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Crocus Hill Ghost Story
on Friday the 13th

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by Mike Telin

Friday the 13th — the mere mention of this day conjures up fear for those suffering from triskaidekaphobia. Or perhaps that fear stems from seeing one or more of the twelve slasher films. And, we must not forget that Italian composer Gioachino Rossini died on that most unlucky day.

On Friday, November 13 at 7:00 pm, St. Paul-based Zeitgeist will present Crocus Hill Ghost Story, the first of three broadcasts as part of the “Here and There 2020” collaboration with Cleveland-based No Exit. Listeners can access the free, pre-recorded performance at No Exit’s website or Facebook page on the night of the concert.

During a recent telephone conversation, No Exit artistic director Timothy Beyer confessed that the date is a coincidence. He also noted that this year is different from the previous “Here and There” collaborations. “Since we can’t get together to perform, Friday will be only Zeitgeist. Later this month, we (No Exit) will perform alone, and in January we’ll do an online concert together.”

Crocus Hill Ghost Story is a tale about a house possessed. Inspired by the author’s experiences of living in a St. Paul mansion during the 1980s, the piece follows the relationship between two longtime friends, and how that relationship evolves as they find themselves in the midst of a haunting. ​The work features an original story by Cheri Johnson, music by Julie Johnson, sound design by Eric M.C. Gonzalez, and video by FIX Agency. Performers include Heather Barringer and Patti Cudd (percussion), Pat O’Keefe (woodwinds), Jill Dawe (piano), and Krisanne Weiss (narration) of Zeitgeist.

[Read more…]

Cleveland Orchestra:
Episode 3 of “In Focus”

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by Mike Telin

“We have Severance Hall and we have Blossom Music Center, and Adella feels like our third home — a digital home for the 21st century,” Cleveland Orchestra chief brand officer Ross Binnie said during a recent telephone conversation.

On Thursday, November 12 at 7:00 pm, The Cleveland Orchestra will present “In Focus: Episode 3.” Recorded at Severance on the 22nd and 23rd of October under the direction of Franz Welser-Möst, the program features Haydn’s Piano Concerto in D with Emanuel Ax as soloist, and Bartók’s Divertimento for Strings. Click here to access the Orchestra’s Adella streaming platform (available on demand following the premiere), and here to purchase Adella premium.

Although behind-the-scenes discussions had centered around the creation of digital concerts for some time, Binnie noted that “like our ‘On a Personal Note’ podcasts, creating ‘In Focus’ was accelerated because of the pandemic.”

While acknowledging that they are not the only orchestra to offer their own digital platform, Binnie does see Cleveland’s as being a little different from the others. “We’re all trying to tell our stories, but I think ours is more focused on our music-making than our history, although there is a part of the site that’s devoted to archives.”

Ultimately, when audiences cannot attend in-person performances, Adella provides a way for the Orchestra to stay in touch with their donors, subscribers, and single-ticket buyers. “We typically play to 400,000 people in a year, and Adella helps us transport our story across the world. It helps us keep in touch: it’s great for our audiences in Miami, it’s great for our audiences in Europe and Asia — they can see what we’re doing the rest of the year, which I think is a tremendous asset.” [Read more…]

Music by J.S. Bach’s the choice for the second live stream performance by Vieaux & Davin

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by Daniel Hathaway

Early in June, the Cleveland International Classical Guitar Festival stepped into the in-person performance void with a live-streamed concert by Jason Vieaux and Colin Davin. Building on the success of that performance, festival director Armin Kelly has invited the two artists to broadcast another live concert on Saturday, November 14 at 2:00 pm. This time they will adapt solo violin and cello music by Johann Sebastian Bach for the classical guitar.

Davin will play the Cello Suite No. 6 in D, BWV 1012, and the Violin Partita No. 2 in d, BWV 1004. Vieaux has chosen the Violin Sonata No. 1 in g, BWV 1001, and the Cello Suite No. 1 in G, BWV 1007. You can join the event here for a donation of $10.

I caught up with Vieaux and Davin for a Zoom conversation on Monday afternoon and started by asking them how they had decided on an all-Bach program for next Saturday.

Davin: It was sort of our idea, but Armin Kelly was readily enthusiastic about it. We had talked about another program right after we finished the one in June, and I think I might have suggested all-Bach.

