by Mike Telin

Clarinetist Carol Robinson and trumpeter Nate Wooley will kick things off by performing selections from Éliane Radigue’s Occam Ocean on April 5 at MOCA. The composer describes her work as “an ongoing acoustic work with influences ranging from electromagnetic waves, to William of Ockham’s philosophies, to science fiction mythologies.”
The always creative No Exit will return to the Festival on April 6 at Heights Arts. The ensemble was founded by composer Timothy Beyer as an outlet for the commissioning and performance of contemporary avant-garde concert music. No Exit is committed to promoting the works of living composers, particularly the music of young and emerging artists who haven’t yet received either the opportunities or exposure of their better-known counterparts. (Works by Leo Ornstein, Ty Emerson, Per Nørgård, James Praznik, Andrew Rindfleisch & Tristan Murail).







Looking at the Cleveland Chamber Symphony’s March 21st program, you might think the concert was part of a festival of world premieres. However, the program for their Gamble Auditorium concert at Baldwin Wallace was actually part of the 2015 edition of the orchestra’s NEOSonicFest. The evening included a work by Henry Cowell, as well as world premieres by Jeremy Allen, CCS’s music director Steven Smith and Clint Needham.
When NEOSonicFest presents its fourth concert on Tuesday, March 24, at 7:30pm in Cleveland State University’s Waetjen Auditorium, the Cleveland Chamber Symphony (CCS) will pay tribute to its founder, the late Edwin London. The two-part musical evening will feature pieces by CCS’s 2015 Young and Emerging Composers competition winners, as well as a side-by-side performance with the Contemporary Youth Orchestra (CYO) of Bernard Rands’ London Serenade.
This weekend, NEOSonicFest 2015 begins its five-concert festival of new music sponsored by Cleveland Chamber Symphony in partnership with local new music ensembles. (See our concert listings page for times and locations.) “We’re excited about our second festival,” CCS conductor Steven Smith said during a telephone conversation. “This year we’ve added new venues and some new groups too. Our goal is to broaden the Festival each year, and the addition of new and alternative venues helps to underscore the idea that the performing space can enhance the music that is playing. I think that is especially true when it comes to contemporary music.”
“I’ve always been fascinated by dance,” said composer Clint Needham. “In my pieces I think about motion and movement, even if it’s just the performer moving. Between the two of us — myself and the choreographer, Sara Whale — we’ve created something a lot bigger than we each imagined, which I think is a really cool thing. I’m so thrilled that with Verb Ballets we’ve been able to make these Imaginary Dances less imaginary and more tangible, so to speak.”