With the power out in Ohio City around W 25th St and Detroit Ave on Saturday night, August 11, Time Canvas gave a fascinatingly engaging — and unexpectedly unplugged and candlelit — final concert in their three-part Home Not Home series. Titled “Hip Hop and Minimalism,” this program at Historic St. John’s focused on the Black American experience represented by local emcee and mental health advocate Archie Green. The main project of the night was mashups: using classic minimalist music by four composers as the backing tracks for Green’s eloquent rapping of righteous, warranted indignation. [Read more…]
For all its diversity, Russian music often seems to boil down to a few key figures when it comes to concert programming. Statistics confirm this: in the 2016-2017 season, most of the music written between 1850 and 1969 that American orchestras played was Russian in origin. When Vasily Petrenko appeared with The Cleveland Orchestra last weekend at Blossom, the iconic works on the program by Rachmaninoff and Prokofiev fit that pattern. The power and freshness of the August 11 concert came from its rarity of an opener, its sparkling solo performance, eloquent encore, and shattering symphonic moments. [Read more…]
Last Sunday, August 12, an all-Brahms concert by the Master Singers Chorale and Orchestra at SS. Cosmas and Damian Church in Twinsburg honored the retirement of founding artistic director J.D. Goddard. The afternoon’s high point was the performance of the Fourth Symphony.
The days become shorter and hotter. School resumes. Vacationers unpack. We all know how this part of the summer feels: at once hazy and pell-mell, static and sped up. Northeast Ohioans can celebrate the fact that, for the fifth year running, The Cleveland Orchestra is inviting listeners into its cool urban home for the Summers@Severance series. In the second of three concerts, conductor Vasily Petrenko made good on the Orchestra’s new vow to tell “stories…without a single word,” through music born of travel and migration.
It was another enjoyable movie night at Blossom Music Center with The Cleveland Orchestra on Saturday, August 4. On offer was The Little Mermaid (1989) — a film which had kicked off the rebirth of Disney animated musicals through the ‘90s. Conducted by Sarah Hicks to sync with five gigantic screens and a packed lawn full of families, The Cleveland Orchestra brought Alan Menken’s magical music to life.
No Exit’s chamber concert on Saturday, July 28 at Heights Arts performed by clarinetist Gunnar Owen Hirthe and flutist Hong-Da Chin, engagingly juxtaposed traditional Chinese music with contemporary Western repertoire. The program also highlighted the wonders of micro-tonality. Surrounded by the Gallery’s complex, yet minimalist exhibit, Sticks and Stones, the evening was a walk through a cultural garden of sonic delights. [Read more…]
A glorious evening of music titled “Audra McDonald Sings Broadway” featured that justly famous soprano performing with The Cleveland Orchestra and conductor Andy Einhorn. The July 29 program at Blossom Music Center included a variety of songs from musicals famous and rare, from the works of Rodgers & Hammerstein to living composers.
On Sunday, August 5 at Blossom Music Center, The Cleveland Orchestra played a concise and musically satisfying program of works by three Czech composers: Smetana, Janáček, and Dvořák. British conductor Michael Francis led the stylish performance. With the temperature hovering around a sweltering and humid 87 degrees at concert time, the male members of the orchestra sensibly doffed their usual white dinner jackets for shirtsleeves. Even the tree-surrounded — and usually cooler — Blossom grounds failed to provide much relief from the midsummer heat.
Having recently turned 91, Herbert Blomstedt is practically an institution in himself, with a career spanning more than six decades. On Saturday, July 28, he returned to Northeast Ohio to lead The Cleveland Orchestra at Blossom Music Center in two canonical symphonies by Mozart and Brahms. The “Jupiter” was so smooth and straightforward as to pass by unremarkably, while the stirringly passionate performance of Brahms 4 showed how a seasoned conductor with a top-flight orchestra can achieve magic.
Kent Blossom presented its fifth and final faculty series program in Ludwig Recital Hall last Wednesday, August 1. The evening’s highlight was the gorgeous performance of Charles-Marie Widor’s Sonata for Cello and Piano in A by Richard Weiss, Cleveland Orchestra first assistant principal cello, and Joela Jones, Cleveland Orchestra keyboardist.