Vieaux: You did.

Davin: We thought that two suites each would make a nice program.

Vieaux: By June 6 we were already three months into this quasi-isolation, pandemic thing, and preparing a half hour of music and sharing a program with a great guitarist seemed like getting a whole concert together. I’ve been practicing three different Bach suites over the last two months trying to decide what to play, and that was just wonderful. It felt like being a musician again. [Read more…]

Oberlin Opera Online: Phoning in Menotti & Poulenc 

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by Mike Telin

In 2020, encountering someone engrossed with their phone is hardly an oddity. But even back in the days when phones did two things — make and receive calls — there were those who spent hours on them while ignoring the other people in the room, or who shared their emotional frustrations with any sympathetic ear.

On Friday, November 6 at 7:30 pm, Oberlin Opera Theater will present the double bill of Gian Carlo Menotti’s 1947 comedy The Telephone and Francis Poulenc’s 1958 tragédie lyrique, La voix humaine (“The Human Voice”). Directed by Jason Aaron Goldberg, with music direction by Daniel Michalak, the pre-recorded broadcast will begin with a discussion featuring Goldberg and members of the cast and crew. Presented as part of Oberlin Stage Left, the performance will remain available on demand through November 13. Click here to view.

Goldberg, a 2016 Oberlin alum who is currently in his final year of completing an MFA at the Actor’s Studio Drama School, received the invitation to direct these operas from his former mentor Jonathon Field, the Conservatory’s director of Opera Theater. [Read more…]

Pulse Quartet to perform
at Bop Stop October 29

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by Barnaby Woods

“Nothing could have prepared me for this scenario” bassist Aidan Plank said over the phone. In March 2020, the emergence of the COVID-19 pandemic threw the livelihood of freelance musicians into question. Jazz professionals with flourishing careers suddenly found themselves without work and unable to safely collaborate with their colleagues. Since then, the world has found ways of adjusting to the pandemic — Cleveland’s Bop Stop has installed state of the art streaming equipment to facilitate live performances for audiences to enjoy safely from their homes. On Thursday, October 29th at 7PM, Plank and his Pulse Quartet will be performing a set at The Bop Stop for a restricted live audience. You can also tune in via the jazz club’s Facebook page.

In addition to Plank, the ensemble features Anthony Fuoco on piano, Dustin May on drums, and Brad Wagner on saxophone. Plank is a well known bassist in Northeast Ohio. Outside of Pulse, he performs in Cleveland Jazz Orchestra, Cleveland Jazzworks, and Dan Bruce’s Beta Collective and was featured on NPR’s “Jazz Night in America” in 2019. Having started on piano in elementary school, he was introduced to jazz at a young age by his grandfather. “As a kid I would go to his house and there would be jazz records playing all the time — I remember looking at the album covers and I simply liked the way the bass looked — it looked big and fun and I loved how it sounded.” [Read more…]

Stroud Classical Guitar Competition goes digital, with finals this weekend 

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by Daniel Hathaway

Among the many best-laid plans that went awry when the coronavirus pandemic came to town was the premiere of James Stroud’s new Classical Guitar Competition, reconfigured for young guitarists ages 14 to 18, and scheduled to make its debut during the Cleveland International Classical Guitar Festival last May at the Cleveland Institute of Music.

The contest goes on this weekend, thanks to digital technology. The four contestants who have advanced so far via preliminary video performances have sent in final round videos for streaming on Friday, October 16. After vetting by a panel of judges, prizes of $10,000, $5,000, $2,500, and $1,000 will be awarded.

Hudson resident James Stroud launched his competition 20 years ago, and decided to change its emphasis and move it to CIM after holding previous contests at the University of Akron and Oberlin. “I always wanted to turn this into a national thing,” he said in a recent telephone conversation. “When I asked a number of guitarists and teachers how I could make the greatest impact, they advised me to concentrate on high school students.

“There are great kids coming up. I knew that Armin Kelly’s Festival at CIM was the best in the country, I love Mixon Hall, and (CIM President) Paul Hogle was super responsive to the idea.” Then the virus hit. When Kelly postponed his 2020 Festival, Stroud decided to move his competition online. [Read more…]

Cleveland Classical Guitar Society:
a debut & a premiere, so to speak

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by Jarrett Hoffman

Remote, pre-recorded performances have become an important part of the concert world during the coronavirus pandemic, but we’re all still figuring out how to talk about them.

