by Daniel Hathaway
Duo-piano teams pop up with some frequency on recital series, but duo-organists not so much. The Atlanta-based husband and wife team of Raymond and Elizabeth Chenault have four-handedly (and four-footedly) set out to change that dynamic, having commissioned and performed some 60 organ duets during their four decades of sharing an organ bench. [Read more…]
by Daniel Hathaway
Though the Bascom Little Fund — named after the late Cleveland architect and avocational composer — may be obscure to many music lovers, it’s quite well-known among composers and musicians. Created “for the promotion through the media of concerts, publications, and recordings of serious and semi-popular music, newly composed and performed in or near Cleveland, Ohio,” the charitable trust has funded numerous projects over the last five decades. [Read more…]
by Timothy Robson
On Sunday afternoon, September 25th, The Cleveland Institute of Music began a series of seven concerts celebrating the musical legacy of French composer and conductor Pierre Boulez, whose relationship with The Cleveland Orchestra and other Cleveland musical institutions spanned almost 50 years. [Read more…]
by Robert Rollin
Last Saturday evening, September 17, the Youngstown Symphony inaugurated its 90th Anniversary Season with an interesting program celebrating the city’s ethnic heritage born of the steel industry and a predominantly Eastern European immigrant population. [Read more…]
by Nicholas Jones
For its 2016 season-opener on September 17 at St. Alban’s Episcopal Church in Cleveland Heights, Burning River Baroque assembled a fascinating and diverse program of music by women composers, both “famed and forgotten.” The pieces they chose — spanning ten centuries! — gave a taste of what gems lie beyond the patriarchal canon, particularly in the late 17th and early 18th centuries. [Read more…]
by Daniel Hathaway
Flutist George Pope, who played principal with the Akron Symphony from 1978-2002 while teaching at the University of Akron, has released a CD on the Crystal Records label featuring seven works he either commissioned, or were written for or first performed by him. In the liner notes, he reveals the musical preferences that informed his choice of repertoire: “beautiful melodies and colors, intricate passagework, energetic rhythms, and a strong current of jazz and popular music.” [Read more…]
by Timothy Robson
Barely a square inch of space remained on the lawn, and the Blossom Music Center pavilion was packed on a clear, cool Saturday evening, September 3, for the annual movie night at Blossom. This season’s offering was Steven Spielberg’s 1981 blockbuster Raiders of the Lost Ark, starring Harrison Ford as the intrepid archaeologist and adventurer Indiana Jones, with Karen Allen as his sometimes girlfriend Marion, and a host of well-known character actors. [Read more…]
by Jane Berkner
The dark, threatening cloud over Blossom Music Center on Saturday evening, August 27 delivered a thunderstorm right at the appointed concert hour. Fortunately for the large audience gathered to hear the conductorless Orpheus Chamber Orchestra play four of J.S. Bach’s celebrated Brandenburg Concerti, it blew over rather quickly. Waiting an extra ten minutes for the thunder to subside was not a huge concession, especially given that this was the much-anticipated debut of Orpheus at Blossom. [Read more…]
by Robert Rollin
Saturday night, August 20, at the Blossom Music Center, the rock quintet Windborne and the Blossom Festival Orchestra, conducted by Brent Havens, presented “The Music of Led Zeppelin, A Rock Symphony.” Havens arranged Zeppelin’s songs with an eye towards authenticity, so that longtime fans of the group would recognize the tunes in a tasteful orchestral tapestry that supported and augmented their original intent. Led Zeppelin at times used orchestral forces in its pieces, and Haven’s arrangements were consistently faithful to the originals. [Read more…]
by Alexandra Vago
Bad weather was no deterrent for concertgoers at the Blossom Music Center on Saturday, August 13. The audience in a nearly-packed pavilion and on an umbrella-laden lawn gave The Silk Road Ensemble two standing ovations, one at intermission and one at the conclusion of their stellar performance. [Read more…]