by David Kulma
Performances of Handel’s Messiah are as sure a sign that Christmas time has arrived as lights decorating homes and mailboxes stuffed with holiday sale advertising. So it’s no surprise that the evening of Saturday, December 1 found this reviewer at First Baptist Church in Shaker Heights for an absorbing rendition of Handel’s classic oratorio from Jeannette Sorrell and Apollo’s Fire alongside Apollo’s Singers. [Read more…]
by David Kulma
Over the course of two weekends from November 10 to 18, Apollo’s Fire celebrated the multicultural heritage of the Holy Land with “O Jerusalem!: Crossroads of Three Faiths.” This exploration of music of Jews, Christians, and Muslims was conceived and directed by artistic director Jeannette Sorrell as a sequel to their successful “Sephardic Journey” program first done in 2014. I attended the second concert on November 12 at St. Paul’s Episcopal Church in Cleveland Heights. [Read more…]
by Timothy Robson
ChamberFest Cleveland offered a light-hearted program of mostly unusual repertoire on Tuesday, June 19, in the resonant Crawford Rotunda at the Cleveland History Center of the Western Reserve Historical Society in University Circle. Performers included several familiar members of the “ChamberFest family” as well as some talented newcomers. [Read more…]
by Alice Koeninger
The Baroque Music Barn and its three-sided seating make for an intimate setting, which was perfect for the Friday, June 8 concert by Apollo’s Fire titled “Tarantella!” Soprano Amanda Powell, plucked instrument musician and tenor Brian Kay, and artistic director Jeannette Sorrell invited the audience to join them on an energetic and emotional tour of “Rhythms of the Old Mediterranean.” This fantastical journey was dramatically narrated by Powell, and talks by Kay, Sorrell, and ensemble member Daphna Mor added to the experience.
[Read more…]
by Mike Telin
Since ChamberFest Cleveland’s inaugural season in 2012, Festival co-artist directors Diana and Franklin Cohen have taken the concept of thematic programming to new heights. (It’s) About Time (2013) explored elements of time as related to the musical experience. Last season’s theme, Cycles: Phases! reflected on the complexity of the human experience at each stage of life.
This season ChamberFest will consider the concept of freedom — an essential ingredient to the creative process. Beginning of June 14 and continuing through June 30, In Search of Freedom will explore the range of freedom in music, with nine concerts in a variety of venues.
In addition to violinist Diana Cohen and clarinetist Franklin Cohen, this year’s roster of returning artists will include violinists Noah Bendix-Balgley, Alexi Kenney, and Amy Schwartz-Moretti, violinist/violist Yura Lee, cellists Julie Albers, Clive Greensmith, and Oliver Herbert, bassist Nathan Farrington, and pianists Zoltán Fejérvári, Roman Rabinovich, and Orion Weiss. Making their ChamberFest debuts are violinist Noah Geller, violists Matthew Lipman and Tanner Menees, cellist Nicholas Canellakis, flutist Lorna McGhee, and singer Amanda Powell.
by Mike Telin
“I’m excited about this particular program because I’ve been doing the ‘Beyond Boundaries’ project for many years,” vocalist Amanda Powell said during a telephone conversation. In the past the project has focused heavily on jazz. “I’ve always wanted to create an iteration of it that included some folk artists. And this program is the beginning of that leg of my exploration.”
On Sunday, May 13 at 4:00 pm at First Church in Oberlin, Music at the Meeting House will present Amanda Powell, lutenist Brian Kay, and bassist Dave Morgan in a free concert titled “Beyond Boundaries: Songs of the People.”
Powell said that she and her colleagues came up with the idea for Sunday’s program when they were creating another project for Apollo’s Fire. [Read more…]
by David Kulma
Apollo’s Fire’s L’Orfeo is, in short, spell-binding. You should drop everything and go to their final local performance in Bay Village on Wednesday, April 18. If you’re not yet convinced, please keep reading. Two things stand out about this glorious semi-staged performance of Claudio Monteverdi’s “Favola di musica” in Kulas Hall at the Cleveland Institute of Music on April 13. First is the magnificent production and performance. Second is the special music crafted by Apollo’s Fire principal cello René Schiffer to restore the original 1607 Bacchanale ending. [Read more…]
by Daniel Hathaway
Admirers of Thomas Forrest Kelly’s 2000 book First Nights: Five Musical Premieres probably wish they could have been physically present to witness the very first performances of Monteverdi’s L’Orfeo, Handel’s Messiah, Beethoven’s Ninth Symphony, Berlioz’s Symphonie Fantastique, and Stravinsky’s Le sacre du printemps.
Me? I wish I had been able to attend the rehearsals — which often prove as interesting as the performances themselves. Rehearsals are where artistic philosophies get established, deals are made between directors and performers, and kinks get worked out. When the piece in question is a staged work, the rehearsal process becomes more complex: the ideas (and egos) of more than one director need to be melded into a single product, and there’s much more that can go awry.
Apollo’s Fire will produce three semi-staged performances of Monteverdi’s L’Orfeo in the next week: two in Kulas Hall at the Cleveland Institute of Music on Friday and Saturday, April 13 and 14 at 7:30 pm, and one at St. Raphael Church in Bay Village on Wednesday, April 18 at 7:30 pm. [Read more…]
by Daniel Hathaway
The five sold-out performances of “Christmas on Sugarloaf Mountain” this month attest to the popularity of Apollo’s Fire’s crossover shows. Heard on Saturday, December 9 at First Baptist Church in Shaker Heights, the holiday sequel to “Sugarloaf Mountain: an Appalachian Gathering” was just as alluring and infectious as its predecessor, even if some of its elements were still in the process of settling in. [Read more…]
by Jarrett Hoffman
Building on their recent summer programs exploring the Celtic immigrant experience in Appalachia, Apollo’s Fire will celebrate “Christmas on Sugarloaf Mountain” with five area performances running from Saturday, December 2 to Sunday, December 10 (see our Concert Listings for times and locations).
Featuring vocalists Amanda Powell and Ross Hauck, Cleveland’s Baroque Orchestra will also greatly expand their band from the eight-musician summer troupe, adding to the mix the voices of Apollo’s Singers and the children’s choir Apollo’s Musettes, as well as bagpipes, additional fiddles, and dancers. Guitarist-singer Brian Kay will give a pre-concert talk an hour before each performance.
As artistic director Jeannette Sorrell said in a season preview in October, the program will begin with medieval music from Dublin’s St. Patrick’s Cathedral and folk carols. “Then we’ll cross the water for ‘Wanderers Under The Sky,’ which combines the flight of Mary and Joseph into Egypt with immigrants wandering in Appalachia. The second half of the program takes place entirely in a little wooden church during a Christmas service, with Shape-Note hymns and spirituals.” [Read more…]