When the Cleveland Classical Guitar Society presents Bokyung Byun in just such a performance on Saturday, October 17 at 7:30 pm, can we call it her Cleveland debut, even though she’ll be at her home in Los Angeles? And when she brings Theo Chandler’s Six Melodies to listeners’ ears for the first time in the work’s history, can we call it the premiere, even though it won’t be live?

Maybe the particular words don’t matter so much. The fact is, there’s plenty that’s new in this concert.

[Read more…]

Les Délices begins Concert Series with “Bewitched” Oct. 22

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by Jarrett Hoffman

There are a couple of reasons why “Bewitched” is a fitting title for the first program in Les Délices’ Concert Series, streaming Thursday, October 22 at 7:30 pm and available on demand until the Closing Reception on Monday, November 2, also at 7:30 — tickets available here.

Not only is Halloween drawing near, and not only will Chicago-based soprano Hannah De Priest sing the roles of two witches in Colin de Blamont’s Circé and Louis-Nicolas Clérambault’s Medée, but in a way, the ensemble hopes to cast a spell with a reenvisioning of the traditional concert format, in particular with the creative use of video and lighting.

In a conference call, I spoke to De Priest and Les Délices director/oboist Debra Nagy about the experience of recording in person at Plymouth Church in Shaker Heights, stepping into the shoes and the vocal cords of those morally ambiguous witches, the role of gender in these stories, favorite Halloween costumes, and one or two possible signature cocktails for the concert.

[Read more…]

Cleveland Orchestra introduces streaming platform “Adella”

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by Daniel Hathaway

First came Apple’s Siri (if she didn’t know the answer to a question, she’d helpfully reply, “I can look that up for you on the internet”). Then Amazon’s Alexa offered hands-free connections to the web (“Alexa, play NPR”) — while perhaps also listening in on our conversations.

Now, The Cleveland Orchestra has introduced Adella, named after its founder and first general manager, Adella Prentiss Hugues. She will knowledgeably serve as curator for all of the Orchestra’s digital content. That includes premium items — the In Focus Concert Series and Cleveland Orchestra Showcase — as well as free video from the Orchestra’s archives, expeditions behind the scenes, and “On A Personal Note” podcasts.

Central to Adella’s mission is bringing musicians back to Severance Hall to make music for the Orchestra’s patrons for the first time since the pandemic threw a spanner into the works in March. The In Focus series, which begins this Thursday, October 15, will comprise five, one-hour programs recorded mostly by the Orchestra’s strings, masked and physically distanced on the Severance stage. Wind players will be used sparingly. A few souls will be invited to attend, but most will watch via the stream. [Read more…]

Rocky River Chamber Music Society opens season with Diamond Brass Quintet

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by Jarrett Hoffman

After COVID struck, the Rocky River Chamber Music Society was one of the area’s first organizations to set up a live-streamed concert, the Society’s season finale in May.

One of the performers that night was trumpeter and board member Amanda Bekeny, who now brings her Diamond Brass Quintet colleagues to West Shore Unitarian Universalist Church to open the series’ 62nd season on Monday, October 12 at 7:30 pm.

Joining Bekeny will be trumpeter Nina Bell, hornist Greg Hills, trombonist David Mitchell, and tubist J.c. Sherman. Their program, live-streamed only, will include works by J.S. Bach, Victor Ewald, Stravinsky, Eric Ewazen, and Anthony DiLorenzo, and can be accessed on Facebook or YouTube.

Phenomenal player, great teacher, superstar freelancer: those are the words that RRCMS music director Dan McKelway used to describe Bekeny back in May.

I’ll add to that a few adjectives of my own. First, humble — the trumpeter gave a hearty laugh after I shared McKelway’s “superstar” compliment. And second, down-to-earth — after a very short delay at the start of our Zoom call, she explained that she hadn’t had the right TV show on for her 3-year-old. (Apparently, Daniel Tiger’s Neighborhood wasn’t good enough.)

[Read more…]

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