The centennial of the armistice that ended World War I has inspired several concerts this fall. The latest of them was “Remembrance: Music of War, Peace & Comfort,” an affecting performance by Cleveland Chamber Choir on the new Silver Hall Series at the Maltz Performing Arts Center. On Sunday, September 23, in an event that was part concert, part memorial service, Scott MacPherson led his 32-voice chorale in a beautifully curated program of music from six centuries that makes a “universal statement about the suffering that war brings to all people, especially the families of loved ones lost.” [Read more…]
Last Thursday evening at The Cleveland Orchestra’s season opener in Severance Hall, music director Franz Welser-Möst was honored with the Orchestra’s twenty-third annual Distinguished Service Award. On Friday, an uncommonly hot evening for September, he deserved a medal for leading the ensemble in full concert dress while his colleagues played in shirtsleeves in Oberlin’s steamy Finney Chapel, surely one of the only major concert halls in Northeast Ohio not to offer climate control. (Photo from an earlier performance).[Read more…]
Now that everyone is returning from summer vacations, school is in session, new seasons are starting, and the workplace is beginning to pick up the pace, the search for a window of relaxation amidst the craziness of everyday life is becoming real. Pianist and Oberlin Conservatory alum Michael Adcock’s new CD, Ragtime in Washington, might be just the thing. The tunes on this album evoke images of sitting by the fire with a warm beverage, enjoying swayed rhythms that make you want to sway too. [Read more…]
Sometimes, the concerts that a music-lover remembers best revolve around isolated points of interest: a moving phrase here, a glowing chord there, the consistent verve of one player over the course of an evening. However, some performances contain such long successions of bright points that a pattern forms, and the entire experience becomes one protracted highlight. When the musicians of BlueWater Chamber Orchestra opened their ninth season last weekend, it became difficult to miss the forest for the trees: delightful moments kept arriving. [Read more…]
Concerts that feature multiple players on a single instrument come with a risk: the consistency of tone across the evening can come across as a lack of variety. Some instruments, such as the piano, evade this thanks to centuries’ worth of diverse repertoire. Classical guitarists have additional advantages: their community boasts a strong tradition of writing new transcriptions and original works, and each great player has a unique sound. Both of those were in full evidence at last weekend’s Showcase Concert for the Cleveland Classical Guitar Society.
Sunny 18th-century music — some of it inspired by Nature, which was busy drenching Akron Baroque attendees on their way to Westminster Presbyterian Church — worked its magic on Sunday afternoon, September 9. The 13-member, modern instrument ensemble led by concertmaster Alan Bodman joined a fine roster of soloists in spirited performances of music by Vivaldi, Telemann, and Handel that would have lifted the most dampened spirits. [Read more…]
New school years in conservatories of music don’t often begin with big projects that bring multiple faculty members together around a single topic, but violin professor Sibbi Bernhardsson may have started something at Oberlin with his World War I festival last weekend. Two gallery presentations, four concerts, and two panel presentations on Saturday and Sunday, September 8 and 9 involved some twenty Oberlin faculty musicians and thirteen speakers from Oberlin and beyond in “Creative Arts & Music in the Shadow of War — Commemorating the Centenary of WWI.” [Read more…]
Pianist Jacob Greenberg, a longtime member of the International Contemporary Ensemble, explores the intersections between Debussy and the Second Viennese School in his latest album, the sprawling, two-disc Hanging Gardens, released on July 20 on the New Focus Recordings label. The opening pairing perfectly illustrates the focus of the album: these composers’ shared sense of musical passion. Although Debussy’s “Sarabande” from Pour le Piano and Berg’s Op. 1 Sonata in some ways inhabit completely different worlds, at the heart of both is an intensity that ranges from ecstasy to deep struggle. [Read more…]
Nearing the end of this summer, which included the third edition of the Milt Hinton Bass Institute at Oberlin, we look back a year earlier to a solo album with important connections both to the Conservatory and to the legendary Hinton himself. Groove Dreams, released on the Oberlin Music label in May of 2017, spotlights a special performer and a special instrument: Oberlin professor Peter Dominguez and the 18th-century Italian bass which Hinton played throughout his career. [Read more…]
On Friday, August 31 with a jam-packed lawn and many toy lightsabers, The Cleveland Orchestra’s final Blossom Music Center program with assistant conductor Vinay Parameswaran was a certifiable hit. This first of three screenings of George Lucas’s original Star Wars film with live orchestra showed off the many virtues of both John Williams’s iconic score and the Orchestra’s luxurious playing, most notably the power and grandeur of the brass. [Read more…]