by Daniel Hathaway

The performance will include J.S. Bach’s Harpsichord Concerto in f featuring Robert Mollard, Scarlatti’s Keyboard Sonata in G in an arrangement for orchestra by Amy Barlowe, and Handel’s Concerti Grossi in F and G from his Op. 6. We spoke with concertmaster Alan Bodman to ask how Akron Baroque narrowed down their choice of repertoire for Sunday’s concert.
“We were pretty sure we wanted to do a Handel concerto grosso, so we listened to all of the Op. 6 pieces and really liked No. 1 in G.” Bodman said. “They’re so imaginative, and offer a lot of variety in their movements. We needed something very lively and upbeat to conclude the program, and No. 9 stood out for us.”





“When I think of introducing the classical music that we love to young kids,
Next week, a series of concerts by CityMusic Cleveland, led by music director Avner Dorman, will aim to unite the Jewish and Arab communities, promote togetherness in Greater Cleveland, and emphasize the value of preserving the arts — regardless of culture. Titled “Two Faiths: One Spirit,” the series was inspired by stories of priceless religious texts that were rescued by people of other faiths.
Chilling bones since 1898, Henry James’s ghostly novella
Debra Nagy’s latest
A return to a concerto that brought with it a solo debut. The celebration of a long chamber music partnership and friendship. And one final concerto in a 22-year orchestral tenure.
Contrapunctus Early Music,
