Orchestra in a musical exploration of the realm of ecstasy. The program includes Jennifer Higdon’s blue cathedral, James MacMillan’s Piano Concerto No. 3 (“The Mysteries of Light”) featuring Jean-Yves Thibaudet, Debussy’s Prelude to the Afternoon of a Faun, and Scriabin’s The Poem of Ecstasy. Performances take place on Thursday, April 25 at 7:30 pm, Friday at 11:00 am (no MacMillan), and Saturday at 8:00 pm. Tickets are available online.

[Read more…]

Cleveland Opera Theater to present La traviata at the Maltz

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by Mike Telin

Violetta Valéry is among the most popular of the many sopranos who die in the last acts of operas. You can relive the story of that “fallen woman” this weekend when Cleveland Opera Theater turns the Maltz Performing Arts Center into an opera house for Verdi’s La traviata.

Scott Skiba directs, Domenico Boyagian conducts, and the cast features Angela Mortellaro as Violetta, Benjamin Werley as Alfredo, and Grant Youngblood as Germont. The Act II party scene is always a highlight, but this one, featuring Cleveland Burlesque, promises to be a show-stopper. The lights go up on Friday, April 26 at 7:00 pm and on Sunday, April 28 at 3:00 pm. Tickets are available online.

“Cleveland Burlesque performs all around Cleveland,” Skiba said during a telephone conversation, “and I reached out to them because we are setting the production in contemporary times. I was thinking, who would Flora hire to perform at her party, and I thought she would hire burlesque dancers.”

[Read more…]

Cleveland Classical Guitar Society: a conversation with Judicaël Perroy

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by Mike Telin

The decision to pursue the path of a professional musician came late for Judicaël Perroy. “I didn’t decide until I was in my twenties,” the French-born guitarist wrote in an email. Perroy, who serves on the faculty at the San Francisco Conservatory, said that although he learned to play the guitar early in life, he was always interested in other subjects while he was in school. “I was kind of a child prodigy and everybody thought that I would become a guitarist. So I decided late because I wanted it to be my decision.”

On Saturday, April 27 at 7:30 pm in Plymouth Church, Perroy will make his Cleveland debut with a concert featuring works by Bach, Sor, Mertz, Villa-Lobos, and Albéniz. The concert is presented as part of the Cleveland Classical Guitar Society’s International Series. Tickets are available online.

[Read more…]

The Spring Quartet: a conversation with Joe Lovano and Jack DeJohnette

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by Mike Telin

On Wednesday, April 17 at 7:30 pm in Finney Chapel, the Oberlin Artist Recital Series will present The Spring Quartet, an all-star ensemble that includes drummer Jack DeJohnette, saxman Joe Lovano, bassist/vocalist Esperanza Spalding, and pianist Leo Genovese. The concert is part of the 30th anniversary celebration of the Conservatory’s Jazz Studies Program. Tickets are limited and available online.

Click here to read a preview of tomorrow night’s concert. Here we continue our conversations with Lovano and DeJohnette to talk about their careers and how they came to jazz.

Joe Lovano was born in Cleveland, where his father was a noted tenor saxophonist. After graduating from Euclid High School he went on to study at the Berklee College of Music. Lovano is a self-proclaimed Cleveland ambassador and is thrilled to have recently spent two nights at the Bop Stop recording for National Public Radio’s Jazz Night in America. When I spoke to him, he was in a four-day residency at San Francisco Jazz.

[Read more…]

THE LONG VIEW: A Portrait of Ruth Bader Ginsburg

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by Mike Telin

“Fight for the things that you care about, but do it in a way that will lead others to join you.”

— Justice Ruth Bader Ginsburg, aka Notorious RBG

On Thursday, April 18 at 7:00 pm in Cleveland State University’s Drinko Recital Hall, pianist Angelin Chang, soprano Patrice Michaels, and classical music producer James Ginsburg will present Michaels’ THE LONG VIEW: A Portrait of Ruth Bader Ginsburg in Nine Songs. The cycle serves as the centerpiece of this one-act, 75-minute dramatic concert which also includes works by Vivian Fung, Stacy Garrop, Lee Hoiby, Lori Laitman, and John Musto as well as projection designs by Yee Eun Nam. A Question & Answer session will follow the performance. Admission is free and open to the public.

This nine-song cycle by Michaels (daughter-in-law of RBG) brings to light many aspects of Justice Ginsburg’s personal and professional life through letters, remembrances, conversations, and court opinions. The cycle has been recorded by Michaels for Cedille Records, the Chicago-based label of James Ginsburg (son of RBG). The album Notorious RBG in Song is available from Cedille.

[Read more…]

Oberlin Artist Recital Series: The Spring Quartet

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by Mike Telin

It’s been three decades since the Oberlin Conservatory launched its Jazz Studies Program, and beginning on Monday, April 15, the school will mark the milestone with a three-day celebration. (A full schedule is below.) The festivities will culminate on Wednesday, April 17 at 7:30 pm in Finney Chapel with an Artist Recital Series performance by The Spring Quartet, an all-star ensemble that includes drummer Jack DeJohnette, saxman Joe Lovano, bassist/vocalist Esperanza Spalding, and pianist Leo Genovese. Tickets are limited and available online.

The membership of the Spring Quartet spans three generations, something that DeJohnette, a 2012 NEA Jazz Master, said makes for a nice balance of older and younger generations. “There’s this exchange of inspiration from Esperanza and Leo and you need that young energy,” he said during an interview.

In a separate interview Joe Lovano said that the group shares a common musical vocabulary which is the reason the four members “clicked from the very first downbeat.”

DeJohnette agreed. “Sometimes people come together and the magic happens,” he said. “We have a lot of love and respect for each other as people and as artists, and the propensity to work together cooperatively is greatly enhanced because of that.” [Read more…]

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